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Cloudscape With Birds

Cloudscape With Birds
Migratory birds fill the winter sky against a backdrop of clearing storm clouds.

Cloudscape With Birds. © Copyright 2023 G Dan Mitchell.

Migratory birds fill the winter sky against a backdrop of clearing storm clouds.

Yes, it is a little bit difficult to see the birds in this photograph. (If you have the option, you may want to view it larger.) But in a way, that is kind of the point — to set the very small and very numerous birds against that grand scale of this California Central Valley winter cloudscape. When photographing birds I almost always wish I could get closer — but there’s also inevitably a moment when I am moved by the distant view a sky filled with thousands of birds.

I made this photograph on New Year’s morning, shortly after the first dawn of 2023. In order to arise before dawn I had to be in bed well before midnight. (I suppose that there was a time when I might have stayed up until midnight and gotten up before the sun!) As wonderful as it was to greet the new year in the company of thousands of migratory birds, it was even better to be in the company of a wonderful little band of photographers and friends who gather together on every New Year’s Day.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Lupine-Filled Meadow, Evening

Lupine-Filled Meadow, Evening
Lupine blooms carpet and alpine meadow against a backdrop of evening light on Sierra Nevada peaks

Lupine-Filled Meadow, Evening. John Muir Wilderness, California. August 28, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Lupine blooms carpet and alpine meadow against a backdrop of evening light on Sierra Nevada peaks

This was an unusual and exceptional year in the Sierra Nevada, primarily because the range finally — after five years of drought! — had not only good winter precipitation, but record-breaking precipitation. After watching the range dry out in very scary ways for the paste half of a decade, it has been tremendously gratifying to see a summer season that felt more normal. Because of the heavy winter storms, the high country snow melted out later than usual, and many places that typically might open by June or earlier were still closed well into July. And when the high country did open, there was still snow everywhere and creeks and rivers continued to run high well into the summer.

A side effect of all of this was that the short high country season of growth was delayed and extended, as we clearly saw during our week-plus backcountry photography excursion at the end of August and into the first few days of September. In a typical year I usually begin to sense autumn coming on by this point in the season, but this year it felt like full-blown summer: the creeks were still flowing strongly, there were snow fields in the higher mountains and we still had to cross them to get over passes, meadows were lush and green, and there were wildflowers everywhere. this meadow was a wonderful example. Located only a short walk away from our camp, it was absolutely filled with flowers, but especially with one of the largest displays of lupine that I’ve seen in the range.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Goose-Filled Sky, Dusk

Goose-Filled Sky, Dusk
Thousands of Ross’s geese fill the dusk sky above California’s San Joaquin Valley

Goose-Filled Sky, Dusk. San Joaquin Valley, California. February 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Thousands of Ross’s geese fill the dusk sky above California’s San Joaquin Valley

The light and the photographic subjects pass through a series of stages at the end of the day in these wetlands areas. The nondescript late afternoon light takes on a warmer tone as the sun drops toward the horizon and shadows lengthen, and often clouds in the distant west may momentarily mute the light. There is still plenty of light for traditional bird photography, as the direct sunlight has not yet disappeared. Before long comes the last bit of direct sun, golden in color on the bodies of white geese, and then it is twilight.

At this transitional moment all sort of light magic can happen. As flocks of birds wheel around in the night sky they take on different colors — the gold of reflected sunset, the blue of the eastern sky that is transitioning towards night, and sometimes they simply are black against the sky. And the sky shifts colors, too. Sometimes the effect is wild and gaudy, but more often it is subtle, with tones of pink and blue and purple and more. By the time I made this photograph the light was becoming quite dim, and it was dark enough that I could no longer maintain a shutter speed that would stop the motion of the birds. So I no longer tried! I use a longer shutter speed and pan, watching for the flocks to compose themselves in interesting ways, always in constant motion, and against the colors of the evening sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Canyon and Stream

Canyon and Stream
Canyon and Stream

Canyon and Stream. Grand Staircase-Escalante National Monument, Utah. October 24, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A small rock-filled stream wanders along the bottom of a deep Utah red rock canyon

Yet another bend in yet another Utah canyon! We had hiked a good distance down into the depths of this canyon, finally stopping (most of us, anyway) at a scenic bend with lots of interesting photographic subjects. We held up there to make photographs, to sit and talk, and to eat. A few of us went a bit farther and some went a good distance more, but soon we had all checked our watches and realized it was time to start back..

This spot is just below a narrow section of the canyon where the water flows through a narrow cleft and around a big curve. Here, below that section, it seems like the flow must slow a bit, since a few more trees manage to grow here and the bed of the creek held a lot of river rocks and silt. In the distance the canyon curves more toward the west, and this allows a bit more light down into the canyon, producing a bit of a glow ahead.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.