Tag Archives: fan

Desert Hills, Evening

Desert Hills, Evening
Evening light on desert hills, wash, and alluvial fan, Death Valley National Park

Desert Hills, Evening. Death Valley National Park, California. April 5, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Evening light on desert hills, wash, and alluvial fan, Death Valley National Park

Once again I traveled to this Death Valley location, this time for evening light, and climbed to the top of a small hill that was starting to feel like home to me! (I photographed from this spot on three occasions during this visit to the park.) The hill is not tall, but in the mostly flat terrain of this immense alluvial slope it was tall enough to put me above the landscape and reveal features not visible from down on the ground.

I discovered that at the start and end of the day this spot provided a great vantage point for viewing the light transitions of dawn and dusk. The valley is so immense and the elevations differences between low and high points so great that the light doesn’t appear (or disappear) all at once, but instead goes through a relatively lengthy transition. In the evening it fades on the valley floor before actual sunset, since in all directions the horizon is obstructed by mountains. But in this spot those mountains are many, many miles away and not that far above the horizon, so the light continues as it takes on the warm colors of sunset. The idea in this photograph was to photograph across the foreground wash, past the contrasting darker hills, over the continuation of the alluvial fan, and on into the rising hills in the far distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Desert Wash And Hills

Desert Wash And Hills
Morning light on a desert wash, hills on an alluvial fan, salt flats, and distant mountains of Death Valley National park

Desert Wash And Hills. Death Valley National Park, California. April 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Morning light on a desert wash, hills on an alluvial fan, salt flats, and distant mountains of Death Valley National park

As I wrote in a previous message describing this Death Valley trip, one of the areas I decided to focus on this time was this one — a location along a fairly well-known Death Valley route that includes a vast alluvial fan, cut by washes, interrupted by hills of darker rocks, and always with extensive long views of surrounding mountains and off int the distant reaches of the valley itself.

This time I went in the early morning. I arrived before sunrise, set up, and watched as the morning began to unfold. From this location I could see a huge range of terrain. The highest point in the park at more than 11,000′, Telescope Peak, poked up above the bulk of the Panamint Range and caught the first dawn sunlight. Far to the west I could see the upper slopes of the Cottonwood mountains, and soon the sun lit them, too. The light slowly worked its way down from the mountains and before long fingers of morning sunlight reached the valley floor. I made this photograph while some distant parts of the valley were under cloud shadows, but when the light was beginning to shine on the desert wash at the base of the small hill from which I photographed.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

The Edge Of The Valley

The Edge Of The Valley
Evening light on golden hills and a wash at the base of the Black Mountains

The Edge Of The Valley. Death Valley National Park, California. April 4, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Evening light on golden hills and a wash at the base of the Black Mountains

I often use a sort of scheduling strategy when photographing in Death Valley. I get up before dawn and start with some subject that works will in the first light, and then I work a second subject that is promising in somewhat later light. Following a midday break (spent in camp or perhaps traveling to a more distant location) I reverse course later in the day, starting with a subject that works in non-golden hour light and then moving to one that works well around sunset and beyond. If conditions are right, I may even add a night subject! The second morning subject and the first afternoon subject are often canyons of one sort or another, where the edge-of-the-day light can be too dim, but where later light from a higher sun can be wonderful.

I had begun this afternoon’s photography with such a subject, one of the canyons along the eastern side of the valley. In the 90 degree plus afternoon heat I loaded up my pack with camera gear and water and slowly wandered into a narrow canyon where there was beautiful shade and somewhat moderated temperatures. Eventually it was time to return from the canyon and I reversed course and emerged from the mouth of the canyon during golden hour. This time I didn’t even have to travel to the final location since I was already there! At the time I made this photograph the long shadow of the Panamint range had stretched almost all the way across the valley and would soon steal the light from these hills, but for a few moments the golden light produced lengthy shadows and a colorful glow on the hills and along the wash emerging from the canyon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Hills And Alluvial Fan

Hills And Alluvial Fan
Morning light on desert hills and a gigantic alluvial fan above the salt flats of Death Valley

Hills And Alluvial Fan. Death Valley National Park, California. april 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Morning light on desert hills and a gigantic alluvial fan above the salt flats of Death Valley

There are a number of things that characterize Death Valley for me — the arid climate, of course, but also the exposed geology, the texture and sound of gravel underfoot, the widely scattered plant life, the quality of atmosphere and light. But most of all I think it is the immense scale of the place that impresses me. It is easy to overlook the fact that the small hill or those dunes or that peak that seem so close may be far enough away that you could not walk there in a day, or that it might take a few hours of driving.

That scale is visible in this photograph, though it may not be immediately apparent. While the foreground was, with its low walls illuminated by early morning light, is very close, and getting to the first dark hill might take no more than 15 minutes, the further hill down on the lower portion of the alluvial fan might require a morning’s walk. It would likely take all day to get to the closest portion of the distant salt flats, and the furthest areas at the upper part of the frame would require a few days of walking. I arrived at this place — but not by walking! — before the sun rose, when it was cloudy and seemed like it might not be a good day for light. But there were a few breaks in the clouds, and across the valley to the right of the scene some sun was striking a mountain ridge. Before long, as the sun came up and rose higher in the sky, that light began to move closer until it finally washed across the landscape in front of me.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.