Tag Archives: interior

Skylight, Austrian Postal Savings Bank

Skylight, Austrian Postal Savings Bank
Skylight above the main interior space of the Austrian Postal Savings Bank

Skylight, Austrian Postal Savings Bank. © Copyright 2018 G Dan Mitchell – all rights reserved.

Skylight above the main interior space of the Austrian Postal Savings Bank

The Austrian Postal Savings Bank in Vienna is an astonishing bit of modernist architecture. There is a lot of see in Austria, and for various reasons this didn’t make it onto many of the lists we consulted. However, close to the end of our 2018 visit we got a recommendation to visit this place, which turned out to not be all that far from where we were staying.

The building, both historically and architecturally, is a fascinating place. My understanding is that the Austrian Postal Savings Bank was a sort of revolutionary extension of banking services to working people in Austria, to encourage them to develop savings habits even though the amounts they were likely to deposit paled next to what the wealthy had to work with . This particular building is also a beautiful example of modernist architecture of the early 20th century. The photograph looks straight up from the floor of the main room in the building, a large open space surrounded by service windows/desks. This skylight is simple but very big, and it produces absolutely lovely interior light.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Interior, Austrian Postal Savings Bank

Interior, Austrian Postal Savings Bank
Main interior space of the historic, modernist architecture Austrian Postal Savings Bank

Interior, Austrian Postal Savings Bank. © Copyright 2018 G Dan Mitchell – all rights reserved.

Main interior space of the historic, modernist architecture Austrian Postal Savings Bank

Today I’m breaking up the stream of Eastern Sierra autumn color photographs and returning to the even larger stream of photographs from our travels this past summer. This time we’re back in Vienna, where we spent four nights back in August. It was our first visit and, as seems to be the case with first visits to such places, the experience was a combination of being fascinated/impressed by the city along with beginning to get a sense of its character. Four days is, of course, too little time to really understand a place, but during four days our relationship to such a place changes quite a bit.

We got a recommendation from someone to locate and visit the Austrian Postal Savings Bank (Österreichische Postsparkasse), and we’re glad we went. The place does not seem at all to be on the lists of “things you must see in Vienna,” but if you are interested in architecture and history it probably should be. I won’t try to recount my limited understanding of the history here (there are great resources online, and you can start with Wikipedia) but the modernist building is remarkable, both in its overall effect and in its details. This photograph shows the main room, now mostly vacant, which is a remarkable modern, bright, and airy space, lit from about via a huge skylight.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Museum Layers

Museum Layers
A somewhat whimsical view of the interior of San Francisco MOMA through a portal

Museum Layers. © Copyright 2018 G Dan Mitchell – all rights reserved.

A somewhat whimsical view of the interior of San Francisco MOMA through a portal

When I visit museums I often bring a camera along. I’m not too likely to photograph the art — though that does occasionally happen, most often when someone is interacting with it. I’m more  interested in the light and architecture of such places and with the activities of museum visitors, who tend to behave in different ways than they might in other locations.

This photograph is about the architecture, of course, and how it is lit.  quite simply, the portal (outlined in black) was my initial subject, but then I saw the fantastic landscape of light gradients and contrasting colors. The two figures in the nearly central light circle were a matter of serendipity.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Windows, Brick Building, Night

Windows, Brick Building, Night
Light from the interior of an industrial building spills through windows and into an alley

Windows, Brick Building, Night. © Copyright 2018 G Dan Mitchell – all rights reserved.

Light from the interior of an industrial building spills through windows and into an alley

This building was a bit of a surprise to me. As I recall from past visits, I’m pretty sure that it had been more or less abandoned at one point, and I typically found it completely dark when I photographed there at night. I specifically recall photographing around it and having to content with a very dark environment, the sort where exposures of many minutes were necessary. But on this visit I found it, instead, to be a source of light. The interior was clear and well-lit, and large expanses of windows allowed the light to spread from the building onto the surroundings.

On a slightly technical level a few things seemed notable about photographing this structure. First, it is an example of how well current photographic technology can handle some very challenging light situations. The subjects in this photograph ranged from a bare lightbulb inside the building (visible as the brightest area in the central window) to virtually black shadows on the close side of the building wall. Yet a single exposure was sufficient to capture enough image data to protect the highlights and retain some detail in even the darkest areas. The second observation has to do with the inevitable changes that time brings to places like this. I have photographed here for about fifteen years, and on this visit I saw many changes. I lamented many of them, especially the places now off limits, knocked down, or modified almost beyond recognition. But at the same time, the re-opening of some of the old structures has made them more photographically interesting — as in the case of this building where there is now sufficient light for photography.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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