Tag Archives: grove

Oak Tree, Falling Snow

Oak Tree, Falling Snow
Snow falls around a black oak and a grove of trees with autumn leaves, Yosemite Valley

Oak Tree, Falling Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Snow falls around a black oak and a grove of trees with autumn leaves, Yosemite Valley

It was a cold week in Yosemite Valley, which was actually positive news following a string of too warm days on which not enough precipitation fell in January and February. But during this week near the end of the month, someone flipped the on switch for winter. It turned cold — highs in the low twenty degree range — and there was intermittent snow. On this afternoon a small weather front arrived, and quickly scattered snow showers began around the Valley.

Photographing in falling snow can be a beautiful experience, but it is also presents some challenges. Not only is it cold, but the snow collects on lenses and other gear, and it can be hard to operate the equipment. And, unlike rain, the white flakes and pellets of snow can obstruct the view of the subject. Later in the day I found myself along a Yosemite Valley meadow as a heavy snow shower passed by. I made this photograph as the snow came down harder, muting the colors and details of the scene A single old oak tree stood against the storm, collecting new fallen snow on its trunk and branches.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Riverbank Trees, Winter Light

Riverbank Trees, Winter Light
Bare winter trees along the Merced River, Yosemite Valley

Riverbank Trees, Winter Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

Bare winter trees along the Merced River, Yosemite Valley

There are many interesting things in Yosemite Valley. (“Duh!,” right?) The big, iconic features are well-known, but wander away from those a bit and you are bound to find more things worth exploring — trails, bends in the river, groves of trees, meadows, boulders, views of less-known cliffs, hidden seasonal waterfalls, and even historical human structures. Wander in the right directions at the right times and you may even find something approaching solitude in this busy place. (You’ll increase the odds if you do your wandering at times other than the summer tourist season.)

This photograph only required a small bit of wandering, since the walk to this spot is quite short. One of may photography habits in the Valley is to seek out “edges” — where shadow and light meet. These places produce all kinds of wonderful effects, including the possibility of somewhat subdued light and the opportunity to place brightly lit subjects against darker backgrounds. These trees provided such an opportunity, as the long shadows of cliffs along the north side of the Valley were growing across the Valley floor, leaving the riverside trees in low, late-afternoon sun while the background subjects had already fallen into shadows. The stark winter light, nearly devoid of color, produced an almost monochromatic scene with only subtle hints of color.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Path Above San Francisco

Path Above San Francisco
A person walks on a path through a grove above the night lights of San Francisco

© Copyright 2017 G Dan Mitchell – all rights reserved.

A person walks on a path through a grove above the night lights of San Francisco

This is another of my handheld night photographs, something I’ve been experimenting with for a couple of years now. Newer high ISO small handheld cameras make it possible to work without a tripod in the urban landscape, essentially doing street photography in the (near) darkness. While there are some compromises in pure image quality — more noise to deal with in post, and greater potential for motion blur, working this way makes in possible to photograph in ways that just aren’t possible with a tripod. I can move quickly and respond to changing subjects more readily, and I’m less of an obvious intrusion on the scene.

This photograph might seem like one for which a tripod would be appropriate. I can’t argue with that on a technical basis. But I point out that between the time I saw this person walking along the path and the time I made three quick exposures was measured in seconds. With a tripod-mounted camera I simply would not have been able to make the photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

River of Aspens

River of Aspens
A grove of colorful autumn aspen trees traces the path of a Sierra Nevada gully

River of Aspens. Sierra Nevada, California. October 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A grove of colorful autumn aspen trees traces the path of a Sierra Nevada gully

Perhaps a more appropriate title could be “Another River of Aspens” — such features are ubiquitous in the Sierra and other locations, where aspens frequently are found along stream beds and can spread out as water might when they reach the lower and flatter elevations. As a result, the “streams” of trees can seem to flow in almost that same way that water might. This is a particularly obvious example, as the trees meander along the descending gully, spread out into a fan at its base, and then arrive at the shoreline of a lake. (The pattern also is similar to that of alluvial fans and even some forms seen below glaciers.)

We were at this location rather early on a fall morning. It is a place that is popular — a bit too popular these days — with photographers and others, but hard to resist if one is nearby for other purposes. We arrived before dawn and spent some time photographing in the cold, pre-sunrise light before we packed up and headed off to those “other purposes” nearby. This very early light is different from what we experience a bit later in the day. It can be quite blue in quality — often so much so that compensation is required during post processing — but the soft light can produce a more subtle effect with light getting into the shadows and revealing some of their details.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.