Tag Archives: grow

Juniper, Sandstone Cliff

Juniper, Sandstone Cliff
An old juniper tree growing at the base of a sandstone cliff, Capitol Reef National Park.

Juniper, Sandstone Cliff. © Copyright 2012 G Dan Mitchell – all rights reserved.

An old juniper tree growing at the base of a sandstone cliff, Capitol Reef National Park.

As I recall it now, quite a few years later, this tree stands on a rise at the base of a large section of sandstone cliff in a place where a canyon makes a sharp bend. It is not a particularly remote or obscure spot, but the cliff is remarkable in terms of the late-day lighting and the patterns on the surface of the rock. The lighting was special — and challenging! — because the section of the canyon is aligned such that little direct light gets there. This means that much of the light is either from the very blue sky or reflected from very red cliffs, creating some almost otherworldly color effects.

My recollection is also that I found it a little complicated to get the compositions I was looking for here. I remember it as one of those places that is remarkable but which doesn’t necessarily present easy photographs. My archive of raw files supports this — I see a variety of different attempts at the subject, and each of them grappled with issues of juxtaposition and with objects that interfered with the composition. In fact, this version of the scene works because I found a different approach to cropping it that managed to eliminate one of this distractions.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Window and Plants

Lush plants grow around a window of a stone building in Barbizon, France

Window and Plants. © Copyright 2018 G Dan Mitchell – all rights reserved.

Lush plants grow around a window of a stone building in Barbizon, France

Today I continue with my back-and-forth between photographs from a lengthy summer visit to several European countries and a following week-plus backcountry Sierra Nevada photography trip. Today it is back to Europe. (Anyone getting whiplash yet?)

Near the end of our trip we joined members of our extended American and European family for a week at a house in the French countryside near Fontainebleau. We have been doing something like this every other summer for the past few years — we get together, hang out, cook and eat, travel around a bit, and generally have a good and slightly lazy time. To be a bit more specific about our location, we were (just barely) walking distance from the village of Barbizon, which gives the appearance of being a sort of artist community, or at least a place where people attracted to that identity have chosen to live. It is a lovely little village and we visited several times, including near the end of the trip when I made this photograph of the plant-covered window of a local building.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Trees, Snowy Ledge

Trees, Snowy Ledge
Trees grow on a snowy ledge below Glacier Point

Trees, Snowy Ledge. Yosemite Valley, California. February 25, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Trees grow on a snowy ledge below Glacier Point

The cliffs and spires of Yosemite Valley — and not necessarily the most iconic among them — fascinate me. While there is only one Half Dome, there are uncounted intimate vignettes of ridge, ledge, spire, light, texture, color, and atmosphere everywhere, where the cliffs meet the canyon floor, up these giant walls, and along the rims of the Valley. The variety is astonishing — something that is uninteresting in one kind of light may glow in another, what appears as a featureless face in summer may acquire relief when there is snow, changing light color brings colors out of what might otherwise seem entirely gray.

In February a spent a couple of very early (and very cold!) mornings contemplating one specific area of the Valley, staring upwards as the bluish pre-dawn glow was transformed as light came to the sky and then as beams of sunlight slanted across the granite faces and ledges. On both mornings I photographed this subject — a pair of taller trees flanked by smaller trees and brush and a dead snag, and set against a particularly varied bit of cliff texture and color.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Plants, Canyon Wall

Plants, Canyon Wall
Plants, Canyon Wall

Plants, Canyon Wall. Death Valley National Park, California. April 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Plants grow from thin cracks in the rock wall of a desert canyon, Death Valley National Park

I found this little scene in a well-known Death Valley Canyon, where the walls become vertical, hundreds of feet high, and quite close together. Canyons like this are some strange combination of beautiful — with soft light, colorful rock, shade — and harsh — with the clear evidence of flooding that periodically sweeps through and rearranges everything, against a backdrop of more typical aridity, and a terrain almost entirely consisting of rock.

In these places I am always intrigued by where and how plant life manages to survive. This is nowhere more true than in such canyons in Death Valley National Park, where the usual challenges are made worse by extreme heat and dryness. Here two kinds of plants have managed to find a foothold, but in must be a very tenuous one. The grow from thin cracks in solid rock, a good distance above whatever water comes during the periodic flooding of the wash, in an environment in which the light is most often muted yet in which extreme temperatures are common for much of the year.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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