Tag Archives: historic

Building 106, Night

Building 106, Night
“Building 106, Night” — Black and white night photograph of Building 106 and surroundings, Mare Island Naval Ship Yard

It has been a while since I have posted new night photography, much less work from this location. I’ve photograph this area extensively over a period of years, often working with my friends from The Nocturnes, the San Francisco Bay Area night photography group. In fact, I was there with them once again on this mid-March night.

Atypically, some of us had begun the evening’s work by shooting in the daylight! Shortly before sunset someone came up with the novel idea, among night photographers anyway, of going out before it became dark to photograph in the golden hour light. So, I started early and gradually worked my way back to the familiar central core of old ship yard buildings. Some years ago when I first visited I was entranced by the most obvious subjects, mostly very large and impressive industrial structures. I still find them impressive and continue to photograph them, but as I returned many more times I began to push out the boundaries of what I know of the place. Eventually I looked for less obvious subjects, sometimes small and out-of-the-way things I had first overlooked, and I began to move beyond the familiar core area to look a bit more far afield. While the location in this photograph isn’t that far from where I started shooting, it is a bit less visited and it was probably the first time that I had explored this particular spot. I was first attracted by some nearby tall structures that look like they might be some sort of hoppers or collection equipment. Then I continued walking and turned up this side alley where nearby artificial lights illuminated the terribly weathered metal walls of old factory buildings, rising from the small one at right, past the taller building just beyond, and culminating that the much taller building near the upper portion of the frame, with its large pipe that must have carried smoke or gas away from its room.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Window and Rusted Chimney

Window and Rusted Chimney
“Window and Rusted Chimney”Detail of the outside wall of a dilapidated wooden building with a window and a rusted metal chimney, China Camp, California

During the first weekend of 2013 I joined a bunch of Bay Area photographers who were taking part in a “long exposure photo walk,” shooting with this group at dawn near the Golden Gate Bridge and then later in the morning at this historic location. China Camp was, as I understand it, a shrimp fishing village established on the shoreline of the northern San Francisco Bay in the 1800s by immigrants from China. It has long since been abandoned and now is part of a California state park. It seems mostly like a place of quiet and solitude these days, and the most common sounds during my visit were the cries of shore birds.

A few buildings, some apparently reconstructed or restored, remain from the original village. They sit right along the shoreline in a shallow cove with an open view across the northern bay. I had beautiful soft light on this visit, as a Pacific winter storm was just beginning to clear, leaving it its wake plenty of atmospheric moisture and cloudiness. I photographed the very weathered side of this building as that light vacillated between cloudy gray and nearly full sun, catching this shot as some sun shone through, though softened a bit by the clouds.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Love Window, China Camp

Love Window, China Camp
Love Window, China Camp

Love Window, China Camp. China Camp, California. January 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Opaque window and door of a weathered wooden building at China Camp, California

There are any number of places with name “China Camp” (or similar variations), but this one is located along the shores of the northern San Francisco Bay. I’m not an expert on the history of the place by any means, but I understand that the village was established by immigrants from China in the 1800s and was, over a century ago, a thriving village of several hundred people who focused on harvesting shrimp. Today it is part of a California State park and can be a very quiet and peaceful place.

I visited for the first time this winter, along with a number of other photographers who went there as part of a “photo walk.” After photographing some nearby landscape subjects I walked over to the remaining buildings from the old village and spent some time poking around the area looking for photographs. While I think of this as a sort of ghost town, unlike some other such places in California, this one includes some modern improvements and restoration and even some museum facilities. I was intrigued by some windows and doors on the exterior of this wooden building, including this four-pane window on which someone had inscribed the word “love.”

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Shoreline Building, China Camp

Shoreline Building, China Camp
Shoreline Building, China Camp

Shoreline Building, China Camp. China Camp, California. January 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A shoreline building extends over the edge of San Francisco Bay at China Camp

I had been watching the reflections on the calm water of this lagoon since I first arrived here in the morning. Earlier I had been on a high bluff behind the camera position for this photograph, looking down at this village and the curve of the beach of its small lagoon. The clouds thinning behind a departing Pacific weather front were starting to allow sun light to pass, yet still filtering and softening it. This light was falling on the smooth surface of this water in this relatively quiet area of the San Francisco Bay, and creating all sorts of interesting reflections.

Eventually I walked down to the village and among its old buildings, gravitating toward the shoreline. I first photographed an old pier and then investigated a building from which it extends. From here I was able to look out across the lagoon toward a further peninsula and the light of the sun on the clouds. This was technically a bit of a tricky photograph since it includes brightly sun-lit clouds right above and to the left of the building, but also includes deep shadows below and on the near side of the building. To be honest, I was unsure of what exposure would work best and provide the best balance between avoidance of blown out sky and enough shadow detail to pull it back in past without problems with image noise – so I bracketed. I bracketed like nobody’s business – making something like five exposures in the series. Ironically, in the end I was able to extract all of the detail I needed from a single exposure!

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.