Weathered trees on a rocky ridge beneath sunset clouds, Yosemite National Park.
Today I’ll take a brief intermission between the ongoing stream of the photographs from Utah that I have been finding in the raw file archive… and take a brief side trip back to the Yosemite National Park high country, a place that I’m missing right now. I could get up there — and I hope to in the next month or two — but the logistics are quite complicated at the moment.
This photograph comes from a day of weather a bit like what we’re experiencing in Northern California today — humid, thunderstorm weather. I made the photograph late in the day as the last light glowed pink on dissipating clouds above a ridge with stubborn old trees living on a very rocky ridge.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
A group of small trees find a marginal existence growing along a crack at the edge of an exfoliated slab of granite, Yosemite National Park
It took me three tries, on successive days, to finally get the photograph of this little bit of granite slab and trees that I was looking for. On evening of our first day camping in the vicinity we were under the thick smoke plume from the early September “Meadow” fire in Yosemite, which was burning some miles away in the Little Yosemite Valley area — but also sending dense smoke towards us and dropping ash from the sky. I did make a few photographs in this eerie light the first night, but it was a very tricky situation that did not work well for this subject. I went back on the second evening, when the smoke had diminished at our location to the point that it wasn’t a major factor in “intimate landscape” photographs like this one. I went to the top of a large granite bowl before the light was good and scouted for likely photographs to make as the evening light improved. I spotted this lengthy crack at the edge of an exfoliated granite slab, in which a number of small trees had taken tenuous root and decided that it could be an interesting subject with evening sidelight. I wasn’t the only one, however, and three members of our party had the same idea! We are a cooperative bunch, so I photographed some other things while my partners worked this spot, and then returned to set up a shot that looked more directly up the length of the crack that curves through the composition in this version. Later that evening I was quickly reviewing my shots from the day, and I realized that one of my buddies had cast a long shadow into part of the frame! Ah, well, such things happen.
So I made plans to go back yet again on our final evening in the area and try once more. In the end, I’m glad that I did. I’m now convinced that by going back I found a more interesting composition that accomplished several things. First, no one’s shadow is in the image! Second, I think that positioning the large crack so that it curves more diagonally through the frame works better than my original composition. Third, due to this different camera position and somewhat different light, I was able to let the shadow of the tree create a sort of mirror image of its form, resulting in a relationship between the tree and the shadow that I like. There are spots much like this one all over the place in Yosemite — smooth slabs of granite on which tiny but often mature trees manage to find just enough sustenance. In this little spot, a somewhat unusual number of these trees seem to have made a success of it.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
