Tag Archives: evening

Autumn Snow, Last Light On Granite

Autumn Snow, Last Light On Granite
Last evening light on glaciated granite dusted by autumn snow.

Autumn Snow, Last Light On Granite. Yosemite National Park, California. October 22, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Last evening light on glaciated granite dusted by autumn snow.

The path to this photograph was a long and convoluted one, and it was certainly not what I was planning on when my day began. I had arrived in the Yosemite area the prior morning, planning to photograph autumn subjects in The Valley before heading over to Oakhurst for the opening reception for the final run of last year’s Yosemite Renaissance Exhibit. I arrived in Yosemite Valley to find it filled with smoke (and a surprising number of October visitors), but I found subjects that could work in this conditions and set about photographing. This is the time for fall color in The Valley, with lots of beautiful leaves on big leaf maple, dogwood, oak and other trees. In the evening I went over to Oakhurst in time to enjoy the reception, where I had an opportunity to see the 2017 version of the show one last time with friends and fellow artists.

I was up well before dawn the next morning with a general plan of heading to Glacier Point for sunrise. However, a beautiful, forested valley full of dogwood and other fall color intervened, and by the time I finished there it was clear that I wasn’t going to make my goal by dawn or even close to it. I did go on up to near Glacier Point, where I photographed wildfire smoke before deciding to go back to The Valley and photograph more trees. I did so, and I had some successes, but by mid-afternoon the crowds and smoke were becoming oppressive, to I decided to make what might be my final trip of the season up to Tioga Pass. Without stopping to photograph, I made it to the pass in the late afternoon. I soon started back down to begin my long drive back to the Bay Area. As I passed the closed-for-the-winter Tuolumne store I saw a familiar van and some tripods standing nearby, so I quickly stopped to see that a couple of friends were there. We talked for a long time — longer than I expected — but I finally tore myself away with little more than a half hour of daylight left. I started west, not sure if I would stop to photograph, but I soon saw that it was going to be a beautiful evening. The smoke was gone up here, the air was clear, and the warm colors of evening were on the peaks. I quickly stopped at a familiar place, but pointed my lens at a less-familiar subject — a series of retreating granite ridges marked by new snow and lit by the final light of the evening.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Evening, Wildfire Smoke, Tomales Bay

Evening, Wildfire Smoke, Tomales Bay
Wildfire smoke from northern California wildfires colors the evening sky at upper Tomales Bay

Evening, Wildfire Smoke, Tomales Bay. Near Point Reyes National Seashore, California. October 15, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Wildfire smoke from northern California wildfires colors the evening sky at upper Tomales Bay

In what is perhaps an example of astonishingly bad timing, we were in the region just north of San Francisco for the past few days — near the areas afflicted by the terrible wildfires that have taken lives, destroyed property, and burned over huge swathes of wild land and agricultural areas. The scope of the damage is virtually unprecedented in California, and the events are not yet over as I write this. We were in Petaluma on Friday and most of Saturday, where Patty was to participate in a long-planned wedding of one of her former oboe students. The fires were close enough to Petaluma that breathing masks were provided to those attending the wedding, and at times ash fell from the sky like very light snow flurries.

On Saturday we moved closer to Point Reyes National Seashore. Our original plan had been to spend a couple of days photographing there, but the conditions were not conducive to photography for the most part. We visited the Seashore on Sunday, but the smoke and the naturally brown October conditions, combined with a complete lack of moody for or other clouds left us a bit uninspired. We found a few things to photograph, but we finally decided to just drive north up that coast a ways. We got just past Jenner, where the smoke become even thicker — and we turned around. The smoke was not the only evidence of the fires. Signs were up everywhere — restaurants and similar places — with announcements of fund-raisers, requests for donation, notes from people looking for a place to stay. It was also clear the folks from inland had headed out toward the ocean to try to escape the fires. We left Jenner and headed back toward our lodgings in the Point Reyes area, and just at sunset we arrived at upper Tomales Bay. It was quiet and still as we stopped at a high point from which we could look out over the bay and north toward its mouth. It was still smokey, but here the smoke merely softened the features of the landscape and added color to the sky and the reflecting water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Mono Lake Shoreline, Evening

Mono Lake Shoreline, Evening
The last light on hills beyond the Mono Lake shoreline

Mono Lake Shoreline, Evening. Mono Basin, California. October 4, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The last light on hills beyond the Mono Lake shoreline

I’ve long been fascinated by the view across this section of the Mono Lake shoreline. It contains a lot of things that I consider essential to the Mono Lake experience — tufa “towers” (though these are more like islands), the shallow shoreline with its curving edges, the larger islands and buttes, the distant mountains in the east, the immense open sky, and the textured and reflecting surface of the water.

In a way, this photograph was sort of (but not exactly!) the result of “killing time” between photographing two other subjects. I had been at a nearby area with colorful aspen trees, and had finished up there — the light was gone sooner than expected when high clouds moved in. At that point I knew that the full moon was going to rise close to sunset, so I decided to find a location along the Mono Lake shoreline to photograph it. I arrived there too early — better than too late! — and had some time to photograph other things as I waited for the moon. I went ahead and set up tripod and camera with some urgency as I noticed to last sunlight on some of those distant hills.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Clearing Evening Clouds

Clearing Evening Clouds
The moon above clearing evening clouds over the John Muir Wilderness

Clearing Evening Clouds. John Muir Wilderness, California. August 28, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The moon above clearing evening clouds over the John Muir Wilderness

We covered a lot of ground on this afternoon and evening, and this was almost the last photograph I made on this day. Earlier we had climbed above the forest surrounding the lake where we were camped, emerging into a big, open meadow with expansive views in all directions. From here we took off, individually and in small groups, to explore higher areas, walking cross-country over the glaciated granite landscape to ascend ridges and reach various lakes. I noticed that the sun was about to pass behind mountains to the west, so I descended back into the valley I had come from and worked my way back down the course of the creek that drained it.

Before long we were back in the alpine meadow areas where we had started, and I found a high spot with an open view and started making a few final photographs as sunset came to the highest peaks and the clouds thinned as they passed in front of the moon. Since the light wasn’t going to last much longer, we pushed on to the main meadow, stopped for a couple of final photographs of alpenglow on peaks across the valley, and then continued on down through forest, arriving back in camp at twilight.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.