Tag Archives: grant

Photographs: Nature, Photographs: Sierra Nevada

Carson Peak, Grant Lake

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Carson Peak, Grant Lake
Misty Carson Peak catches the light in the distance beyond the low water of Grant Lake.

Carson Peak, Grant Lake. © Copyright 2022 G Dan Mitchell.

Misty Carson Peak catches the light in the distance beyond the low water of Grant Lake.

This photograph comes from an early June visit to the east side of the Sierra Nevada a few years ago. The trip began with a quick pass through Yosemite Valley, where I photographed late dogwood blossoms and other flowers before heading over the crest on Tioga Pass Road for a few days of photography on the other side of the range. On an early trip like this I tend to hit some of the favorites first and then branch out to new locations. This spot is one of those familiar favorites.

As you have probably noticed, the low water in the foreground is a big hint that Grant Lake is there for water management, and that it is not a natural lake. A dark ridge looms beyond the upper end of the lake, framing the familiar view of Carson Peak. It was an afternoon and evening of clouds and some precipitation near the crest, and as the late light hits this peak some remnants of the moisture soften its contours.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Night, Photographs: San Francisco, Photographs: Urban/Street

Three Women, Grant Street

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Three Women, Grant Street
Three women stand in front of a Grant Street storefront at night, San Francisco.

Three Women, Grant Street. © Copyright 2021 G Dan Mitchell – all rights reserved.

Three women stand in front of a Grant Street storefront at night, San Francisco.

At this point I’m not sure I recall the exact circumstances that had me in this part of San Francisco after dark, but from the group of photographs that I have in my archive I can tell that I had made my way to the Chinatown district by evening, and after photographing there headed south past the Moscone Center, all of which suggests I had gone up there and back on the train. Taking the train to San Francisco for a day of street photography has long been a favorite activity, though I think it has now been about two years since the last attempt, aside from a few brief forays when I was up there this past fall for a couple of shows.

This San Francisco district, and others like it, are great places to photograph after dark, especially if you can work quickly, in street photography style, using a small handheld camera. There is often a fair amount of light from the combined sources of street lights, passing traffic, and the often-colorful lights spilling from commercial storefronts. With a small camera, especially at night, I can photograph without being so obvious that I intrude on the scene myself. One theme in my night street photography is people doing seemingly unusual things in a very normal human fashion. This appears to be a group of three friends passing through this area, but pausing to look in an unusual direction for just a moment.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: People, Photographs: San Francisco, Photographs: Urban/Street

Morning, Caffe Trieste

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Morning, Caffe Trieste
Patrons in line for coffee at Caffe Trieste, San Francisco.

Morning, Caffe Trieste. © Copyright 2021 G Dan Mitchell – all rights reserved.

Patrons in line for coffee at Caffe Trieste, San Francisco.

Last week I spend considerable time in San Francisco’s North Beach neighborhood. I’m a member of Studio Nocturne a group of night photographers (descended from “The Nocturnes”) who have been photographing and exhibiting together for decades. Every fall we do an “open studio” as part of The City’s Artspan Open Studio event. This year we were in the Live Worms Gallery on Grant in North Beach. We’ve been in various locations over the years, and I think this may have been one of the best spots we’ve used — lots of foot traffic, lots of places nearby to eat and drink, great atmosphere. (Terrible parking though!)

Each day I arrived an hour or so before we opened, and on the last day, Sunday, I headed a half block up Grant to this famous espresso shop. You might not know it if you just dropped in on a Sunday morning, like I did, but this is a somewhat historic location in San Francisco. In addition to being a meeting place for all sorts of interesting folks for years, it was the first espresso bar on the West Coast.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Night, Photographs: Northern California, Photographs: San Francisco, Photographs: Urban/Street

Pedestrians, Night

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Pedestrians, Night
Nighttime pedestrians at a Chinatown street corner

Pedestrians, Night. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Nighttime pedestrians at a Chinatown street corner

I’m back with another colorful night street photograph this time. This one is from last summer, when a group of us met up to wander around parts of downtown San Francisco on a lovely evening. We eventually ended up in the Chinatown area, some photographing the environment there and others — like me! — photographing the people who were visiting.

This is more or less just a photograph of people walking by at a street corner. However, there are bits and pieces that I think are interesting. In the larger scale, the scene is a wild and complex arrangement of colors and patters, made more intense but he effect of the electrical lighting at night. There are several lines and planes of interest in the photograph, at least the way I look at it. And line extends from the back of the foreground figures, though the family on the corner (with the young girls in their interesting jackets), and on through the man walking away behind them. I’ll leave it to you to find others…

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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