Tag Archives: form

Photographs: Nature, Photographs: Pacific Northwest

Hostas Leaves #1

Leave a comment
Hostas Leaves #1 - Hostas leaves growing in a Portland, Oregon garden
Hostas leaves growing in a Portland, Oregon garden

Hostas Leaves #1. Portland, Oregon. July 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Hostas leaves growing in a Portland, Oregon garden.

I made this small series of photographs of the leaves of hostas plants while wandering around the extensive rose gardens at Portland, Oregon’s Washington Park. I’m not a big fan of photographing roses – though I’m fascinated by looking at them – so I had not made any photographs while visiting that primary area of the garden, but once we began to poke around in some of the peripheral gardens that featured other kinds of plants I started to see things that attracted my own photographic interest more strongly. This set of leaves was in a large bed of hostas plants along a walkway and in the shade, and I thought that the colors and textures of their overlapping leaves created some very interesting patterns.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Morning Light, Zabriskie Point, Detail

Leave a comment
Morning Light, Zabriskie Point, Detail
Morning Light, Zabriskie Point, Detail

Morning Light, Zabriskie Point, Detail. Death Valley National Park, California. April 2, 2009. © Copyright 2009. G Dan Mitchell – all rights reserved.

Detail of eroded gullies and hills at the edge of Gower Gulch in morning light, Zabriskie Point, Death Valley National Park.

This photograph focuses on a small section of the contorted and folded geological shapes along the edges of Gower Gulch at Zabriskie Point in Death Valley National Park. These details fascinate me, not only for the amazing variety of forms that they present but also because they change continuously as the light changes. Here they are illuminated by fairly stark light from early morning sun light that has just appeared as the sun rose above the hills to the east. The contrasts between the brightly lit tops of the small hills and the deeply shadowed gullies is clear, but if you look closely you may be able to see that the shadows are lit, as well, by the light reflected into them from the obscured sunlit faces of the gullies that are not visible from this position.

When I return to Zabriskie, I may take a few moments to make photographs of momentary soft light as the first sun strikes Manley Beacon, but I have become much more interested in photographing these small details of the scene. I usually work with a very long lens, and continue to shoot long after the “golden hour” sunrise light has gone since some of the small subjects are better lit by higher light.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: New York City, Photographs: Structures and Objects

Walls and Portal, MoMA

Leave a comment
Walls and Portal, MoMA
Walls and Portal, MoMA

Walls and Portal, MoMA. New York City. August 18, 2010. © Copyright G Dan Mitchell – all rights reserved.

A portal near the convergence of two white walls, Museum of Modern Art, New York.

While walking on an upstairs floor in a central area of the New York Museum of Modern Art, I was in an area with stark white walls and portals to an inner “well” – the edges of the portals were treated in warmer tones of paint.

Since the image is minimalist, I’ll make my description minimalist as well.

G Dan Mitchell Photography | Flickr | Twitter (follow me) | Facebook (“Like” my page) | LinkedIn | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.


Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Detail, Overlapping Gullies – Zabriskie Point

3 Comments
Detail, Overlapping Gullies - Zabriskie Point
Detail, Overlapping Gullies - Zabriskie Point

Detail, Overlapping Gullies – Zabriskie Point. Death Valley National Park, California. February 20, 2011. © Copyright G Dan Mitchell – all rights reserved.

Detail photograph of the patterns of overlapping gullies near Zabriskie Point, Death Valley National Park.

I have been working on a sort of informal project to photograph small details at Zabriskie Point that do not necessarily reveal the larger, familiar, and very iconic landscape of the place. A few years ago I noticed – almost by accident – that certain features of the surrounding landscape can be photographed in conditions quite different from the “standard” dawn and very early morning lighting. In fact, some of the geology can, I think, be photographed in interesting ways even during unusual times of the day when there is full sunlight. A bit later in the morning the light, which tends to glance across the tops of some features earlier in the day, begins to penetrate down into the little valleys and gullies and reflect into them from some of the brighter surfaces. While it can work in full sun, it may work even better when there is a bit of overcast, as there was when I made this photograph and a couple others in the series.

With this specific subject I also tend to work from a bit of a distance using long focal length lenses. This one was shot at 400mm! This poses a problem that we don’t encounter as often when using more (supposedly) typical landscape focal lengths, namely that it is hard to get the whole subject in focus due to depth of field issues that become more apparent with such long lenses.

Also, when photographing these rather pale and pastel formations, it is very easy to succumb to the temptation to jazz things up a bit. To be honest, I have seen some very good and interesting work that relied on amplifying contrast and the subtle colors. However, I’m trying hard to not go too far with this. I certainly do some work in post to balance things out a bit and to get the effect that I think best evokes what I recall of the scene, but I’m avoiding the inclination to, for example, adjust curves to the point that I get a lot of pure blacks and whites in this subject that mostly contains bright mid-tones.

G Dan Mitchell Photography | Flickr | Twitter | Facebook | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.