Colorful autumn aspen trees ascend a gully in the Eastern Sierra Nevada
In the past I have looked at this grove but not photographed it. Unfortunately, it stands in close proximity to an Eastern Sierra Nevada “feature” that has long troubled me — a fake waterfall apparently created by a nearby homeowner who seems to have redirected a stream over the top of an outcropping in order to make his/her backyard more picturesque. Unfortunately, once you see how this was done you cannot unsee it, and the “waterfall” becomes an annoying and even insulting feature.
But there are these trees. And they are quite nice, following a narrow gully in the break between two outcroppings of solid Sierra rock. I like the way that the ascending band of trees narrows as it rises, almost suggesting a queue of travelers passing through a narrow pass. There are also some beautiful and colorful trees stretched across the bench at the top of the outcroppings. Finally, these trees are in the state of color transition that I’m almost ready to say I enjoy the most — that stage where a few trees are intensely yellow/gold and others are still just barely beginning to change.
A few yellow aspen trees, surrounded by red undergrowth, cling to a rocky face
I’m far from the first person to photograph this little group of trees, backed by a rough granite and standing among smaller plants that turn a deep reddish color in the fall. Given that these trees are just a few of many thousands standing near this spot, it still surprises me to see them photographed — and recognizable! — among so many other trees. They aren’t hard to see, but they aren’t exactly obvious either, and there are a few factors that might lead to them being passed without stopping.
If anything, it is probably the short, reddish undergrowth that contributes to their visibility — there are trees like these all over the Sierra, but most are not set against rocks and the red plants like this. I photographed the little scene when the area was in shadow — often my favorite light for aspen photography. This light is softer and it tends to fill the shadows, making the effect less stark.
A grove of autumn aspen trees descends to the shoreline of a reflecting lake
I’ll use today’s post for several purposes — the usual photograph shared with comments, plus some thoughts and observations about the Sierra Nevada autumn color season. The photograph comes from a well-known location in the Eastern Sierra. I was fortunate to visit on a day when the usual crowds weren’t there, and I had the place almost to myself! It probably helped that I arrived at an unusual time of day, taking advantage of some broken clouds that produced some special light on the river of aspen trees flowing down the hillside to the edge of this subalpine lake. Parts of the grove were past the proverbial prime, but in some ways I like seeing a few bare trees in the scene.
On this past week’s short trip to photograph Eastern Sierra Nevada fall color I thought a bit about what I’ve learned over the years regarding the timing of the annual transition. One thing that I finally have accepted is that it is more or less impossible (with some minor exceptions) to accurately predict the evolution of the color in a particular year. A second thing I’ve realized is that, despite year-to-year variations within the season, the overall color transition tends to take place on more or less the same schedule each year. In other words, leaving aside truly exceptional times such as year five of the recent five-year drought, things tend to start and end on about the same schedule each year — despite the annual initial “observations” about how the season is going to be an unusual one — beginning high and working down the mountains to lower elevations, with other local variations in the evolution. (I confess… I’ve made those predictions, too.)
While the start/end times of the fall color transition tend to be fairly consistent (for example, week two of October is almost always a good bet), there are sometimes variations within that time frame. Some are obvious. For example, a big, windy storm when there are lots of yellow leaves will blow down many of those leaves, and there will be a gap of a few more days before other leaves change color and take their place. Others are more mysterious. I noted a few of those mysteries this year. For example, in one location where I often find trees losing their leaves somewhat earlier than elsewhere, this year there were still some green trees! Yet, in other nearby locations trees that are often coming into form just a bit later… were in full color already!
What to do? My advice is still pretty much the same. Target a time around the end of the first week of October for your visit, expecting that the week starting then is likely to produce good color. Once on the scene, be alert for variations and be ready to change plans. If one area is still green, try going higher. If the trees you visit seem to be losing (or have already lost!) their leaves when you get there, try a lower elevation, a location with larger trees, or a deep east side canyon. And realize that it is almost unheard of for all the trees in an area to be at peak color simultaneously — you are far more likely to find some bare and some green trees mixed in with your trees in prime condition.
What about this year? Based on what I saw last week, this weekend (October 12, 13, 14) should be great in many places. In addition, given the number of purely green trees I saw in various locations, it should be quite possible to still find excellent color in another week.
Evening light and shadows on desert hills and Death Valley salt flats
My first visit to the park was in the late 1990s, but I’ve been a regular since then. I visit Death Valley for about a week at least once each year, and have photographed all over the park. In a way, this first surprised me a bit, since when I was younger I was not attracted to the desert at all, having been brought up on the notion of the “desert wasteland,” and having been a huge fan of the high Sierra since I was young. So even though the desert was nearby I didn’t visit before a chance encounter that came about when I was one of the adult chaperones on a trip introducing high school and middle school kids to the place. Literally from my first view of the place (after crawling out of a tent in a high place at dawn to look across the valley), I was entranced.
The photographic subjects in this national park (and similar desert locations) range from intimate to immense, and several things always draw my attention. Because of the hot and dry environment, the landscape is laid bare in ways that are uncommon in other mountains. (Unless you go above tree line, into another of my favorite worlds.) The land-forming effects of uplift, mountain-building, water (!) and wind are easy to see. And this naked landscape is often painted and colored by the light in beautiful ways. This photograph, at least as I see it, offers several contrasts: between the low hills and the flatness of their surroundings, between the shadow and light, and between the small and the large.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
