Tag Archives: geese

The Fly-In

The Fly-In
The Fly-In

The Fly-In. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Ross’s Geese settle into a wetland pond during the evening fly-in

Often the most active times of day for migratory geese in California’s Central Valley are the morning fly-out and the evening fly in. (In the right conditions, it is also possible to see very active birds at other times, too — even in the middle of the day.) If you happen to be in the right place in the early evening you may see hundreds or thousands of geese descending towards you to eventually settle in for the night. (At the opposite time of day, you may catch the birds suddenly taking to the air in large numbers to depart for destinations that only they seem to know.)

These wetlands ponds in the San Joaquin Valley stretch off into the distance, broken only be a few scattered trees and some levees. Many birds pass overhead, but eventually more and more of them come in to land on the water and form into various sorts of groups.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Birds, Dusk

Birds, Dusk
Birds, Dusk

Birds, Dusk. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Birds in the fading light of winter dusk about the San Joaquin Valley

This is likely to at least partially a bird week as I continue to share photographs of migratory birds and their San Joaquin Valley environment from last winter. Certain responsibilities have kept me at home rather than in the field, so I’ve been trying to put the time to good use by reviewing photographs that I made during the past six month. As I move on to the next thing, I sometimes leave behind photographs which, at the time, interest me less than those newer ones, and coming back looking at them later on almost always leads to a few discoveries.

I made this photograph at the end of a long and productive day of (mostly) bird photography. We began in fog before dawn and shot through the morning as the sun came up and eventually the fog began to dissipate, leaving behind that hazy winter Central Valley atmosphere. After a midday break we returned in the late afternoon, and shot right on into the evening until the light was truly gone — perhaps just a bit past gone. After sunset as the dusk sky darkened I simply lengthened exposures to compensate and intentionally worked with the blur created by the birds and by camera motion. Even now, months later, I remember the sensations of the sky filling with what seemed like nervously active birds of many types.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Winter Dusk, Three Birds

Winter Dusk, Three Birds
Winter Dusk, Three Birds

Winter Dusk, Three Birds. San Joaquin Valley, California. January 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Motion blur abstraction of a winter scene with three birds landing

Near the end of the day, well along into the dusk hour, with light fading fast, I decided to take advantage of the poor light and “play” a bit with very slow shutter speeds and intentional camera motion. By moving the camera in various ways during the exposure I can control to some extent the angle, length, and linearity of the blur. In some cases it is enough to just track the birds — and give the less fuzzy image of the three central birds, I am pretty certain that is what I was doing here. In other cases I can basically ignore the motion of my subjects and simply think about how to move the camera to create patterns in the motion blur.

I’ve often felt that working for sharply focused, stopped motion images of birds is not the only way to depict whatever it is that attracts me to them. The camera lets us see birds in ways that we really cannot usually see them with our own eyes. When birds are in motion it is almost impossible — at least with many types of birds — to clearly see them. They move too fast and the motion of wings is essentially impossible to track visually. And when we do stop them with a fast shutter speed, while we get to see them with a kind of clarity that isn’t otherwise possible, we may also sacrifice that sense of constant motion. So I started playing with the idea of intentionally avoiding sharp focus, allowing camera motion to come into play and using slow shutter speeds to allow the birds to blur and to blur their surroundings as the camera moves. To me, this sometimes evokes more strongly the feeling of the fast motion that I observe among these birds, and creates a different sort of honest portrayal of them.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Snow Geese and Sky

Snow Geese and Sky
Snow Geese and Sky

Snow Geese and Sky. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Six snow geese against blue sky and thin clouds

When out photographing winter birds in the Central Valley of California there are so many things to photograph and so many ways to photograph them. It might be perfectly blue-sky clear, it might be foggy, or there could be the precursor or remnant clouds of a Pacific weather front. There might be agricultural subjects nearby—cattle, barns and other structures, fields. Or I could end up in a town, with its farmland character. And there are always the birds—close up photographs of individuals, groups clustering together, huge flocks. They might be in trees, on the water, flying, feeding in fields.

While it is perhaps not the sort of shot that I most like, I can’t help myself from photographing groups of birds that fly over. I’m not sure if it the continuing desire to get the perfect arrangement of birds in motion, the technical challenge of making a photograph of such rapidly moving targets, or some primal hunting instinct… but I do know that when I’m not photographing something else compelling, I’ll fire off a lot of photographs of birds in flight. And we had plenty of them on this mid-February day, when the birds seemed both more willing to let us be close and more likely to take flight. This group separated from a much larger flock that was wheeling overhead and passed almost above me before turning west into the sun.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.