Tag Archives: face

Cliff, Boulders, and Tree

Cliff, Boulders, and Tree
A solitary tree growing among fallen boulders is dwarfed by a sandstone cliff, Capitol Reef National Park.

Cliff, Boulders, and Tree. © Copyright 2012 G Dan Mitchell – all rights reserved.

A solitary tree growing among fallen boulders is dwarfed by a sandstone cliff, Capitol Reef National Park.

Earlier on this late afternoon the had worked our way into an wide accessible sandstone canyon with tall walls, lots of boulders, and trees placed in interesting places. As the afternoon wore on these tall red rock cliffs that had been so interesting in better light began to bring an early twilight, and we decided we were done for the day. We hiked back to our vehicle, loaded up, and began our trip back out of the canyon.

We headed a short distance north and then the road jogged west and opened to the fading light as the sun set. (It sets a bit early here on the west side of Capitol Reef as the terrain slopes up noticeably to the west.) We immediately stopped, unloaded, and went to work photographing. The light was somewhat unusual, and it somehow desaturated the red of the sandstone. In this narrow section the wall on the north side is quite abrupt and steep, and its base is littered with boulders that have fallen as it has eroded over millennia. Among the giant boulders a single tree grew.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Plants, Canyon Light

Plants, Canyon Light
A beam of light catches plants growing on the shadowed walls of a Utah slot canyon.

Plants, Canyon Light. © Copyright 2012 G Dan Mitchell – all rights reserved.

A beam of light catches plants growing on the shadowed walls of a Utah slot canyon.

While much of the time canyon light seems soft, suffused, and stable, there are edge conditions in which the light changes very quickly — appearing suddenly and lasting only minutes or seconds. This is especially true with direct light since the edges of the light are often scores or hundreds of feet above, and shadows from such things can traverse the deep canyon landscape with astonishing speed.

This photograph was made in such a place and in such conditions. The canyon walls were nearly parallel to the angle of the sun, and the beam of light came down from above only inches from the surface of the canyon wall. While the rock remains in shadow, this light manages to stoke the tree bits of vegetation in the scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Sandstone Detail

Sandstone Detail
Detail of a section of a Utah sandstone rock face.

Sandstone Detail. © Copyright 2012 G Dan Mitchell – all rights reserved.

Detail of a section of a Utah sandstone rock face.

Remarkable things happen to the light deep down in the recesses of narrow sandstone canyons. The light is rarely direct, more often bouncing many times among red canyon walls. As it does, it softens, diffuses, and picks up the colors of the red rock. At the same time this landscape is open to a band of blue sky — what I think of as a giant blue light panel — and this color becomes part of the mix, though this light can follow a more direct path and fill in shadows. When you stop to consider what it really looks like, it almost seems unreal.

We were deep in such a canyon, spending a day heading deeper and deeper into it as it cut into the landscape. By the point at which I made this photograph, that band of blue sky was increasingly narrow and we encountered less and less direct sunlight.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Sandstone Cliff, Morning Light

Sandstone Cliff, Morning Light
Detail, sandstone cliff in morning light, Arches National Park.

Sandstone Cliff, Morning Light. © Copyright 2012 G Dan Mitchell – all rights reserved.

Detail, sandstone cliff in morning light, Arches National Park.

While I often refer to this part of the world as “red rock country,” in truth the rock is rarely actually red, and its coloration changes radically depending on when and where you see it. In deep canyons it can become, in objective terms, almost purple. At sunset or sunrise it edges far into the warm portion of the spectrum, varying on gold, orange, or yellow. In flat light the intensity of the color diminishes. In some places colors on the surface of the rock are striking — either from material that coats it or the variations between old and new sections.

As I work on photographs I often have several open on my computer at once, with some of them staring back at me for weeks as I put off final decisions about how to interpret them. Recently there have been mostly photographs of this red rock country, and looking at those together has reinforced just how varied these colors are. This section of a cliff face at Arches National Park was photographed in very early morning light that shone at a low angle almost directly onto the the rock, and this light reveals details of the face that might not otherwise be seen with such clarity.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.