Tag Archives: haze

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Desert Mountains, Morning Clouds

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Desert Mountains, Morning Clouds
Haze mutes the details of desert mountains topped by morning clouds, Death Valley National Park.

Desert Mountains, Morning Clouds. © Copyright 2023 G Dan Mitchell.

Haze mutes the details of desert mountains topped by morning clouds, Death Valley National Park.

This photograph is the result of one of those “look what’s behind you!” moments. I was at a location where I had previously scouted sunrise subject. I arrived early, set up, and photographed that subject in the light that I had hoped for. Once finished, I paused to look around. In the opposite direction I saw this series of back-lit formations leading away toward the cloud-crested peak. It was time to rotate the camera on the tripod and work this subject, too!

Haze can be the photographers’ friend or foe in Death Valley. It often cannot be avoided photographs made across any sort of distance — and sometimes the distances in this park are huge. The haze may be an impediment a clear view of a distant mountain range. But it also can produce a lovely atmosphere if the conditions and light are just right.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Across the Valley

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Across the Valley
A desert wash curves past barren desert hills on its way to the salt flats of Death Valley.

Across the Valley. © Copyright 2023 G Dan Mitchell.

A desert wash curves past barren desert hills on its way to the salt flats of Death Valley.

Visitors to Death Valley might not immediately realize how much of a role water has played (and continues to play) in shaping the place. I like to point out that this location, known for its heat and aridity, is one of the best places to see the effects of water laid bare. The vast playa and salt plains in the valley are formed by water that settles there and evaporates. The Valley once held an ancient (and quite large!) lake. The alluvial fans — like that in the foreground of the photo — are laced with waterways, small and large. The present-day forms of the mountains result largely from water eroding uplifted blocks.

The location of the photograph is on one of the immense alluvial fans that descend from rugged mountains toward the playa. In this area the fan is interrupted by groupings of mostly-barren hills, many featuring darker rock, and they line up in interesting patterns. In the far distance, perhaps up to 50 miles away, lie mountains at the far southern end of the Valley.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Winter Dawn, Panamint Mountains

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Winter Dawn, Panamint Mountains
In dawn light, the Panamint Mountains rise from Death Valley to snow-covered Telescope Piak.

Winter Dawn, Panamint Mountains. © Copyright 2023 G Dan Mitchell.

In dawn light, the Panamint Mountains rise from Death Valley to snow-covered Telescope Piak.

At the current time many road (and the locations they access) in Death Valley National Park are closed as a result of earlier flooding and washouts. Before I went there this past week I was aware of some closures, but when I arrived I discovered that some of my planned destinations were unavailable. I changed plans, improvised, and still found plenty to see and do in the park, and my list of planned locations remains for my next visit.

If plans had not changed, I would not likely have come back with this photograph. I often make relatively last-minute decisions about where to photograph based on light and sky conditions, and when I noticed that the air was clearer than usual — important given the vast distances in this park — I headed to a location with a view of the first morning light on the Panamint Mountains and their snow-capped summit of Telescope Peak. To give some idea of the distances, the highest peak is perhaps roughly twenty-five miles from my camera position.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Headlands, Surf, and Fog

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Headlands, Surf, and Fog
Headlands and coastal mountains obscured by winter fog along the Big Sur Coast.

Headlands, Surf, and Fog. © Copyright 2023 G Dan Mitchell.

Headlands and coastal mountains obscured by winter fog along the Big Sur Coast.

This is a scene that I have tried to photograph many times. When I stop to make a photograph here, it always seems like it should be easy… but it inevitably ends up being very challenging if not impossible. The subject is quite a distance away, so it requires a very long focal length. However, the long focal length magnifies issues created by air movement across the great distance, and even with though I want to evoke that soft atmosphere, it is hard to get the right balance of detail where it is needed. I tried again this past week, and decided to interpret the subject in a bit of a different manner.

A challenge is that the hazy conditions that obscure and diffuse the subject in the way I hoped for also tend to be both gray and of quite low contrast. To address that I decided on a brighter, high key rendition of the scene in which the colors are extremely subtle and the darkest tones are, objectively speaking, still at the brighter end of the scale. In a sense, the object here is to “suggest” more than to “record.”

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.