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Time To Dance

Street art in Berlin, Germany

Time To Dance. © Copyright 2018 G Dan Mitchell – all rights reserved.

Street art in Berlin, Germany

I made this photograph in Berlin, not too far from the “East Side Gallery,” which is a still-standing remnant of the Berlin Wall that was turned over to artists and which is now covered by paintings. The scene in this photograph is not part of the “gallery,” but was instead a graffiti covered wall we passed on the way to the wall. I don’t make a habit of photographing graffiti, often because I don’t want to contribute the notoriety of some folks who vandalize public and private property. But here the stuff is everywhere and seems to have become a part of the environment, so I’m making an exception.

Besides the wild colors and patterns of this street art, there was another reason for photographing it. While I don’t know “her” cultural significance, the figure in the center of the scene keeps showing up in photographs of mine. I encountered and photographed her twice on a visit to Paris two years ago. In one photograph she appears on a wall, partially obscured by ivy. In another, one of my favorite photographs, she is one of several related figures pasted onto a Le Marais wall behind a small group of pedestrians. Oddly, some of the surrounding “stuff” on this wall seems very similar to that in the Paris photographs, making me think that he appearance may not be quite random.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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It’s Time To Dance!

It's Time To Dance
Graffiti, street art, and a potted ivy plant, Le Marais

It’s Time To Dance! Le Marais, Paris, France. August 10, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Graffiti, street art, and a potted ivy plant, Le Marais

We wandered into Le Marais, a section of Paris that still retains the old, narrow, and sometimes twisting streets from before the improvements that brought wide boulevards and a logical (or so they tell me) street layout. It is also a sort of “artsy” area, with lots of little shops, the occasional museum, interesting people, and lots of street art. All in all, it felt like a street photographer’s paradise to me. (I made my favorite photograph of the entire five-week trip — and perhaps one of my favorites of all time — here in Le Marais, probably only feet from where I made this one.)

The street art, which includes but is certainly not limited to graffiti, is ubiquitous. Some seems light-hearted, some has a darker edge. Some is political, and the meaning of some of it was opaque to me. The combination of the French language — which I don’t speak and only some of which I can figure out — and English, some of which seems just a bit odd or “off,” gave a lot of it a kind of perplexing quality. For example, the words written around the edge of the black planter down near the sidewalk, which enthusiastically announce “It’s Time to Dance!” I saw these large female dancing figures elsewhere, another visual theme whose precise significance eluded me.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.