Wildfire smoke colors the morning light on domes above the Tuolumne River, Yosemite National Park.
Back in 2014 a group of us spent a week photographing in the Yosemite backcountry. We packed in to our first locations, spent a few days there, then moved along and ended up near the location of this photograph in the canyon of the Tuolumne River. While many have an impression of the Tuolumne formed by its leisurely passage through the Tuolumne Meadows area, other sections present a very different view.
Our stop here coincided with a very destructive wildfire in Little Yosemite Valley, and on the afternoon of our arrival the smoke had block the sun as ash floated down from the sky. Later much of the smoke blew in other directions, yet there was still a general smokiness in the atmosphere. That slightly brown haze colored the light in this early morning view of the canyon of the Tuolumne River.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Stained and fractured rock slabs in the Yosemite National Park backcountry
This “intimate landscape” photograph of what is, objectively speaking, no more than a crack separating two pieces of granite actually tells a number of more interesting and complex stories. At least one of them is a story of the events of the day on which the photograph was made, while others are much older stories, bits of which can be seen in the rocks.
The story of this day involved wildfire. On the day we arrived at our camp in this area, the Yosemite “Meadow” fire took off in the area bounded roughly by Half Dome, Clouds Rest, and Mount Starr King. There was barely any smoke visible in the early morning, but as winds rose to surprising levels, the fire took off… and by late in the day the sky was filled with smoke that sometimes blotted out the sun and turned the sky an odd yellow-brown color. These rocks are stained a sort of reddish-brown, but the warm colors are enhanced a great deal by this smoky light. The older stories are complex and I cannot attempt to tell them completely here, but there are a few things to notice and think about in this rock scene. The area was glaciated, and the smooth rock surface at lower left and lower right is glacial polish, which provides evidence of the slow, grinding passage of an ancient glacier. The crack in the exfoliated granite provides evidence of other forces of weather that work slowly but irresistibly to weather and break up even this strong granite.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A group of small trees find a marginal existence growing along a crack at the edge of an exfoliated slab of granite, Yosemite National Park
It took me three tries, on successive days, to finally get the photograph of this little bit of granite slab and trees that I was looking for. On evening of our first day camping in the vicinity we were under the thick smoke plume from the early September “Meadow” fire in Yosemite, which was burning some miles away in the Little Yosemite Valley area — but also sending dense smoke towards us and dropping ash from the sky. I did make a few photographs in this eerie light the first night, but it was a very tricky situation that did not work well for this subject. I went back on the second evening, when the smoke had diminished at our location to the point that it wasn’t a major factor in “intimate landscape” photographs like this one. I went to the top of a large granite bowl before the light was good and scouted for likely photographs to make as the evening light improved. I spotted this lengthy crack at the edge of an exfoliated granite slab, in which a number of small trees had taken tenuous root and decided that it could be an interesting subject with evening sidelight. I wasn’t the only one, however, and three members of our party had the same idea! We are a cooperative bunch, so I photographed some other things while my partners worked this spot, and then returned to set up a shot that looked more directly up the length of the crack that curves through the composition in this version. Later that evening I was quickly reviewing my shots from the day, and I realized that one of my buddies had cast a long shadow into part of the frame! Ah, well, such things happen.
So I made plans to go back yet again on our final evening in the area and try once more. In the end, I’m glad that I did. I’m now convinced that by going back I found a more interesting composition that accomplished several things. First, no one’s shadow is in the image! Second, I think that positioning the large crack so that it curves more diagonally through the frame works better than my original composition. Third, due to this different camera position and somewhat different light, I was able to let the shadow of the tree create a sort of mirror image of its form, resulting in a relationship between the tree and the shadow that I like. There are spots much like this one all over the place in Yosemite — smooth slabs of granite on which tiny but often mature trees manage to find just enough sustenance. In this little spot, a somewhat unusual number of these trees seem to have made a success of it.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A solitary tree grows among broken slabs of stained granite, Yosemite National Park
I suppose that this photograph also is at least partly of the “brave little tree” school, since there is indeed a little tree standing in an improbable looking place at the far side of this jumble of exfoliated and broken granite slabs. I wouldn’t say, though, that the tree is the primary subject — I think that it is more of a “surprise” that you might see only after first registering the shapes, textures, and colors of the rocks that fill the frame. It also may help establish a sense of scale for the broken slabs, though there are aspects of this image that work to defeat that possibility, too.
I remember the general place where I made this photograph, and I might be able to narrow down the location a bit if I went back to my files to see what I shot before and after. But the specific spot probably doesn’t matter that much. It is in the Yosemite backcountry, in a large area of granite slabs and bowl-like terrain where many of the rocks are stained an unusual and unusually intense reddish-brown color. It had rained overnight and was still raining off and on, so I worked with the soft light that comes with the passing clouds, making photographs in between the passing showers.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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