Tag Archives: field

Photographs: Nature, Photographs: Southern California

Wildflower Fields, Carrizo Plain

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Wildflower Fields, Carrizo Plain
Yellow and purple wildflowers from plain to hills, Carrizo Hills National Monument

Wildflower Fields, Carrizo Plain. © Copyright 2019 G Dan Mitchell – all rights reserved.

Yellow and purple wildflowers from plain to hills, Carrizo Hills National Monument.

This is a straight up “look at all the flowers!” photograph, made just before the seasonal peak of the bloom in the Carrizo Plain. Something like this happens in many places in California that seem almost desert-like during most of the year. Once winter rains start (and if it isn’t a drought year…) there is sudden appearance of new plant life in the middle of winter, and these dry places start to turn green. The process continues until some point in March, during what I like to call the “impossibly green season,” when whole hillsides become greener than you might imagine. Then there is a brief period in late March and into April, before the grasses again go dormant, when wildflowers may appear in abundance.

If you visited this location during most of the year you would likely describe it as a very dry and hot place, and you might even be tempted to regard it as desert. But when I visited this year and extensive spring bloom was just getting underway. I photographed from just about the lowest point in a wide valley, at the edge of a dense field of yellow flowers. Beyond, the yellow flowers transitioned to equally dense fields of purple flowers. Then the yellow resumed and extend right on up the slopes of the distant mountains.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Flight, Photographs: Nature, Photographs: Wildlife

Sunset Flight

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Sunset Flight
Geese in flight above fields at sunset

Sunset Flight. © Copyright 2019 G Dan Mitchell – all rights reserved.

Geese in flight above fields at sunset.

Expect to see quite a few bird photographs during the next week or so. David Hoffman and I are featured in “Birdscapes,” an exhibition of our bird photography at the Stellar Gallery in Oakhurst, located near the southern entrance to Yosemite National Park. The two of us photograph birds and the landscapes they inhabit all along the Pacific Flyway. There is a lot more information about the show including details of location and dates at this web page. The show opens next week and we’d love to see you at the artist reception on Saturday, February 16 at 5:00-8:00pm at the gallery. If you are heading to Yosemite to see the recent snows or to try your luck at photographing Horsetail Fall, why don’t you swing by and see us?

I made this photograph on a winter evening, as a slight foggy haze filled the atmosphere and the western sky turned a lovely shade of pink. A large flock of geese was alternately feeding on pastureland and erupting into the sky en masse. I made this photograph at the very end of the day as the last faint sunlight illuminated the birds on the ground as other birds arrived to join them.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Talus And Reflecting Water

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Talus And Reflecting Water
Giant talus boulders above reflecting waters of an alpine lake

Talus And Reflecting Water. © Copyright 2018 G Dan Mitchell – all rights reserved.

Giant talus boulders above reflecting waters of an alpine lake

This is another in a series of photographs I made this past summer that feature raw talus fields (possibly with a lake at the base) in blue early morning or evening shade. For some reason this subject seemed to catch my attention this summer on our almost-annual week in the Sierra backcountry — perhaps because this time our base camp was at a high lake situated at the base of a gigantic field of talus descending from the ridge right above us, and because one of the higher lakes I visited several times also featured impressive talus fields.

This photograph comes from that upper lake, which I had hiked to late in the day in order to photograph a different subject before the last light left the shoreline. Having completed that work — and having lost the direct sun — I turned by attention to the far side of this lake, and inhospitable looking landscape of shattered and tumbled rocks and boulders at the base of a cliff at the edge of the lake. At this time of day, in this light, the colors shift strongly toward blue, since the scene is mostly illuminated by the open blue sky plus a bit of light reflected from nearby peaks. The scene evokes for me a whole series of associations and memories based on decades of travel in the high country — the hollow, clattering sound of foot travel on the loose rocks, the sensation of the rocks shifting beneath my feet, the cold air, and the near complete lack of vegetation other than a bit of lichen.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Talus, Reflection

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Talus, Reflection
A talus field of large boulders meets the shoreline of an alpine lake

Talus, Reflection. © Copyright 2018 G Dan Mitchell – all rights reserved.

A talus field of large boulders meets the shoreline of an alpine lake

And, yes, another “going with the blue” photograph of talus boulders. It is, I admit, turning into a bit of a theme among my photographs from the September backcountry Eastern Sierra photography week. If you follow my posts you probably already know the following, but for anyone who hasn’t read the previous text… we were camped at a lake in a deep north-south oriented valley with very high peaks on either side. Immediately to the east of our camp, across a nearby lake, was a huge talus slope, full of randomly arranged boulders from top to bottom.

Because of the north-south trend of the canyon, early morning and evening direct light was blocked, and we had long periods of “blue hour” shaded light to work with every day. Yes, the light actually is very blue. It comes from having only the blue sky — a sort of giant natural light panel — as the light sources. The question in post is always how blue to let the scene be, since the actual blue can be shocking to viewers. (Our complex sensory system sees this as less blue — the mental process subconsciously says, essentially, “Yes, this is blue, but I know the actual color of rocks, so I’ll pretend I don’t see the blue!”) The photographer gets to make the subjective call on how blue things should be. At times I’ve gone so far as to completely neutrally the blue tones, and if I did so here you would probably feel that it looked natural. On the other hand, it is interesting to me to “go with the blue” and think about the real color of light and the effect that it has on our perceptions. (To be honest, I have actually reduced the amount of blue in the scene!

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Facebook | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.