Tag Archives: graffiti

Handbills and Tags

Hadbills and Tags
“Handbills and Tags” — Handbills and tags in a frame on a wall, Santiago de Compostela.

This subject comes from a side-street in Santiago de Compostela, Spain. It is in the historical core of the “old town” but not at one of the main attractions — on a street where visitors are perhaps more likely to walk past than to linger. In a sense, its content attests to the fact that life here goes on apart from the world of tourists like us.

I thought several things were interesting about the display. Most of the handbills seem to concern musical performances, but not quite all of them. For example, there is a “FOTO-GRAFIA” event listed on one of the fliers. It also intrigues me that this object, the inner square and the frame around it, seem to both encourage and constrain the sharing of marks that are not found on the surrounding walls.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Republica dos Kagados

Republica dos Kagados
“Republica dos Kagados” — The well-worn front of a building in Coimbra, Portugal.

During our travels this past May (and early June) we spent several weeks in Portugal. We returned to Lisbon and Porto, but we also visited some new (to us) places, one of which was the town of Coimbra. It isn’t the same kind of tourist center as the other two, larger cities — tourists (like us) do visit, but Coimbra perhaps has a few more rough edges. That’s part of its charm.

The popular part of the town, it seems to us, lies between the river and the University, which is perched on top of the tallest hill. (If you walk in Coimbra — and you should — be prepared to do some climbing!) I do not know exactly what this building represents, but its weathered appearance, numerous posters and bits of graffiti, and name caught my attention. (Update: I did find some information on Republica dos Kagados — it is apparently some sort of historic student housing.)


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Deserted Street, Porto

Deserted Street, Porto
“Deserted Street, Porto” — Nighttime on a deserted street in Porto.

On our sort-of-first-night in Porto in May we ended up at a little restaurant on this street. (I write “sort-of-first-night” since we had actually stopped for one night earlier on the trip, between Coimbra and our walk in the Douro hills.) We walked out of our hotel looking for a nearby place to eat that didn’t scream “tourist restaurant. We ended up at a little restaurant here, so unobtrusive that you might not even spot its entrance sign in the photo.

I made the photograph a few nights later as we headed back to our hotel from a long walk to the other side of the Douro River and back. We crossed back over the river after sunset, and our route took us past this side street again. This time I thought the night scene looked fascinating, so I paused and photographed down the deserted street.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Alfama Street Art

Alfama Street Art
“Alfama Street Art” — Detail of street art on a wall in the Alfama district of Lisbon.

This detail of a bit of Portuguese street art comes from the Alfama district of Lisbon. This is the oldest neighborhood of the city, with tightly spaced buildings and streets so narrow and twisting that vehicles cannot pass. It was (and reputedly still is) a neighborhood where the poor are more likely to live — though one can see a creeping urbanization occurring around the edges.

I don’t generally photograph graffiti — the “I am here” initials and other personal marks made in public spaces. But there’s a fine line between that and what I think of as street art. I will photograph the latter. Here the imagery covers of a mundane wall — look closely and you can make it out beneath the paint — and uses wildly exuberant patterns and colors.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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