Tag Archives: evening

Gelato Stand, Evening

Gelato Stand, Evening
People stop at a Little Italy gelato stand on a summer evening, Manhattan

Gelato Stand, Evening. New York City. July 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

People stop at a Little Italy gelato stand on a summer evening, Manhattan

Near the end of the year it is my custom to start going back to my raw file archives from the previous year, looking for photographs that I might have overlooked initially. Sometimes I missed them because I was working on other things that caught my attention at the time. In other cases there were simply a lot of photographs, and I moved on to other work before finishing with an earlier set of photographs. I’m starting that project now, so you are likely to see some older work mixed in with more recent photographs over the next few weeks.

We spent a week in New York City in July. (Yes, I know that smart people don’t go to New York during the hot and humid summer months. But I do. Draw your own conclusions… ;-) This time we stayed in the general area of Little Italy. That area is a bit of a tourist place, but it is also an interesting place to wander at night. There are lots of light, lots of shops, and lots of people out and about. On this evening I headed out from the hotel just after dark and did a quick loop through the neighborhood with my camera. Here a group of people lines up at a small gelato stand, while someone shops next door and nearby people sit on benches along the sidewalk.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Desert Hills, Evening Shadows

Desert Hills, Evening Shadows
Evening light and shadows on desert hills and Death Valley salt flats

Desert Hills, Evening Shadows. Death Valley National Park, California. April 5, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Evening light and shadows on desert hills and Death Valley salt flats

My first visit to the park was in the late 1990s, but I’ve been a regular since then. I visit Death Valley for about a week at least once each year, and have photographed all over the park. In a way, this first surprised me a bit, since when I was younger I was not attracted to the desert at all, having been brought up on the notion of the “desert wasteland,” and having been a huge fan of the high Sierra since I was young. So even though the desert was nearby I didn’t visit before a chance encounter that came about when I was one of the adult chaperones on a trip introducing high school and middle school kids to the place. Literally from my first view of the place (after crawling out of a tent in a high place at dawn to look across the valley), I was entranced.

The photographic subjects in this national park (and similar desert locations) range from intimate to immense, and several things always draw my attention. Because of the hot and dry environment, the landscape is laid bare in ways that are uncommon in other mountains. (Unless you go above tree line, into another of my favorite worlds.) The land-forming effects of uplift, mountain-building, water (!) and wind are easy to see. And this naked landscape is often painted and colored by the light in beautiful ways. This photograph, at least as I see it, offers several contrasts: between the low hills and the flatness of their surroundings, between the shadow and light, and between the small and the large.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Mud Hills, Evening Light

Mud Hills, Evening Light
Mud hills near the mouth of a Death Valley canyon

Mud Hills, Evening Light. Death Valley National Park, California. April 4, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Mud hills near the mouth of a Death Valley canyon

On this evening I had taken a “random” walk into a canyon that I hadn’t visited before. It isn’t a tremendously popular place, so I had its narrow confines almost completely to myself, even though I wasn’t all that far from some rather popular Death Valley locations. The canyon itself was not the most visually striking Death Valley location I have visited, though its narrow dimensions and solitude were notable. I reached a blockage some distance up the canyon, and since the hour was getting late I decided to reverse course and head back out for early evening light.

As is so often the case with these canyons, I emerged from the dark and narrow canyon onto a broad wash that expanded onto an alluvial fan littered with boulders, cut by water courses, and open to more distant views. Golden hour light was beginning, so there was a lot to photograph, and it took me quite a while to work my way down from here toward the trailhead. As I walked, the surrounding hills became lower and more rounded as they gradually merged with the alluvial slopes that tend to line the valley. As the light faded with the already behind hills to the west, I made a final stop to photograph these folded forms, glowing in the filtered and soft light of early evening.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Meadow, Stream, Evening

Meadow, Stream, Evening
A stream meanders through a subalpine meadow on its way to a lake, John Muir Wilderness

Meadow, Stream, Evening. John Muir Wilderness, California. September 1, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A stream meanders through a subalpine meadow on its way to a lake, John Muir Wilderness

This photograph is the final one (for now, at least) in a series that takes me back to late summer, high in the eastern Sierra Nevada, base-camped for over a week with friends and extensively photographing the surrounding area. A group of us does this almost every summer, so a good thing is made even better through the combination of time devoted to beautiful photographic subjects, time spent in these stunning places, and time spent with good friends. We say we are there to photograph – and we certainly are! — but the truth is that we also spend a lot of time hanging out, talking, and just being.

I made the photograph on the last evening before our planned departure the next day to return to what passes for the real world. The location is a meadow right below our campsite, which was hidden in trees up on the hill of an old moraine. Strangely, even though we were camped right next to this wonderful spot I had not really focused my attention on photographing it, often instead wandering off to more distant subjects. On the final days of the trip it occurred to me that I should finally spend some time in this spot right in the neighborhood! So, late in the day on the final evening of the trip, off I went to walk slowly along the edge of “our” lake, crossing small inlet streams and traversing the surrounding meadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.