Abandoned railroad tracks on a pier along the shore of San Francisco Bay
I made this photograph of a gray and foggy morning along the San Francisco waterfront, an hour or two before the sunlight began to break through the gloom. I ambled along this area of the waterfront, an area that is rapidly changing as this pressure for growth and upgrading increases here, and I poked my nose into any odd little alley or side-walk that I could find. This one turns out to not be all that obscure, and it even has a relationship to photography.
The old tracks lead out onto the edge of a dilapidated pier. The Bay lies beyond and far in the distance the Oakland shoreline is barely visible.
Fog and haze obscure the winter skyline of downtown San Francisco, California.
It is unlikely that any view of San Francisco will be entirely unique, but I haven’t seen many other photographs of the City’s skyline that look quite like this one. It isn’t unusual for people who see the photograph (especially as a print) to ask, “Is that real?” It is as real as a photograph gets, and the conditions actually occurred — the only time I have seen them quite like this, with quite this soft and subtle atmosphere and light. (The post-processing on this photograph was relatively minimal, and a lot of it was about controlling the brightness of that bright cloud high in the sky.)
Living in the San Francisco Bay Area, I frequently drive north over the Golden Gate Bridge to photograph in the redwoods, along the coast, or at Point Reyes National Seashore. This usually means leaving home well before the sun rises, and depending on where I’m headed, I usually cross the bridge right around dawn. The plan is to pause and look at the scene in the early light and decide if something really interesting might happen — and it that seems probable I’ll photograph here for a while before moving on.
Upper Yosemite Fall briefly appears through the mist on a winter morning
In Yosemite Valley for a few days at the end of February, I had the opportunity to wake up early and wander off into meadows before most of the Valley had awakened. The overnight forecast had included a small chance of some snow flurries and continuing snow in the morning, so I wanted to be “out in it” when and if it arrived. Around dawn I got up and walked out into the meadow near the swinging bridge. There was the tiniest bit of snow from the night before — so little that its faint trace was only to be seen in hollows and protected areas. As I walked through the meadow the sun began to rise and there was a five-minute snow shower as I set up my tripod and camera.
From where I stood I had an open view upwards toward the Valley cliffs, but I couldn’t see much. Heavy mists were floating along the upper reaches near the Valley rim, and for the most part I only was able to see bits and pieces of the formations through momentary windows in the clouds as they drifted by. One moment a ridge line or a pinnacle would briefly appear, only to be swallowed up again in the clouds. From where I stood I knew that Upper Yosemite Fall should be visible, so I pointed my camera that way, hoping for a muted and obscured view of the thing if the clouds cleared enough. And they momentarily thinned enough that I could see the upper rim of the Valley, the cleft where the fall leaps into space, and a section of its downward path behind the scrim of clouds.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Diners at an outdoor eating area at the Getty Center.
This is a photograph from about five years ago, when we spent a rainy and foggy winter day at the Getty Center in Southern California. When one thinks of the Los Angeles area, more typically the thoughts are of sunshine and warm temperatures, but this winter day was not at all like that. It was not warm, and the constant light to moderate rain also included foggy conditions at this ridge-top location. The design of the Getty buildings and the grounds has fascinated me for a long time, and this provided a new way to see the place.
At about the time I made this photograph, quite a few people were seeking shelter from the wind and rain in this outdoor covered courtyard area where the upper room section appears to be supported by tremendously tall and thing columns clad in rock.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
Manage Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.