Tag Archives: flock

Blackbirds in Winter Sky

Blackbirds in Winter Sky
A murmuration of redwing blackbirds above winter wetlands.

Blackbirds in Winter Sky. © Copyright 2013 G Dan Mitchell – all rights reserved.

A murmuration of redwing blackbirds above winter wetlands.

When I got to these places in the winter to photograph birds — and to experience the wetland winter landscape — I’m usually looking for larger birds. The geese first attracted me, and then I became fascinated with cranes, herons, ibises, pelicans, and more. At first I probably more or less ignored these flocks of small back birds that seemed to be everywhere. More recently, I’ve come to look forward to seeing them.

They are blackbirds, most likely red-winged blackbirds, but also possibly tri-color blackbirds. To my eye the differences are subtle unless I get close enough to see the definite patch on the wings — red in one case, red and white in the other. (And, occasionally, apparently to confound me, I spot odd things such as yellow bands…) These are flocking birds, virtually always seen in groups, and they fly together, sometimes creating murmurations, flocks of closely-spaced birds that shift and reform in flight. Beyond their visual appearance, the sound they make seems utterly joyous, and there are few things quite like being next to a few hundred of them in full song.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Flock of Cranes, Tule Fog

Flock of Cranes, Tule Fog
A flock of lesser sandhill cranes reflected in a pond on a winter morning of tule fog.

Flock of Cranes, Tule Fog. © Copyright 2020 G Dan Mitchell – all rights reserved.

A flock of lesser sandhill cranes reflected in a pond on a winter morning of tule fog.

This photograph comes from late last year, a few days before Christmas, when I spent a day photographing birds in the Central Valley of California. I picked a particularly lonely day — a good thing right now! — and arrived well before dawn after driving through thick tule fog. When I arrived in the first faint light I could hear birds but I certainly could not see them. I set out to see if I could find any that were close enough to be visible in the fog, and eventually I came upon a very large group of lesser sandhill cranes that had settled in and around this pond.

On most mornings the cranes tend to depart as soon as the sun rises, but perhaps the thick fog persuaded them to stick around a bit longer. In any case, although it was well after sunrise by this point, a very large group of cranes seemed to be feeding and generally milling about slowly. At one point this group seemed to adopt a common goal of walking across the scene from right to left, and I was able to photograph them lined up and facing the same direction.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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White Pelicans, Sunset Light

White Pelicans, Sunset Light
A small flock of white pelicans clusters together, rellected in a wetland pond at sunset.

White Pelicans, Sunset Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small flock of white pelicans clusters together, rellected in a wetland pond at sunset.

One of the things I like about white pelicans is that they were always here, in the places I frequently visit, and I somehow managed to remain completely unaware of them for decades. I have long known about and photographed brown pelicans along the California coast, but I had no idea that they had cousins in California, too. My ignorance of them was so great that the first time I saw white pelicans, far off in the distance in thick fog, I speculated that they might be some kind of strange goose or perhaps swans. That sounds ridiculous, as I soon understood when I saw them more clearly. And once I saw the first flock they magically appeared in other locations I had long visited.

I’ve seen them everywhere from coastal areas to inland waterways and ponds. This group hangs out at an inland location, and I’ve seen them or their relatives off in the distance many times, usually just hanging around on small islands like this one. When I’m lucky I manage to be under their flight path as they take to the air. But this group had taken up residence on this little bar, close enough for me to photograph them very late in the day, only minutes before sunset, while I was on my way to another spot.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Sandhill Cranes and Tree, Tule Fog

Sandhill Cranes and Tree, Tule Fog
A flock of lesser sandhill cranes in a wetland pond in front of a solitary tree in winter tule fog.

Sandhill Cranes and Tree, Tule Fog. © Copyright 2020 G Dan Mitchell – all rights reserved.

A flock of lesser sandhill cranes in a wetland pond in front of a solitary tree in winter tule fog.

Sometimes the way that photographs come into existence seems strange. We put a lot of effort into doing all the things that increase the chances of success — practice, learn technique, develop our ability to see, take care to have the appropriate equipment, go to the locations where photographs are possible, time things correctly, and more. All of these are efforts, I think, to diminish the role of chance. Or, perhaps giving ourselves a bit more credit, steps that increase the odds that we’ll be able to take advantage of good fortune when it comes to us.

The series of recent photographs of sandhill cranes in fog is an example of this dynamic. They certainly involved all of those controllable factors that I listed in the previous paragraph. But I can’t help but acknowledge what it means to create a series of photographs from, literally, not more than a few minutes (perhaps a half hour?) in one spot on one particular morning. Aside from the fact that I knew it was possible that I’d find a scene like this, it was not exactly predictable. The weather could easily have been different, the birds could have been elsewhere, I might have chosen a different day to be there. Yet, on this morning it came together and this series of photographs was the result.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.