Tag Archives: fan

Morning Light on Creosote, Dunes, and Alluvial Fan

Morning Light on Creosote, Dunes, and Alluvial Fan
Low-angle early morning light on a clump of blooming creosote, sand dunes, and a huge alluvial fan, Death Valley National Park.

Morning Light on Creosote, Dunes, and Alluvial Fan. © Copyright 2021 G Dan Mitchell – all rights reserved.

Low-angle early morning light on a clump of blooming creosote, sand dunes, and a huge alluvial fan, Death Valley National Park.

This is the second of two photographs made close together on this morning in the dunes. I made it just moments after the first direct sunlight had arrived here, illuminating the distant fan, the creosote plant, and the curving shapes of the dunes. This light lasts only a moment, and when I saw it coming I stopped here, found this composition, and waited for the show. I like the way that the foreground light aligns with the softly-lit alluvial fan in the distance, and how the implied line of the incoming light likely traces the angle of the bits of dune at the left edge.

It is still amazing to me that such well-developed plants can find a foothold in this terrain — and beyond that manage to thrive on a high point along the dunes. This is not a friendly environment for most plants — it can be tremendously hot, it is quite dry, and when the winds get going these plants are blasted by flying sand. (I’m a bit too familiar with that last issue!)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Lower Panamint Mountains

Lower Panamint Mountains
The lower reaches of the Panamint Mountain Range at the edge of Death Valley.

Lower Panamint Mountains. © Copyright 2021 G Dan Mitchell – all rights reserved.

The lower reaches of the Panamint Mountain Range at the edge of Death Valley.

This photograph is my excuse to return to an old theme of my posts about Death Valley National Park. For a place with a reputation so connected to aridity and heat, the clear evidence of the role of water in the formation of this landscape is abundant. In fact, it is hard to locate any place in the park where water had not played an important role. (The repetitive pattern of dips and rises on any drive across “level” roads here is a fine reminder of the importance of flowing water.)

I made this photograph from a vantage point high in the Panamint Mountain Range, from which I could look down at the vast alluvial fans formed by material that was once above the present-day upper reaches of the range. These fans go on for miles, and the amount of material they contain is nearly incomprehensible. More durable material still sticks up above the surface of the material, and washes and gully cut across their surface nearly everywhere.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Beneath Desert Mountains, Morning

Beneath Desert Mountains, Morning
Desert mountains and morning light spreading across an alluvial fan.

Beneath Desert Mountains, Morning. © Copyright 2013 G Dan Mitchell – all rights reserved.

Desert mountains and morning light spreading across an alluvial fan.

This is more or less where I had hoped to be in January, even up until a couple of months ago. At that time, careful travel into lonely places was still a reasonable option, especially since I stop only for gas and would have camped well off the beaten track, barely interacting with anyone at all. But wanting to be part of the solution rather than part of the problem, I’m following the guidelines to not travel more than 120 miles from my home, and I’m also not going to play games and try to sneak into the Death Valley backcountry… regardless of how appealing that sounds and of how badly I miss the place right now.

This photograph is one of those that illustrates the advice to look all around while making photographs. Sometimes the thing you came to see isn’t the only thing to attend to. I had come to this spot before dawn to photograph a subject that lies directly behind the camera position of this scene, and had worked on it as the scene transitioned from soft, pre-sunrise light through a somewhat colorful sunrise to light that was becoming more harsh than I desired. So I turned around. Here the backlit atmosphere glowed in the light streaming over the rugged desert hills to the east.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Desert Hills and Salt Flats, Morning

Desert Hills and Salt Flats, Morning
Desert hills on a giant alluvial fan dropping to Death Valley salt flats

Desert Hills and Salt Flats, Morning. © Copyright 2019 G Dan Mitchell – all rights reserved.

Desert hills on a giant alluvial fan dropping to Death Valley salt flats.

Each time I visit Death Valley ‚ and when visiting certain other challenging landscapes, I’m reminded that my memories tend to focus on the most pleasant, easiest, and most beautiful scenes… and that there are a lot of intervening periods when the photography can be quite challenging. I had to remind myself of that on this morning, as it began with extremely unpromising light. The sky was largely overcast, there was some bluish haze in the air, and sunrise came with barely any warming of the color at all. But you (almost) never know whether such light may turn into something more interesting… so you try to stick with it and be ready.

A bit later, around the time when I might typically be starting to think of concluding my early morning photography on an easier day, the clouds began to thin and move into better positions, and areas of light started to play across the landscape. As I often do in such conditions, I remained in a high place with a panoramic view of the immense landscape, putting a long lens on the camera so that I could make photographs of small areas where the light seemed more interesting. The dark hills low in the frame sit on the giant alluvial wash leading down to the salt playa of death valley, where the landscape eventually fades into the distant haze.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.