Tag Archives: gold

Within The Grove

Within The Grove
“Within The Grove” — Autumn aspen leaves begin to glow in morning light as the sun clears a distant ridge.

This is one of those odd little spots that is likely on no one’s itinerary of important aspen color sites except mine. I first stopped here a couple of decades ago on the drive between some better known locations, and since that time I have paused here every season to photograph this little grove. This year I arrived just as the canopy was thinning and, on this morning, as the first direct sunlight began to flood the grove.

I encourage everyone who is an autumn aspen aficionado to find a few special little spots like this that have personal meaning, even though they may not initially seem spectacular. I can almost guarantee that over the succeeding years you will be glad you stopped and made such places your own… and that you’ll get a special feeling each time you return.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Sierra Stream, Aspen Color

Sierra Stream, Aspen Color
“Sierra Stream, Aspen Color” — An Eastern Sierra Nevada stream lined with autumn aspen trees.

I photographed this scene on my recent trip to the Eastern Sierra Nevada to photograph autumn color. Though they are not the only source of fall color — look closely to see others in the photo — the aspen trees are the stars of the show. I arrived at just about the right moment, as there were lots of very colorful trees. But the trip was cut short when extremely strong winds arrived, bringing down many of the peak color leaves. I made this photograph after waiting patiently for a lull between the gusts!

Since this is my first 2025 fall color photo I will add a brief general update. (You can find more detailed information about Sierra fall color here.) While you can find aspen color, mostly on the eastern side of the range, from late September into the third week of October or so, the peak color tends to be during the first two weeks of the month. It generally works its way from high elevations to lower elevations and to some extent from north to south during this period. Although there is good color this year — better than average in my view — the weather is creating some challenges. The wind event I experience was one. Wind strips the most colorful leaves from the aspen trees, but the color ofter comes back a few days later as green trees transition. However, the forecast is for a somewhat unusual early-season winter-like storm this coming Monday through Wednesday, and the current prediction is for more than a foot of snow down to 7000′ or lower — which will likely close a number of the trans-Sierra passes.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Fall Color, Eastside Canyon

Fall Color, Eastside Canyon
“Fall Color, Eastside Canyon” — Trees with fall foliage in sagebrush country at the base of an Eastern Sierra Nevada canyon.

Without naming this canyon, I’ll just say that it is one that you have likely visited if you spend much time on the east side of the Sierra Nevada. From the point where you first see the upper canyon, it offers one of the more spectacular views spanning the range from cottonwood country through aspen country to some very high, alpine ridges.

Ascending the eastern slopes of the range, which rise relatively steeply, I am always aware of transitions. In a relatively short distance you can pass though everything from high desert to alpine zones. In this canyon in autumn, the color at the lower elevations comes from cottonwood trees, but by the time you get to the trailheads aspens begin to join the show. I’ve often photographed the whole of the canyon, but this time I decided to limit the view to just the foreground trees and some lower canyon slopes.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Aspens In The Shadows

Aspens In The Shadows
“Aspens In The Shadows” — Extensive autumn aspen groves in evening shadows, Eastern Sierra Nevada.

If you have been following along this fall, by now this general area may start to look familiar to you. I was fortunate to be there when the colors were at their peak — that brief interval when almost all of the leaves have turned but before too many of them fall. Finding trees in this condition is partly a matter of local knowledge, but it is also a matter of luck — autumn storms and wind can quickly take down a lot of leaves when they are at this stage, and seeing an intense display like this requires a few prior days of calm conditions.

I know that the typical inclination is to photograph these trees in daylight. After all, the most intense colors appear when the sun is behind the groves, creating a glowing backlight on the leaves. But the color can also be quite intense in softer light, such as this light in the early evening.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

Scroll down to share comments or questions. (Click post title first if viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.