Tag Archives: evening

Winter Light, Granite And Snow

Winter Light, Granite And Snow
Winter sunset light on a granite face and distant mountains fade into falling snow

Winter Light, Granite And Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Winter sunset light on a granite face and distant mountains fade into falling snow

I spent the last week in Yosemite National Park, as an artist-in-residence sponsored by Yosemite Renaissance. (Thank you!) I stayed in the Wawona area and made the drive to the Valley every day. It was wonderful to have a full week in the park and, especially, in the Valley. I spend a lot of time in Yosemite, but most of it is in the high country during summer and into the beginning of fall, so having this unbroken block of time in winter was a special treat. Making it even better, I got some weather luck. Recently California has again been in drought conditions, and last month we had record high temperatures that often felt more like spring or even summer. But I arrived to find cold (at times very cold) conditions, and a series of weak cold fronts brought snow to the Valley.

If I recall correctly, I had spent much of this afternoon photographing in the eastern part of the Valley, and as the weather closed in the light there began to die. I finished up my work in that area and prepared to depart for Wawona, but leaving enough to time to stop along the way should interesting light appear. In fact, further to the west the skies were trying to clear, and intermittent light made its way through breaks in the clouds to spotlight various areas. I stopped here and waited a few minutes, at which point almost the very last light of the day cut across the edge of the El Capitan monolith as the snow storm closed in on the upper Valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Twilight Flight

Twilight Flight
A rush of (mostly) geese at the end of the day

Twilight Flight. © Copyright 2018 G Dan Mitchell – all rights reserved.

A rushing blur of birds at the end of the day

First, I do know how to make sharp photographs of birds, too… ;-)

There are many things I can’t really explain about winter bird populations. But as I have watched them (and listened to their remarkable sound) from Washington to California, I am starting to at recognize a few more patterns. At times some birds become increasingly active, and at the end of the day, as light fades, there may be opportunities to depict the motions of individual birds and flocks in a different way — rather than trying to stop motion I just go with longer shutter speeds, pan with groups as they fly by, and let the motion blur take over. Frankly, in many ways I think that this confusing blur may better evoke the wild actions of these evening flocks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

The Cranes Return

The Cranes Return
“The Cranes Return” — Sandhill cranes fly over full moon in twilight and return San Joaquin Valley wetlands

I understand that the “Super Blue Blood Moon” or something similar occurred early this morning. I missed it. (Well, not quite. I did look out my window before sunrise, and I saw a bit of the eclipse over my neighbor’s house.) However, almost exactly 12 hours earlier I was in a position to look at and photograph that very same moon as it rose over the Sierra Nevada and climbed into the sky above California. It was a beautiful, quiet, peaceful moment at the end of a long day photographing birds.

I chose this particular day to visit the wetlands for a couple of reasons. First, I knew there would be ground fog in the morning and that fog often leaves behind a soft and hazy atmosphere. Second, I knew that the moon would rise from behind the Sierra about a half hour before actual sunset, putting it at an interesting elevation above the horizon at sunset and during the blue hour, that period when the moon seems bright but the ambient light is still sufficient to illuminate the landscape. I began watching for the rising moon at the appointed time, but it did not immediately appear, because it still had to clear the Sierra and because the atmosphere above the valley was so thick with haze. Perhaps twenty minutes later it began to emerge from the haze, and I quickly moved to a spot I had previously considered, where some trees break up the otherwise flat landscape here where a gravel road winds among them. I hoped that the cranes might appear — they often do during the moments shortly after sunset — and hoped even more that they might pass through the scene. Sometimes one does get lucky, and a long string of the birds flew just above the moon as the sky turned pink and deeper blue.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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Into Evening Light

Into Evening Light
A small group of geese takes flight in evening light

Into Evening Light. © Copyright 2017 G Dan Mitchell – all rights reserved.

A small group of geese takes flight in evening light

There are many ways to photograph birds: sharp images of birds filling the frame that reveal the details of color and shape and feathers, landscape photographs that show them in the worlds they inhabit, shots that capture them social groups ranging form groups of a few individuals up to flocks of many thousands, captures of them engaging in particular behaviors, and much more. (I’m occasionally amused by discussions of “the way” to photograph birds of or “the right” equipment to do this.)

This flock of geese suddenly took to the air as the very last golden hour light shone across this hazy landscape, and the birds were partially illuminated by the colors of the warm sunset light, but against the less vibrant colors of the local surroundings. A sharp-edged photograph was a possibility, but here I think the abstracting blur of camera motion and fast-flying birds may better suggest the feeling of the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.