Tag Archives: forest

Aspens, Meadow, and Pond

Aspens, Meadow, and Pond
Aspen trees at the peak of autumn color at the edge of an Eastern Sierra Nevada meadow pond.

Aspens, Meadow, and Pond. © Copyright 2022 G Dan Mitchell.

Aspen trees at the peak of autumn color at the edge of an Eastern Sierra Nevada meadow pond.

One of the things that Sierra Nevada aspen photographer are always looking for is leaf color other than the ubiquitous yellow-gold seen on the vast majority of aspens. That color can be quite beautiful, but colors that contrast with it are special. This could be the green of yet-to-change trees, but ideally it is the beautiful red and orange leaves that appear less frequently. In most cases these rarer colors appear among larger numbers of yellow trees, and they can stand out wonderfully against that background.

I photographed these trees near a spot where I often pause to look at early yellow color, but where I usually do not photograph. However, on the visit during the third week of October (later than usual for me) essentially all of the leaves had turned, and I notices some beautiful orange and red trees that I hadn’t seen before. I took a short walk to a slightly elevated camera position and photographed them with a bit of meadow and pond in the foreground.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Late-Season Aspens, Evening

Late-Season Aspens, Evening
Late-season aspen groves in the early-evening shadow of the Sierra crest.

Late-Season Aspens, Evening. © Copyright 2022 G Dan Mitchell.

Late-season aspen groves in the early-evening shadow of the Sierra crest.

The light for this photograph was special. I was east of the Sierra crest at an elevation of 8000′ or so. The sun had just dropped below the crest, and the direct sunlight was gone. However, clouds above the peaks were still directly lit by the sun and quite bright. As a result I worked in soft shadow light, but the trees were still gently backlit by those glowing clouds. This gave more directionality to the light than might have otherwise been the case, and this soft backlight enhanced the colors of the trees.

This location is one of the more fascinating and unusual in the range, though it is easy to overlook what makes it so. While the crest rises high to the west, here the terrain is on a boundary between high desert sagebrush country and the start of foliage that is more characteristic of the mountains. I think that the east side location, with its relatively less moisture, has a great effect on this. While I tend to think of aspens as mountain trees — and they often are — here there are many growing in terrain that is more desert-like.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Conifers and Hardwoods, Autumn

Conifers and Hardwoods, Autumn
A mixed stand of conifers and colorful autumn hardwood trees, New England.

Conifers and Hardwoods, Autumn. © Copyright 2022 G Dan Mitchell.

A mixed stand of conifers and colorful autumn hardwood trees, New England.

Near the spot where I made this photograph, a carpet of wildly colorful hardwood trees was draped across valleys and ridges. It was quite a sight, but it was also very difficult to photograph it. One of the challenges of photographing in this part of New England comes from the very forest that produces those colors. The darned trees grow so close together and come right up to the edge of roadways, making it very difficult if not impossible to make photographs of longer views from many locations. That was definitely the situation here — lots of colorful trees, but lots of things standing between me and those trees.

It eventually occurred to me to use the blockages as part of the photograph. in this case there were conifer trees growing nearby and among the hardwoods, and once I thought about how I liked the effect of the muted green conifers against the riotous hardwood colors it seemed to make sense to juxtapose the two types of trees in this photograph. If nothing else, this photograph serves as a record of those qualities.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Birch Trunks, Fall Foliage

Birch Trunks, Fall Foliage
White birch tree trunks emerge from a sea of fall color, New England.

Birch Trunks, Fall Foliage. © Copyright 2022 G Dan Mitchell.

White birch tree trunks emerge from a sea of fall color, New England.

For this California photographer, the autumn. Eastern Sierra aspens are some of the most interesting trees. Their leaves can certainly be colorful — often yellow/gold, but also ranging through orange and red. But their white or near-white trunks set them apart. They are fascinating no matter what the leaves are doing — spring. green, autumn color, or winter bare. I take it that there are aspens in New England, though their presence is overwhelmed by the other trees that we don’t see in California. As I photographed in the Northeast it seemed to me that that birch trees are more or less the aspen surrogates there, and they often provide similarly interesting trunk structures.

It is easy to be overwhelmed by the sheer mass of Northeastern fall color, to the point that it sometimes is difficult to make a photograph of the subject. I know that may sound strange — those colors are exciting, so why not just point the camera at them and make pictures? That’s exactly the problem. It is easy for the colors to be the whole show, so I look for other things that can tie them together in some sort of form. Tree trunks can often do this. A few trunks slicing, twisting, or slanting through a scene can give it direction and flow that is hard to achieve in a photograph of just the colorful leaves.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.