Tag Archives: hills

Summer Grass, Receding Ridges

Summer Grass, Receding Ridges
Summer Grass, Receding Ridges

Summer Grass, Receding Ridges. Diablo Range, California. August 3, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Late summer dry grass in golden hour light with distant hills receding into the haze

I made this photograph on what we sometimes refer to around here as a “random ride,” on an evening when I wanted to photograph something but didn’t have time or inclination to get to some of the usual spots. I formed a vague plan to head up towards the Lick Observatory on Mount Hamilton, above the Santa Clara Valley. I have a long history with Mount Hamilton. Since I was brought up in the Santa Clara Valley (now known to many as “Silicon Valley”), we used to head up this road when the occasional snow fell in the Diablo Range. Today they close the road when there is snow, but back then the authorities were less restrictive, and many families found their way up there to make snow men and have the rare snowball fights. Later, during a long period when I was a very serious bicyclist, I used to regularly do the 60 or so mile round trip from the valley to the summit and back, often as a morning ride. It is literally true to say that I know many of the twists and turns of this road like I know the back of my hand. As I drove up there on this evening I could still anticipate what the road would do a couple of blind turns beyond where I was.

I think I had a general idea of some photographs including oak trees and grass land, perhaps with evening vistas beyond. But as I drove it seemed like the right wasn’t quite right in most of the promising locations, and where the light was good the subjects didn’t appeal so much. But this turned out to be one of those trips on which I wasn’t anxious about whether or not I would get photographs, so I continued on and even explored a bit. In fact, when all ways said and done, I photographed exactly one subject – making several photographs of this bit of grassy ridge with the sunset light behind it on the receding hills.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Rising Desert Hills

Rising Desert Hills
Rising Desert Hills

Rising Desert Hills. Death Valley National Park, California. December 10, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A rising series of colorful eroded hills, Death Valley National Park

I get to use this photograph to tell a story at my own expense. Before arriving in Death Valley I had previous shot a very different subject. I don’t recall if it was birds in fading dusk light or perhaps classical musicians in stage lighting and backstage work lights. (Some of you can already guess where this is headed…) On the first morning in Death Valley I headed to a place that I like to photograph in early light – a place where there usually aren’t too many people, despite the easily accessible location, and where the eroded and colorful geology is almost completely devoid of plants. I arrived before sunrise and soon found a nice composition that I had not photographed before. I spent some time working that scene before moving on and photographing another a little ways away. Partway through that second set of shots I realized that my camera was still on the settings for the prior low-light subject – namely ISO 3200. That is not exactly a typical landscape sort of setting, and while good results are possible when shooting low light subjects that way, the noise levels are far from ideal for landscape. I reset and continued shooting. (I did return to the location on the final morning of the trip to reshoot that first subject.)

This scene was one of the first that I shot after realizing my error. These very eroded hills place different color material in a series of rising hills – tan, reddish, purple-black, brown, and more. The smooth features along the tops of some of the small ridges contrast with the very sharp and angular lines of the eroded channels that lead down to the wash. Later in the day the light here is almost impossibly harsh and the colors fade, but for a few minutes at the start (especially) and end of the day the colors briefly intensify.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Winter Trees, Central Park

Winter Trees, Central Park
Winter Trees, Central Park

Winter Trees, Central Park. New York, New York. December 28, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Low-angle late afternoon sun on winter trees casts shadows across Central Park lawns, New York City

For this photographer, New York provides a much wilder landscape than anything in the Sierra – though here “wild” may have a slightly different meaning. I like New York a lot, and I find the pace and density energizing, at least for a while. Most of the time, it provides an almost completely different sort of shooting for me (with only some of my San Francisco photographs being a bit similar in concept). I shoot entirely handheld, with a small camera, and almost entirely with a single prime lens. (Contrary to what you’ll here, a reason for shooting with the prime is that it requires less thought, since there are fewer options to consider, thus allowing me to work a lot faster.) I make many photographs, the great majority of which are not wonderful and which will never been seen by anyone else. But every so often something happens in front of the camera that is worth the search.

But this is not that kind of photograph. It was shot handheld and using that very same prime lens, but it is a landscape. On this afternoon in Central Park the winter sun was low in the sky, and beautiful light filtered through hazy sky. There were thousands of people out in the park, having a different sort of “outdoor experience” than I’m used to – not a solitary sort of thing at all. There was the usual assortment of pedicab and carriage rides, food stands, people walking dogs, bike riders and runners… and always beyond the winter-bare trees the skyline of tall buildings. In this corner of the park I found a place to point my camera towards some trees and into the low afternoon sun.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sagebrush and Aspens

Sagebrush and Aspens
Sagebrush and Aspens

Sagebrush and Aspens. East of the Sierra Nevada, California. October 13, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Sparse, colorful aspen trees in the high sagebrush country east of the Sierra Nevada.

Back in October I made my annual trek to the east side of the Sierra Nevada to photograph autumn subjects, including but not limited to aspen trees in their fall colors. As often happens at this time of the year, we encountered a wide range of conditions ranging from beautiful sunny days to one day on which it snowed the entire time as we drove over the crest and down highway 395. Overall, this turned out to be a fine year for aspen color, though it was not exactly a typical year. The color came a bit early and seemed to change quickly in a number of areas. Even though many of us were concerned that the past two years of California drought – perhaps combined with the effects of global climate changes – might have reduced the colors, in the end the effect was simply to change the timing a bit. (And long time aspen photographers know that, in a sense, there really is no such thing as a “typical season” for aspen color.)

The final day of our five-day visit was a diverse one, and it took us to a range of quite different locations. It started in Mammoth Lakes, where we were surprised to find that it was snowing lightly when we left our motel in the pre-dawn darkness and headed out into Long Valley. After stopping there to photograph the morning snow flurries along the eastern Sierra, we continued to the east and drove all the way to Benton before turning around and heading back toward Mono Lake, investigating the interesting fall color in this less-visited area. As we reached highway 395 again we found that the snow was continuing to fall along the eastern escarpment here, too. We stopped in Lee Vining for a (very) late breakfast and decided to continue on to the north. After a stop to photograph the vast stands of aspens on the summit north of Lee Vining, it looked like the weather might be photographically interesting out toward Bodie, so we headed that direction. I photographed this little high desert valley with its small stands of autumn aspens momentarily illuminated as cloud shadows raced across the landscape. Mono Lake and the surrounding mountains are visible in the distance.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.