Tag Archives: graffiti

Photographs: Germany, Photographs: Urban/Street

Time To Dance

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Street art in Berlin, Germany

Time To Dance. © Copyright 2018 G Dan Mitchell – all rights reserved.

Street art in Berlin, Germany

I made this photograph in Berlin, not too far from the “East Side Gallery,” which is a still-standing remnant of the Berlin Wall that was turned over to artists and which is now covered by paintings. The scene in this photograph is not part of the “gallery,” but was instead a graffiti covered wall we passed on the way to the wall. I don’t make a habit of photographing graffiti, often because I don’t want to contribute the notoriety of some folks who vandalize public and private property. But here the stuff is everywhere and seems to have become a part of the environment, so I’m making an exception.

Besides the wild colors and patterns of this street art, there was another reason for photographing it. While I don’t know “her” cultural significance, the figure in the center of the scene keeps showing up in photographs of mine. I encountered and photographed her twice on a visit to Paris two years ago. In one photograph she appears on a wall, partially obscured by ivy. In another, one of my favorite photographs, she is one of several related figures pasted onto a Le Marais wall behind a small group of pedestrians. Oddly, some of the surrounding “stuff” on this wall seems very similar to that in the Paris photographs, making me think that he appearance may not be quite random.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: New York City, Photographs: Urban/Street

Manhattan Graffiti

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Manhattan Graffiti
Detail of graffiti in Lower Manhattan

Manhattan Graffiti. © Copyright 2017 G Dan Mitchell – all rights reserved.

Detail of graffiti in Lower Manhattan

I’m often a bit uneasy about photographing graffiti. For one thing, I feel just a bit like I’m simply recording someone else’s “work” when I do this. For another, I have some concerns about contributing to the visibility of what is, at least in some cases, essentially vandalism. In many cases I have decided to not photograph such things. In others I made photographs and then chose not to share them. In yet other situations I have distorted/modified identifiable “tags” in post so as to avoid being seen to promote vandals. But sometimes graffiti is more than just vandalism. It sometimes rises to the level of art, it isn’t unusual for its themes to present some information about places and times, the colors and forms can be interesting, and the weathering and layering of successive examples can produce unanticipated effects.

I’m pretty certain that I photographed this tiny section of a large bit of street are while walking somewhere in lower Manhattan or perhaps as far us as the Chinatown/Little Italy area. I was on the move on the day I made the photograph, not lingering very long in any one place, so my recollection is that I saw it, photographed it, and moved on. The color palette of this image usually would not attract me, but somehow here it did – perhaps because it seemed somewhat atypical of such street art.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: New York City, Photographs: Structures and Objects, Photographs: Urban/Street

W!

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W!
Colorful painting and graffiti on metal door, New York City

W! © Copyright 2018 G Dan Mitchell – all rights reserved.

Colorful painting and graffiti on metal door, New York City

Continuing my current pattern of wild back-and-forth swings among subjects, today I retreat from the foggy California wetlands and head back to New York City for some wild color. There’s nothing in the photograph to let you know this, but it was a bitterly cold winter day when I made the photograph. Almost nothing stops me from walking with my camera when I visit New York, though the 20 degree (and colder!) temperatures and biting winds did their best on this day. We started walking in Lower Manhattan, near the Staten Island Ferry Terminal (a very windy place!) and headed uptown on a somewhat random path. The route took us through some places you might not bother to visit on a tourist trip to the city, but it did turn up subjects like this intense example of street art painted on the roll-up door of a small business. If memory serves, this was the day that we finally made it to Veselka, the Ukrainian restaurant. As we walked and got colder and colder, the thought of borscht and other goodies became more and more attractive. Veselka did not disappoint.

About this photograph and its dissonance with other work I post, such as wilderness landscapes, seascapes, and migratory birds. I know that some photographers prefer to focus on a particular range of subjects. (There are fine reasons for making that choice, in fact.) But I have at least a couple of reasons for photographing a wider range of subjects. First, I come from a background in music, where the idea of performing only one style of music (say, Baroque trio sonatas) all the time seems incredibly constraining — so seeking out a wider range seems nature to me. Second, I like to think that these different subjects are still united by whatever it is that constitutes my way of seeing… and that there might be a bit of the landscape photographer in the city and a bit of the street photographer in the landscape work.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: France, Photographs: Urban/Street

Empty Lot, Paris

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Empty Lot, Paris
An empty lot with graffiti and street art, Paris

Empty Lot, Paris. Paris, France. August 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

An empty lot with graffiti and street art, Paris

I’m pretty certain that I made this photograph on the evening of our arrival in Paris in the summer of 2016. We came from London the train, arrived in the afternoon, checked into a hotel, and headed out to explore. We were staying in Montemartre, which is a fine place to wander, with narrow streets, hills, and plenty of places to eat and drink.

A bit later, at dusk, we were walking through a residential area when we passed this empty and apparently abandoned lot. It appeared that it had been commandeered by graffiti artists, who produced everything from text to images. My sense was that this produced a sort of urban landscape, and as different as this look from, say, the Sierra Nevada, it photographed it in a similar way in the fading light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.