Tag Archives: graffiti

Brussels Wall Detail

Brussels Wall Detail
“Brussels Wall Detail” — Wall with tags, graffiti, and poster remnants, Brussels.

This is a small section of a wall in Brussels, Belgium. We passed it while out on a very long (almost all day) walk through the city. I’m fascinated by walls like this one, where layers of personal messages and markings have built up over time, juxtaposed in sometimes-surprising ways to produce a kind of found art.

These things often consist of some combination of actual “art” (often small, personal drawings), bits of text including tags and quotes, random smears of paint, remnants of paper fliers in the process of weathering and falling off. They become short-term time capsules as layers build up, with the newest material on top and the oldest visible through the newer materials in places.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Graffiti and Barred Window

Graffiti and Barred Window
“Graffiti and Barred Window” — Colorful wall, window, and metal grate in Ghent’s “graffiti alley.”

An alley in Ghent, Belgium is called the “graffiti street” or the “graffiti alley.” (The latter is more apt, since it is a very narrow walkway.) The walls (and sometimes the pavement) are covered with a wild mix of tags, graffiti, and street art. New imagery is continuously added on top of the old, and the intersections of these old and new images can be fascinating.

I have mixed feelings about photographing graffiti and street art, at least when it isn’t just an unavoidable element of the scene or an embellishment on other subjects. But here, the individual work is subsumed by the sum of it all, and in ways that hardly could have been anticipated by those who produced the deeper layers.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Graffiti Wall and Bars

Graffiti Wall and Bars
“Graffiti Wall and Bars” — Complex paint patterns on a graffiti wall with metal bars, Ghent.

This is another photograph from the “graffiti alley” in Ghent, Belgium. This short, narrow walkway connecting two streets is covered with street art, tags, and graffiti of all sorts. The imagery covers the walls higher than you can reach and even extends to the sidewalk beneath your feet. If you are lucky you might find someone creating new work when you visit.

A lot of the work is text-based and/or representational. That’s interesting stuff, but I like to take a step back from the individual pieces and consider the layers and colors that build up over time. Older work is partly obscured by newer stuff, and eventually it seems that a lot of the old material simply disappears beneath the new. Here, as in some of my other photographs of this site, I decided to move close and focus on the abstract components — the broad strokes, the colors, and the surfaces to which the paint is applied.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Old Venice Buildings

Old Venice Buildings
“Old Venice Buildings” — Several old and worn buildings along Calle Fonte in Venice.

Venice is a very busy place, full of tourists, especially during the high season — as you know if you have ever been there in the summer. We were reminded of this when we visited a few years ago near the end of ten weeks of travel in Southern Europe. We managed to find accommodations away from the most crowded areas, but there is no escaping the crowds entirely. But it helps to wander into out-of-the-way spots like this one.

We went out for a long walk on our last day in Venice. We decided to cover a lot of ground and to visit some of the crowded areas that we had avoided. While walking one of those very busy streets, lined with stalls selling things to tourists, we noticed a very narrow passage leading off to the side. Taking it brought us to this spot and to the banks of the grand canal.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.