“Two Ibises” — Two white-faced ibises browsing at the edge of a wetland pond.
This photograph qualifies as one of the first of my 2025-26 fall/winter migratory bird photography. In truth, this subject was a bit of an afterthought — I simply detoured past this location on my way to Yosemite to photograph fall color at the end of October. I did not really expect to see too many birds, but I found plentiful Ibises and egrets.
Ibis plumage is quite something. In flat lighting, the birds can seem almost black. But when the light is just right, the birds’ plumage becomes iridescent, incorporating all sorts of colors: red, yellow. green, maroon. The transformation can be astonishing.
“Pas de Deux #1” — A pair of sandhill cranes performing “the dance.”
Sandhill cranes have become perhaps my favorite bird subject. These large and ancient birds behave in ways that fascinate me more and more over time. (Their distinctive call is the first thing I listen for when I arrive at my favorite bird photography locations.) Geese that first drew me to photographing birds, but the more time I spent in the field the more the cranes attracted me. (Perhaps the earliest push in this direction came years ago, long before I had even seen a Sandhill crane, when I read about them in the writings of Aldo Leopold.)
It is a constant challenge to try to figure out their behavior and its logic. For example, even though I’ve spent a lot of time watching them around sunrise, when they generally fly out for the day, almost every lift-off comes as a surprise. I learned to be strategic about where I placed myself when photographing birds. After watching groups of cranes fly successively over a particular spot, I would move quietly to that location and wait… at which point they would all avoid that location, sometimes diverting the place I had just left! The “crane dance” seen here also seems to be a bit of a mystery — and not just to me. From what I read, while there is a courtship angle to the behavior, that may not be its only context.
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A group of snow geese exhibiting variations in coloration
Upon a first experience with these birds they seem to be nearly identical in every way — the initial impression is of white birds (with a pattern of black wing markings when in flight) and a certain uniformity of their calls. Surprisingly, perhaps, I was first alerted to the differences by a friend who has learned to detect the type of flock by subtleties in their cries. I hadn’t noticed, but once he pointed it out I started to pay a lot more attention… and I can hear this, too.
I soon realized that there is more than one type of “white goose,” and I began to consult various guides to understand how to identify them. Some of the cues are pretty obvious once you learn about them, but the guides also reveal that things are not as regular as you might think. For example, the supposedly white types of geese are most certainly not always white! The birds in this photograph are all the same type… but there is actually quite a range in coloration.
An egret spreads its wings as it takes to the air above San Joaquin Valley wetlands
The great egret is an impressive and fascinating bird. They are found in many places here in California — along creeks and drainage ditches, near wetlands, along parts of the seashore. A few years ago there was one that lived at a small pond at a place where I regularly hiked and photographed, and I could count on finding it almost every time I went there. Their striking white appearance draws attention on the winter landscape, where they stand out against darker background and against California’s winter green. They are, perhaps surprisingly for such beautiful and graceful things, skillful hunters.
I first noticed them quite a few years ago in creek beds of urban areas in northern California, and eventually learned that they are found all over the place. They often stand almost completely still, though if you watch them a bit you’ll frequently figure out that they are hunting, observing and then slowly moving toward their prey. Because they seem so still, they look like they would perhaps allow a close approach, but they seem to usually have boundaries — get too close and they take off suddenly, displaying their large and beautiful wings and more than most birds they really do seem to float on the air. Photographing them on the ground isn’t too hard, though getting the in interesting poses can take some patience — but photographing them in flight is quite tricky. They take off suddenly, and I find it hard to be precisely ready for the liftoff when it comes. They tend to fly at very low heights, often flying along ditches and behind plants. And they are most often flying away from you. When I came upon this one I remained in my vehicle but got ready to photograph it if took flight, and when it did I have a tiny moment to fire of a small number of shot, one of which framed the beautiful wings fully spread and against a darker background.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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