Tag Archives: formations

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Holly, Dry Wash

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Desert Holly, Dry Wash
Desert holly plants grow along the curves of a small desert wash

Desert Holly, Dry Wash. © Copyright 2019 G Dan Mitchell – all rights reserved.

Desert holly plants grow along the curves of a small desert wash.

Among plants that manage to eke out an existence in dry landscapes, such as that of Death Valley National Park, there seems to be a spectrum of accommodations to dryness. Out near the sharp edge of that bell curve is found the desert holly plant. In some of the locations where I see it, the plant seems to be just about the only thing that is still able to live on the driest and rockiest soils.

The specimens in this photograph are growing along the course of a dry wash, and they probably get a good portion of whatever small amount of water that sustains them during brief periods when water flows following rainstorms. (It had rained heavily during the previous month here… and there was no visible water in this wash.) The plants present a sometimes surprising bit of green in this otherwise arid and bare landscape.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Red Rock, Tree

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Red Rock, Tree
A tree grows among eroded sandstone formations, Bryce Canyon National Park

Red Rock, Tree. Bryce Canyon National Park, Utah. October 6, 2012. © Copyright 2017 G Dan Mitchell – all rights reserved.

A tree grows among eroded sandstone formations, Bryce Canyon National Park

Recently I spent some time going back through older photographs from some visits to the Southwest, notably Utah, a few years back. I suspect that three things provoked me to do this. First, I have found that I’m not always able to completely understand my own photographs right away. Some are obviously “keepers” from the very beginning, but others only make sense after I have not looked at them for a while — so I build this periodic visit to older subjects into my workflow. Secondly, I love the Utah landscape, from its most intimate to its grandest subjects. It is a place I think about a lot, and a place that I would like to revisit often. Third, I’m acutely aware of the existential dangers to this very landscape posed by the ascendance of short-sighted, self-interested, hyper-partisan political forces in Utah right now. As a matter of principle, I have decided to not visit that state until their representatives stop trying to ruin it. (I urge you to consider contributions to the Southern Utah Wilderness Alliance or other local groups working to protect Utah’s public lands for all Americans, and to join me in boycotting the state for now.)

This photograph comes from Bryce Canyon National Park, a place of great beauties… that I still haven’t quite gotten my mind around. The rugged red formations facing the rising sun certainly present a striking appearance, but working from along the main road and its offshoots I still haven’t found my vision of the place. Oddly, some of my strongest visual recollections of the place are looking back at it from the east and from a great distance. In this photograph a single small tree peeks out from behind some of the sandstone structures.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Cedar Breaks, Evening

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Cedar Breaks, Evening
Soft evening light on the formations of Cedar Breaks National Monument

Cedar Breaks, Evening. Cedar Breaks National Monument, Utah. October 5, 2010. © Copyright 2017 G Dan Mitchell – all rights reserved.

Soft evening light on the formations of Cedar Breaks National Monument

This was only my second photography trip to Utah — the first had been not long before this when we visited in spring. (When I was very young, my family used to drive through Utah on trips between California and the Midwest, but I was hardly aware of the landscape.) This time we aimed for autumn, leaving the eastern Sierra at the beginning of October and heading across Nevada (not the usual route!) to western Utah and staying near Cedar Breaks National Monument for a few days at the start of our visit.

I did not know much about Cedar Breaks, and one thing that surprised me was the abrupt break between the wildly colorful and sculpted pink rock of the canyon and the flat and relatively plain high country to the east. A road travels along this boundary, and it took me a while to figure out how to photograph the area — the high flatlands seemed plain and the canyon dropped away into the western light. But that light from the west turned out to be the key. Near the end of our visit we were along the southern edge of the chasm late in the day when high, thin clouds softened that light from the west, and from here, rather than photographing straight into it, I could focus on the textures and colors made visible by the light sweeping across from the left.

As you consider this beautiful scene, also consider that such areas in Utah are currently threatened by radical anti-environmental Utah politicians who seem hell-bent on giving away our shared public lands to special interest extraction industries. It is simply astonishing that people who live in a place of such beauty could be so blind to it. Consider supporting the Southern Utah Wilderness Alliance in their work to defend these treasures.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Mono Lake Basin, Photographs: Nature

Tufa, Wildfire Smoke, Mono Lake

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Tufa, Wildfire Smoke, Mono Lake
Tufa formations, the vast expanse of Mono Lake, and smoke covered desert mountains

Tufa, Wildfire Smoke, Mono Lake. Mono Lake Basin, California. September 18, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Tufa formations, the vast expanse of Mono Lake, and smoke covered desert mountains

This nowhere near the first time I have photographed from this location, though it is the first time I have worked with conditions like these. Quite a bit earlier this morning I began to photograph before dawn, quickly realizing that the thickening smoke from a nearby wildfire was blanketing Mono Basin and creating atmospheric effects ranging from very dark sky, to clouds illuminated from behind, to drifting layers. After photographing near the lake I headed to a higher elevation area to the north, photographed there, and then headed back down toward Mono Lake.

As I descended I soon began to enter the fringes of the drifting smoke clouds. Lit from behind, the clouds glowed from within and softened the edges of elements of the landscape. Coming past this spot along the edge of the lake I noticed that some tufa structures formed a near semicircle near the shore, giving a bit of definition to a scene that was otherwise quite soft.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.