Tag Archives: graffiti

Weathered Street Art

Weathered Street Art
“Weathered Street Art” — The weathered and worn figure of a man, on a wall in Montpellier, France.

There is a fine line when photographing things like this between appropriation of someone else’s creative work and making the image because the placement and weathering themselves provide independent visual interest. In short, I’m not big on simply photographing what other people create, but I do seek out and photograph things like this bit of weathered street art found on a wall in Montpelllier, France.

I suspect that it has or had some meaning or message that isn’t apparent to me — either because I lack the cultural context to see it or because it has been weathered to the point where it is no longer apparent. For me, that weathering itself is part of the attraction. In this case, the bits that remain suggest something like a genie emerging from a bottle.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Free ‘P’ Star

Free 'P' Star, Store, Paris
“Free ‘P’ Star” — Free ‘P’ Star, a Paris thrift store, with orange and black paint and lots of street art.

This was one of those street photography “grab shots” — I think it was in Le Marais —that I make while walking about in the urban environment. I often make them almost spontaneously — thinking in the moment that the subject is interesting visually, but then not taking time to note the precise location or other facts. To be honest, in a lot of ways this is the opposite of how I work in my landscape photography, and that may be part of the appeal.

From more recent internet research, it appears that “Free ‘P” Star” may be a chain of what we in the US call “thrift stores” or “second hand shops.” There were lots of things in this scene that attracted me: the string contrast between black an orange, the glow of the purple light inside the store, and the impressive collection of street art on the outside wall.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Street Art, Zaragoza

Street Art, Zaragoza
“Street Art, Zaragoza’ – A fanciful female face, street art, Zaragoza, Spain.

I may be misconstruing things that I do not understand, but it seems like some places in Europe tolerate graffiti and/or street art more than in the USA, and perhaps that some of it is a bit more sophisticated than the “tagging” that we see so often here. (Indeed, there is tagging in Europe — even in this image — and there is some fascinating street art in America, too.)

I photographed this detail of a wall in Zaragoza, Spain. I don’t know the cultural reference of the figure, if there is one, but the image caught my attention. I get a kick out of how it is positioned as if the vertical pipe is almost irrelevant — yet the pipe covering that eye does affect how we regard the face.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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Street Scene, Calle el Temple

Street Scene, Calle el Temple, Zaragoza
“Street Scene, Calle el Temple” — Blocked-off ground-level units and weathered walls at Calle el Temple, Zaragoza.

I am always a bit of a sucker for old buildings that show the effects of time, especially if they are on narrow, car-free European streets, and perhaps more so when they are a bit messy around the edges. This building puzzled me. The ground floor seemed abandoned, with doorways sealed of its bricks. But the second story and above seemed well-maintained.

We stayed in the old part of Zaragoza, Spain. This location is mere footsteps from our hotel, and we walked past it a number of times. ON this morning we were just starting a walk that would take us the Central Market, then to some historical buildings, followed by a walk along the river back to the center of this part of town.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” from Heyday Books, is available directly from G Dan Mitchell.

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