Trees in morning light, backed by rocky slopes, Ansel Adams Wilderness.
Have I mentioned that I like backlight and that I especially like trees in morning backlight? Well, yes, I think I have. Even more, I like this subject when the background is filled by distant, rocky mountain slopes in shadow. This little group of trees was nestled against a rocky promontory not far from our camp.
After nearly two days of rain, this was the first morning when we had sun. All of us were more than ready for this development, and soon everyone was out and about, enjoying the dry weather and warm light. (We also continued to be impressed by the unusually high creek levels and the nearby lake that was now completely full of sediment washed down from the peaks.)
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
A group of small trees find a marginal existence growing along a crack at the edge of an exfoliated slab of granite, Yosemite National Park
It took me three tries, on successive days, to finally get the photograph of this little bit of granite slab and trees that I was looking for. On evening of our first day camping in the vicinity we were under the thick smoke plume from the early September “Meadow” fire in Yosemite, which was burning some miles away in the Little Yosemite Valley area — but also sending dense smoke towards us and dropping ash from the sky. I did make a few photographs in this eerie light the first night, but it was a very tricky situation that did not work well for this subject. I went back on the second evening, when the smoke had diminished at our location to the point that it wasn’t a major factor in “intimate landscape” photographs like this one. I went to the top of a large granite bowl before the light was good and scouted for likely photographs to make as the evening light improved. I spotted this lengthy crack at the edge of an exfoliated granite slab, in which a number of small trees had taken tenuous root and decided that it could be an interesting subject with evening sidelight. I wasn’t the only one, however, and three members of our party had the same idea! We are a cooperative bunch, so I photographed some other things while my partners worked this spot, and then returned to set up a shot that looked more directly up the length of the crack that curves through the composition in this version. Later that evening I was quickly reviewing my shots from the day, and I realized that one of my buddies had cast a long shadow into part of the frame! Ah, well, such things happen.
So I made plans to go back yet again on our final evening in the area and try once more. In the end, I’m glad that I did. I’m now convinced that by going back I found a more interesting composition that accomplished several things. First, no one’s shadow is in the image! Second, I think that positioning the large crack so that it curves more diagonally through the frame works better than my original composition. Third, due to this different camera position and somewhat different light, I was able to let the shadow of the tree create a sort of mirror image of its form, resulting in a relationship between the tree and the shadow that I like. There are spots much like this one all over the place in Yosemite — smooth slabs of granite on which tiny but often mature trees manage to find just enough sustenance. In this little spot, a somewhat unusual number of these trees seem to have made a success of it.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
The Tuolumne River floods during the spring runoff, Yosemite National Park.
The 2010-11 winter brought above average or record snowfall to the Sierra Nevada, and the Tioga Pass Road through Yosemite National Park opened later than usual. Many of us who were feeling the pent-up need to see the high country headed up there as soon as the road opened. I spent a weekend in the Tioga Pass area and got in two days of early season high Sierra photography.
Those who have only seen this area during the more usual summer season in July and August might be very surprised by what it looks like when the road first opens. At and below the nearly 10,000′ elevation of the pass there was still a lot of snow, and lakes were frozen even down at the 8000′ level. Trail hiking, as appealing as it might sound, is quite difficult as you have to cross a lot of snow, cross very fast-moving and cold streams, and negotiate lots of flooded and muddy areas. This spot is a wonderful case in point. A few weeks later you would find people hiking and lounging about it meadow grasses where the water is seen in this photograph. The early season Tuolumne River was so full that it left its banks in many areas, finding new paths through the forests and flooding many meadows which took on more of the appearance of lakes. (Large sections of the main Tuolumne Meadow were also completely submerged at this point.) It is a wonderful time in the Sierra – still with a bit of the feeling of winter, but also with the promise of summer everywhere.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Morning light on a tree-covered peninsula along the edge of a subalpine lake with a talus slope backdrop, Yosemite National Park.
I think that the primary thing that first caught my attention in this little scene was the very twisted and curving tree about 1/3 of the way in from the right edge of the frame. I wonder why one tree ended up growing in such an odd way when its neighbors seem to have managed to grown in a straight and conventional manner? The light on these trees was coming from almost directly behind them, as the sun had just topped the ridge above and out of the frame. Because the talus slope is fairly steep, portions of it remain in shade.
This photograph posed a few interesting challenges, and they are probably not all immediately apparent. One that may be visible to those who are familiar with such scenes is the fact that back-light like this can create some very bright highlights that can “blow out” in a digital camera exposure. In fact, these highlights are what determine the exposure for such a scene. If accommodating the bright highlights makes the shadows too dark, I can either work a bit in post to bring back some shadow detail or I can make a separate exposure for the shadows and blend the two in post. That wasn’t necessary here – I was able to capture the scene in a single exposure. The second odd little problem was that swarms of mosquitos were flying just above the water all around the shoreline of the lake. Although you cannot see them in this small jpg, there were many, many little traces of the bugs in the air – so many, in fact, that I had to somewhat laboriously clone out a good number of the most obvious of them.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
