Tag Archives: island

Support Columns, Purple and Green Wall

Support Columns, Purple and Green Wall
Support Columns, Purple and Green Wall

Support Columns, Purple and Green Wall. Mare Island Naval Ship Yard, Vallejo, California. March 11, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Night photograph of dilapidated building in green and purple, Mare Island Naval Ship Yard.

In contrast to the huge and somewhat garishly lit iconic towers and cranes of Mare Island, there are innumerable little quiet and hidden subjects to photograph. I think that most of us start with the obvious subjects and eventually, after shooting them many times, begin to look for these other possibilities. I photographed this in very low light, complicated by a bit of wind, and I could barely see the subject as I worked. (In order to focus I had to shine a small light on the edge of part of the structure.)

The colors were almost a bit of a surprise. At Mare Island there (or, in too many cases used to be, now that the lighting has been “modernized”) a wild variation in lighting types. There is often the moonlight. A glow comes across the water from Vallejo. Sodium vapor lamps can produce a sort of sickly yellow color. Tungsten light is warm colored, and fluorescent light can be very strange. As a consequence, the colors of this nighttime world are more about the colors of the lighting than the colors of the subjects themselves. The side of this building, which is probably quite drab in daylight, picked up subtle green and purple tones under the artificial light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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D4 — Do It Safe

D4 — Do It Safe
Two shipyard cranes, Mare Island Naval Ship Yard

D4 — Do It Safe. Mare Island Naval Ship Yard, Vallejo, California. March 11, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two shipyard cranes, Mare Island Naval Ship Yard

This past weekend I joined my friends from The Nocturnes, the San Francisco Bay Area night photography group for a night photographing at the historic Mare Island Naval Ship Yard. (Despite the similar names, this is a different group than Studio Nocturne SF, a group of photographers with whom I exhibit.) The location is a bit of a Mecca for night photography around here, and I’ve been photographing in this place for something like a dozen years, virtually always at night.

On this shoot I focused on a combination of some less obvious things that I’ve learned to see over many years of working this subject and some of the classic, iconic subjects at Mare Island. This photograph is in the latter category. These huge cranes, set on a system of tracks surrounding dry docks, are perhaps the most characteristic visual feature of Mare Island, especially since they tower high above the old historic buildings. My night photographs of this subject don’t exactly strive for an accurate image. To be honest, that would be an incredibly boring thing, since there is so little light that the subject is often barely visible on the scene. So my idea is to focus on “what the camera sees,” and I typically make very long exposures that collect enough of that faint light to make the subject more clearly visible.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Sandhill Cranes, Island, Fog

Sandhill Cranes, Island, Fog
A group of sandhill cranes stands on a small wetland island on a foggy morning

Sandhill Cranes, Island, Fog. San Joaquin Valley, California. December 3, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A group of sandhill cranes stands on a small wetland island on a foggy morning

I love the Central Valley tule fog during this part of the year — perhaps not for driving, but when it comes to creating moody and interesting atmosphere, the fog produces. In fact, quite often I’ll check the weather forecast before heading that way during gate late-fall through early spring period, and if the weather looks too nice I won’t go. But if the weather calls for fog, I’m on my way! This visit started out to be an exception to that rule, since the weather forecast did not mention fog at all. But when I checked the current conditions before departing there was an indication that some fog had developed in a few areas.

My drive, 100 miles done entirely in pre-dawn darkness, did not suggest fog… until I left the final town before arriving at my slightly remote location. I immediately encountered a surprise fog bank, and it only got thicker as I turned off the main highway onto narrow country roads. I arrived at my destination in freezing temperatures and light fog which continued to thicken for the next hour. These lesser sandhill cranes were hanging out in a spot where I can reliably find them early in the morning, though they were a pretty good distance off across a network of wetland ponds. This group was assembled on a small island, and they must have been comfortable there, as they were the last group to finally take to the air and fly off.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Clearing Storm, Pacific Coast

Clearing Storm, Pacific Coast
An autumn storm clears along the Northern California cost above Fort Bragg

Clearing Storm, Pacific Coast. North of Fort Bragg, California. November 19, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

An autumn storm clears along the Northern California cost above Fort Bragg

On this November day, the light along the Pacific coast north of Fort Bragg, California was mostly spectacular and in a constant state of change. In rained, occasionally hard and more than once taking us by surprise, there was fog, the sun appeared, clouds were dark one moment and luminously bright the next.

We paused at this overlook, where the meeting of land and water is less steep. The nearly level coastal bluffs run along the water at the base of low coastal mountains, and the underwater slope is also apparently not very steep, judging from the distance from the shoreline that the waves begin to rise and break. The atmosphere was semi-opaque, filled with a combination of fog and light rain, and the glow of light on clouds was diffused and soft. To the west, sun broke through the clouds and lit the water brilliantly in patterns that curved toward the horizon. The waves broke against the seaward side of the huge sea stack — more of an island, really — that stood in front of us just off from the shoreline.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.