“Deserted Street, Porto” — Nighttime on a deserted street in Porto.
On our sort-of-first-night in Porto in May we ended up at a little restaurant on this street. (I write “sort-of-first-night” since we had actually stopped for one night earlier on the trip, between Coimbra and our walk in the Douro hills.) We walked out of our hotel looking for a nearby place to eat that didn’t scream “tourist restaurant. We ended up at a little restaurant here, so unobtrusive that you might not even spot its entrance sign in the photo.
I made the photograph a few nights later as we headed back to our hotel from a long walk to the other side of the Douro River and back. We crossed back over the river after sunset, and our route took us past this side street again. This time I thought the night scene looked fascinating, so I paused and photographed down the deserted street.
“Alfama Street Art” — Detail of street art on a wall in the Alfama district of Lisbon.
This detail of a bit of Portuguese street art comes from the Alfama district of Lisbon. This is the oldest neighborhood of the city, with tightly spaced buildings and streets so narrow and twisting that vehicles cannot pass. It was (and reputedly still is) a neighborhood where the poor are more likely to live — though one can see a creeping urbanization occurring around the edges.
I don’t generally photograph graffiti — the “I am here” initials and other personal marks made in public spaces. But there’s a fine line between that and what I think of as street art. I will photograph the latter. Here the imagery covers of a mundane wall — look closely and you can make it out beneath the paint — and uses wildly exuberant patterns and colors.
“Weathered Street Art” — The weathered and worn figure of a man, on a wall in Montpellier, France.
There is a fine line when photographing things like this between appropriation of someone else’s creative work and making the image because the placement and weathering themselves provide independent visual interest. In short, I’m not big on simply photographing what other people create, but I do seek out and photograph things like this bit of weathered street art found on a wall in Montpelllier, France.
I suspect that it has or had some meaning or message that isn’t apparent to me — either because I lack the cultural context to see it or because it has been weathered to the point where it is no longer apparent. For me, that weathering itself is part of the attraction. In this case, the bits that remain suggest something like a genie emerging from a bottle.
“Free ‘P’ Star” — Free ‘P’ Star, a Paris thrift store, with orange and black paint and lots of street art.
This was one of those street photography “grab shots” — I think it was in Le Marais —that I make while walking about in the urban environment. I often make them almost spontaneously — thinking in the moment that the subject is interesting visually, but then not taking time to note the precise location or other facts. To be honest, in a lot of ways this is the opposite of how I work in my landscape photography, and that may be part of the appeal.
From more recent internet research, it appears that “Free ‘P” Star” may be a chain of what we in the US call “thrift stores” or “second hand shops.” There were lots of things in this scene that attracted me: the string contrast between black an orange, the glow of the purple light inside the store, and the impressive collection of street art on the outside wall.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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