Tag Archives: hillside

Oak Tree, Sun and Fog

“Oak Tree, Sun and Fog” — Sunlight streams through thinning fog on a hillside behind an old oak tree.

This is the third and final photograph from my recent local “foggy morning” photography. To recap, when low fog stuck around here for hours (it usually dissipates very early) I headed out to the local rural landscape to make some photographs. This tree is in an area south of San Jose that was once destined to be a technology park. There’s a lot of history there, but the short story is that after the local government gave in to developer pressure there were no takers for the technology park. Today it remains relatively rural and is increasingly protected. I’d call that a victory!

The tree is on private land, from what I can tell, though clearly visible from a nearby roadway. The hills in the background form a low ridge that roughly parallels the edge of the valley for miles. At the moment I made the photograph the tree was out of the fog, but it was just thinning in the hills, and beautiful slanted columns of light formed between the shadows of trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Aspen Transitions

Aspen Transitions
“Aspen Transitions” — A small stand of old aspen snags surrounded by young trees transitioning to autumn colors, Eastern Sierra Nevada.

Photographers sometimes debate the “best” moment to photograph autumn aspen color. Some say it is when the first trees start to show golden color. Others prefer the stage where every color from green through yellow, orange, and red is visible. Then the green leaves fall and only the wild autumn color remains. But there’s also something compelling about the post-peak stage when leaves have fallen and stark white trunks are more visible. This photograph is from the “every color”stage. You can follow the “aspen color rainbow” from the closest green trees to intensely colorful trees farther up the valley.

This color range is not the only “transition” in this photograph. Aspens do not last forever — old trees die and new ones quickly spring up. I’ve gone back to burned groves months after a fire to see new shoots already emerging from the roots of the burned trees. Look closely at this photograph and you’ll see a row of old aspen snags near the front of the scene. Perhaps they were burned in a fire years ago, but now they are almost obscured by the colorful new trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Forest, Fog, Soft Light

Forest, Fog, Soft Light
“Forest, Fog, Soft Light” — Soft morning light filtered through coastal fog on a forested hillside near the California coast.

It isn’t news that California and the West have been suffering under an extreme and long-lasting heat wave. Here in the San Francisco Bay Area it has been bad — though clearly it is much worse in other locations. This week I finally had enough, and I drove over the hills to the coast early in the morning to seek out fog. I found it! In fact, it was so thick on the coast (where the temperature was a blessed 55 degrees) that it interfered with my intended photography. So I followed side roads that took me inland to the edge of the fog, where soft light was starting to illuminate the landscape.

By most measures, this is a rather nondescript location. (I actually parked in from of a CalFire Station.) But across the small valley, trees led up the hillside, catching the soft light that was just barely penetrating the fog. There’s an additional detail here: A large wildfire swept through a few years back, denuding the landscape in many places. These trees at the bottom of the valley were spared, but you can see skeleton of dead trees on top of the ridge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Two Winter Oak Trees

Two Winter Oak Trees
Two oak trees, on opposite sides of a dormant meadow, with hazy winter light.

Two Winter Oak Trees. © Copyright 2022 G Dan Mitchell.

Two oak trees, on opposite sides of a dormant meadow, with hazy winter light.

If you recall another recent oak tree photograph I shared, you might recognize the form of the more distant tree on the right. In that previous photograph my camera position put the sun almost directly behind the tree, thus accentuating the day’s atmospheric haze. For this photograph I moved to a spot from which I could include two trees and highlight the mass of the tree on the left along with its shadow.

I know I’ll be thrilled in a few months when this meadow is again full of tall, green grasses. (And given our recent — and welcome! — California rain, there’s a good chance that the grass will be tall this spring!) But I also love this early winter time, when the air is cool to cold, the trees have lost their leaves, and the meadows have gone dormant.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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