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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Death Valley, Panamint Foothills, Morning

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Death Valley, Panamint Foothills, Morning
Morning sunlight on Death Valley hills and the foothills of the Panamint Mountains

Death Valley, Panamint Foothills, Morning. © Copyright 2019 G Dan Mitchell – all rights reserved.

Morning sunlight on Death Valley hills and the foothills of the Panamint Mountains.

One’s orientation to “landscape” may manifest in many ways — a focus on the large or the small, an approach that implies objective realism or one that embraces subjectivity, the discovery of new landscapes or the deeper exploration of those already known, an interest in ostensibly “untouched” subjects or attention to those affected by the human presence, and more. Death Valley is diverse enough for any of these, but I often find myself focusing on the largest scale subjects. The place is huge, and at the right hours, in the right seasons, and in the right places the park is a place of deep silence and immense stillness.

This was the last morning of my most recent visit, and I went out alone very early, heading to a place that afforded a somewhat elevated perspective. As I traveled there I was not optimistic about the prospects for the morning — the sky was mostly overcast, there was a bluish haze in the air, and even the earliest light was blocked by clouds to the east. But one thing I relearn nearly every time I go out is that if you go out enough and are persistent enough, things happen, and sometimes they happen at the least likely times. As this morning wore on, some time after the first light that could have been colorful, the sun began to break through the clouds, and areas of light and shadow moved across this immense landscape. As I made this photograph the light was shining on the foothills of the Panamint Range, many miles away and on the far side of Death Valley.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Kit Fox Hills, Amargosa Range

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Kit Fox Hills, Amargosa Range
Amargosa Range mountains rise behind the Kit Fox Hills, Death Valley

Kit Fox Hills, Amargosa Range. © Copyright 2018 G Dan Mitchell – all rights reserved.

Amargosa Range mountains rise behind the Kit Fox Hills, Death Valley

These low, deeply eroded, and colorful (in the right light) Death Valley hills lie at the western base of the Amargosa Range near the start of the road heading north toward the Scotty’s Castle area. I recently read that they may be the remnants of an old earthquake fault along the eastern side of Death Valley, marking a division between the rising mountains and the sediment-filled valley. I have walked along the base of these hills, though I still need to find the time to more extensively explore their rugged and eroded landscape.

Late in the day they intercept almost the very last sunlight to reach the valley floor before sunset. With that in mind, I have photographed them many times, often from a good distance away across the valley. That was the case on this evening, when I found a spot elevated above the valley floor and climbed to its summit to watch the late-day light. It was one of those evenings when the light was unpredictable. There were clouds to the west above the Cottonwood mountains, which can turn out to be either a good thing or a bad thing. The clouds may light up at sunset and the minutes just after… or they may simply block the sun and “turn out the lights” on sunset photography. It looked like the latter might turn out to be the case as I watched the sun descend toward a band of thicker clouds. But there was a small gap between the base of the clouds and the top of the mountains, and the sunlight shone through this gap for a few minutes, casting beautiful soft light on these hills.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Death Valley, Photographs: Nature

Desert Mountains

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Desert Mountains
Desert mountains rise above Death Valley in evening light

Desert Mountains. © Copyright 2018 G Dan Mitchell – all rights reserved.

Desert mountains rise above Death Valley in evening light

This view takes me back to something I believe I understood the very first time I saw Death Valley. It was close to twenty years ago, and I had gone there as an adult with a group of middle school and high school kids who were planning a long hike in the park. (The event did not come off quite as planned, but that is a long story that I’ll have to tell some other time.) We arrived at the park boundaries after dark and made camp at the first possible place, a small and mostly unimproved campsite right off the road between the pass we had come over and the valley itself. In the dark I could tell little about the place: it was warm, the wind was blowing, I didn’t see much in the way of plant life. We climbed into tents and sleeping bags for the night.

Early the next morning I crawled out and got my first view of Death Valley. There’s nothing quite like suddenly coming upon your first view of such an iconic place. I recall the specific view even today, looking down across massive alluvial fans, across the valley itself, and at these rugged and bare hills and mountains on the far side so many miles away. This photograph, made from a different location this spring, includes a small section of the scene I looked at back then. It also illustrates one of my strongest impressions of Death Valley — it is a place where the geology is laid bare with virtually no forests or water to obstruct the land itself, even more so than above timberline where there are still lakes and where snow may linger all year. It is also a place, perhaps to our surprise, in which one of the largest factors shaping the landscape has been… water!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Buttes, Evening Light

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Buttes, Evening Light
Evening light into Blackwater Wash illuminates buttes above Death Valley

Buttes, Evening Light. Death Valley National Park, California. April 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Evening light into Blackwater Wash illuminates buttes above Death Valley

These buttes or hills have fascinated me for a long time. They project out of the gigantic gravel fields of the alluvial fan at the base of the Panamint Mountains known as Blackwater Wash. They are visible from the floor of Death Valley, across its wide expanse to the west, often partially obscured by haze late in the day. From a few high points in the Panamint range they are also visible from above, often poking up above ridges or framed by v-shaped canyons.

I made this photograph from one of those higher positions, a location along the summit ridge of the Panamint Mountains that provides views in all directions, including down into Death Valley itself. This time I was there near the end of the day, as haze filled the valley and the last sunlight of the day came over the summit of the mountain range, casting beams of light down into the canyon and lighting these hills.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.