Tag Archives: flock

Sandhill Cranes, Tule Fog

Sandhill Cranes, Tule Fog
A flock of lesser sandhilll cranes in a wetland pond on a foggy winter morning.

Sandhill Cranes, Tule Fog. © Copyright 2020 G Dan Mitchell – all rights reserved.

A flock of lesser sandhilll cranes in a wetland pond on a foggy winter morning.

Unlike most winter drivers in California, I was thrilled when I ran into serious fog about an hour before arriving at my intended photography location. I chose this day to visit the Great Central Valley specifically because I hoped to photograph in such fog. As I continued to drive, dropping down into the valley from surrounding hills, the fog only got thicker. By the time I arrived at my destination is was so thick that the roadway was. barely visible in the pre-dawn darkness. I turned off the main road and spent some time looking for birds, finally finding a flock of cranes standing in a shallow pond.

To read about nature photography and photographers, you might occasionally get the mistaken idea that it involves non-stop action and compelling scenes. You would be wrong. Those tend to the exceptions, and they are often separated by long periods of stillness and quiet. I don’t regard that as a problem and, in fact, this is part of the appeal of these places. The fog amplifies this effect, muting sounds and restricting visibility to a small radius. I stopped and slowly and patiently watched these birds, barely visible at times in the fog, making occasional photographs as they assembled themselves in interesting compositions.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Crane Quartet, Fog

Crane Quartet, Fog
Four sandhill cranes walk thorugh shallow water in front of a larger flock on a very foggy morning.

Crane Quartet, Fog. © Copyright 2020 G Dan Mitchell – all rights reserved.

Four sandhill cranes walk thorugh shallow water in front of a larger flock on a very foggy morning.

As you can imagine, quiet and lonely places have their practical appeal these days. If I’m going out to photograph, especially if I’m driving somewhere, right now I tend to pick a time and place where there won’t be a lot of other people. Out in the middle of nowhere, at the end of a long pre-dawn drive in incredibly dense tule fog seems to do the trick quite nicely!

I’ve often wondered what it must be like to be a bird in a place such as this where the tule fog frequently forms in the winter. This fog is usually not very deep, and I’ve driven through tule fog so thick I could barely see the roadway, but if I looked up I could see stars and morning clouds overhead. I would think that these birds could easily lift off and emerge into sunshine on such a morning.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Cranes in Motion

A flock of sandhill cranes taking flight above wetlands on a Central Valley autumn morning.

Cranes in Motion. © Copyright 2020 G Dan Mitchell – all rights reserved.

A flock of sandhill cranes taking flight above wetlands on a Central Valley autumn morning.

This photograph follows one that I shared a few days ago. In that photo a group of sandhill cranes was standing in and along the edge of a pond, and I mentioned that their upright positions suggested that they were preparing to take to the air and depart. I wrote that without looking at the files that followed. Now I have looked at those other files, and I realize that I was correct — the small flock rose into the air almost immediately after that photograph and then traversed across the scene from left to right. I made this photograph as they departed.


You may notice that there is a lot of motion blur in this photograph. We often try to capture sharp photographs of birds, including those in flight, by hoping for sufficient light and then learning to track them as they fly. That’s not always an easy thing to do, and there’s nothing wrong with a sharp photograph of birds! But sometimes I feel that including some blur may better express the motion of this subject and the speed and suddenness of the birds’ flight.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Flock of Cranes in Flight

Flock of Cranes in Flight
A flock of sandhill cranes in flight against clear blue sky.

Flock of Cranes in Flight. © Copyright 2020 G Dan Mitchell – all rights reserved.

A flock of sandhill cranes in flight against clear blue sky.

Today’s post gives me an excuse to explore a few technical (and aesthetic) considerations about photographing birds, so I’m sharing this photograph both as an image and as an illustration of a few things I’ll mention below. I made the photograph in the morning (contrary to a possibly erroneous bit of EXIF data in the file), when the rising sun was still low and the light was muted a bit by thin fog. I positioned myself in a spot that groups of cranes were crossing, and I simply waited for them to approach.

There’s a lot going on inside a dynamic flock like this one. Some things are at least partially subject to decisions by the photographer, while others must simply be accepted as “what is.” Even those that are subject to photographer decisions improve the odds rather than producing certainty. I identified a spot over which groups of birds were flying. I chose to position myself on the “sunny side” of that point so that passing birds would get some direct illumination. This is important, since backlit birds against a back sky are… challenging. The second issue has to do with the positions of the birds in the frame and relative to one another. With practice one can become better at framing the flying birds in desirable ways. More difficult is keeping track of how the birds interact with one another in flight. Ideally you probably want them close together, but you don’t want one bird obscuring the head of a nearby bird. The birds rarely understand this! But you can increase the odds by developing your ability to watch this positional interplay among the birds. You learnt to avoid triggering the shutter when the positions aren’t great and (to some extent) time your shots for when they are. In the end, as in this photograph, while all of these intentional acts help, there are still significant elements of chance in the result… and here it worked and not a single bird’s head is blocked by another in the group.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.