Tag Archives: island

Geese and Pond, Sunset

Geese and Pond, Sunset
Snow geese and Ross’s geese on a small island in a wetland pond

Geese and Pond, Sunset. © Copyright 2018 G Dan Mitchell – all rights reserved.

Snow geese and Ross’s geese on a small island in a wetland pond

Here in the San Francisco Bay Area we expect temperatures as high as 100 degrees in inland areas. Summer is here, and with a vengeance. I like summer — long daylight hours, little need to worry about that warm jacket, and more — but it is not my favorite season. I prefer the shortening days and golden colors of fall, the interesting weather and light of winter, and the reawakening of spring, to be honest. In other words, with this photograph I am engaging in a bit of nostalgia for the past winter and a bit of expectation of the seasons that follow the one in which we now find ourselves.

While we might think of winter as being a time of less life and growth — which is surely true in most places when it comes to vegetation — the annual migration of birds inclines in the opposite direction. At the time of year when days are short, weather is cold, and growing things are in decline… the birds show up again. I photographed these birds on a late-autumn evening in early December, when trees were still shedding fall leaves and the birds were just beginning to return along the Pacific flyway.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Coastline Near Klamath River

Coastline Near Klamath River
Late-day light on the rugged coastline just south of the Klamath River

Coastline Near Klamath River. © Copyright 2018 G Dan Mitchell – all rights reserved.

Late-day light on the rugged coastline just south of the Klamath River

I had passed by the great Klamath River on my way north to the Redwood National and State Parks, crossing it on the long bridge just upstream from where it meets the Pacific. On that late afternoon I took a quick detour up onto a small dead-end road from which I could look back down at the river and the sandbar between it and the ocean, and I made a few photographs before moving on — I still wanted to photograph redwoods before the day ended, and I had a bit of a drive beyond that to get to my motel.

Late the next day I found myself with a bit of unscheduled time, so I returned to the Klamath, again as the end of the day approached — but this time I was not in a hurry to leave. When I had visited the day before I had looked across the river to the hills and coastal bluffs to the south, and this time I decided to explore that area a bit. A drive took me to an overlook from which there was an unobstructed view along the coastline to the south as the evening golden hour light began.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Metal Building, Distressed Paint

Metal Building, Distressed Paint
Metal industrial building with marks from patched paint

Metal Building, Distressed Paint. © Copyright 2018 G Dan Mitchell – all rights reserved.

Metal industrial building with marks from patched paint

This is another of the pre-dark twilight photographs I made on my recent visit to the Mare Island Naval Ship Yard to do night photography. A group of us assembled bit by bit, some starting close to the middle of the day and others, like me, arriving shortly before dark. About a half hour before sunset I headed out, beginning with some daylight photograph around some industrial buildings I had noticed on my way to the meet-up. By the time I got there and got set up I was only able to make a few photographers before the sun set far to the west over San Francisco, but the twilight light is also interesting to work with.

In this photograph I was interested in the objective qualities of the old building with its weathered and patched metal walls, especially in the random nature of the patched paint along with the juxtaposition of the warmer colors on the walls and the cool, blue tones on the roof, with all of the colors altered in the blue twilight. At the same time, I went with the wide and narrow landscape orientation of this photograph in an attempt to treat the colors and forms as abstract elements, too.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Alley, Arrow, Windows

Alley, Arrow, Windows
A directional arrow in a narrow alley outside of a windowed industrial building

Alley, Arrow, Windows. © Copyright 2018 G Dan Mitchell – all rights reserved.

A directional arrow in a narrow alley outside of a windowed industrial building

Night photography is, perhaps ironically, truly all about the light. There isn’t that much of it in most cases, so we resort to very long exposures (or perhaps very high ISO values) and we seek out places where there is just enough of it to make photographs. Night illumination is often from artificial sources, and frequently it comes at least partially from inside the subject rather than falling on its exterior. Subjects that may be mundane in normal daylight can take on new qualities in the light of the night — they may stand isolated from their backgrounds, take on unusual colors, and even become mysterious and moody.

This building is one of those subjects that glows from within. When I first saw it my initial idea was to get very close to some of the windows and simply photograph the interior of the empty building. For various reasons, ranging from practical to aesthetic, I gave up on that idea. Instead I stepped back a bit, included the windows and building interior, but also worked with the light spilling out into this alley, where a variety of patterns are produced on the pavement.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.