Tag Archives: foliage

Photographs: Nature

Leaf Edge

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Leaf Edge
The edge of a yellow leaf against blue shadowed background.

Leaf Edge. © Copyright 2022.G Dan Mitchell.

The edge of a yellow leaf against blue shadowed background.

Recently I have begun looking through my archives for photographs featuring the yellow and blue color scheme of Ukraine’s flag — you might think of it as an emerging “blue and yellow” series. I’ve also been on the lookout for new subjects that feature the colors of this flag, a new symbol of the fight against tyranny and against the brutal invasion of this country by Russia and its dictator.

I’ll mostly leave that as the primary text accompanying this photograph, with only a bit of reference to the subject of the image. Recently I was photographing a garden that is beginning to emerge from winter dormancy as spring approaches. Mainly we went there to view and photograph new flowers, but here and there I found evidence of winter and even of autumn, including a few leaves still bearing autumn colors.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature

Green Stems

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Green Stems
Green stems of new bulbs crowd together.

Green Stems. © Copyright 2022.G Dan Mitchell.

Green stems of new bulbs crowd together.

Recently I read an article about painter Richard Diebenkorn, whose work I have admired for years. The reviewer was commenting on the relationship between the depiction of the “real” landscape and seeing the subject as something else entirely. He commented, more or less, that these paintings of real subjects aspire to abstraction. That’s an idea that I can relate to — and I know that I’m not the only photographer who thinks this way.

I made this photograph during a morning visit to a Bay Area garden, where we had gone to see the first “spring” blooms. (Technically, it was still late winter, but it sure felt like spring that day.) The flowers were beautiful and impressive. But my attention wanders, and I end up photographing a lot of other things, too. These stems caught my attention with their color and form, especially in softer light in the shade of some trees. So I crouched down (very!) low and photographed in such a way that the stems but not the flowers would be in the photograph.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Oak Tree, Red Rock

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Oak Tree, Red Rock
A twisting oak tree beneath red rock towers, Zion National Park.

Oak Tree, Red Rock. © Copyright 2021 G Dan Mitchell – all rights reserved.

A twisting oak tree beneath red rock towers, Zion National Park.

The title simplifies the content of this scene — there are actually several kinds of trees here, and the contrast between the lighter trunk of the foreground tree and the dark shape of the more distant tree is part of what attracted me to this scene. Other elements included the twisting shapes of the trees and the contrast between the bright green of the leaves (which are close to beginning their autumn color transition) and the red Utah sandstone.

The nature of light is almost always a key factor in photography, but it plays out in very special ways in the red rock canyons of the Southwest. As I have written previously, the typical photographers’ schedule (shoot very early and rather late) is upended in canyons. We often try to find the softer and warmer light of the very early and late hours of the day, but in these canyons the tall walls often keep the subjects in the soft shadow light much of the day, and direct sunlight reflected off the canyon walls can provide that warm color to the light. (To those used to having a midday break between morning and evening photography, this can be exhausting!) This photograph was made during those essentially middle-of-the-day hours, and the soft light illuminates and colors the scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Cottonwood Trees and Red Rock Cliffs

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Cottonwood Trees and Red Rock Cliffs
A small grove of tall cottonwood trees beneath a red rock cliff, Zion National Park.

Cottonwood Trees and Red Rock Cliffs. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small grove of tall cottonwood trees beneath a red rock cliff, Zion National Park.

Because Zion National Park is so popular, especially the main Zion Canyon along the Virgin River, the Park Service has instituted a shuttle system to carry visitors in and out and from place to place within the canyon. Like all such systems, it has it flaws — hard to get a seat going into the park early in the morning or late in the day leaving, hard to schlep camera equipment in and out — but on balance I think it is a good thing. I’ve been in Zion when the place was crawling with cars — cars on the roads, cars parked everywhere, cars waiting for parking spaces. The bus system improves on that, and I think the inconvenience is worth it for the most part.

We took a very early shuttle all the way up to the entrance to the narrows, the last stop on the route. My photographer instincts said, “Get there early!” These instincts are good, and there is a lot of interesting work to be done in the soft morning light. But photographing in these canyons isn’t the same as photographing, for example, in the open spaces of the Sierra or the desert. In red rock canyon country, the best light often comes later in the morning and well before sunset, when the sun is high enough to directly strike the red canyon walls and reflect that soft, warm light down into the lower reaches of the canyons. With this in mind, we took our time after photographing below the narrows, and rather than getting back on a shuttle we started walking down canyon, enjoying the variety of reflected light… and we repeated the process once again later in the day. I first saw this group of trees very early in the morning, and I made a point of coming back to them later in the day when I knew the reflected light would appear.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.