Tag Archives: juniper

Juniper Tree and Sandstone Cliffs, Evening

Juniper Tree and Sandstone Cliffs, Evening - Soft evening light on a single juniper tree among boulders at the base of tall sandstone cliffs, Capitol Reef National Park
Soft evening light on a single juniper tree among boulders at the base of tall sandstone cliffs, Capitol Reef National Park

Juniper Tree and Sandstone Cliffs, Evening. Capitol Reef National Park, Utah. October 26, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Soft evening light on a single juniper tree among boulders at the base of tall sandstone cliffs, Capitol Reef National Park

This photograph was a serendipitous one that resulted from going to a somewhat unlikely place, and going there without a whole lot of enthusiasm, having only modest success at that place, and then while leaving happening to look up at the right moment and spot some very interesting and somewhat unusual post-sunset light. The plot began with an evening last-minute decision to go shoot “somewhere” in Capitol Reef, but without a specific objective in mind. We perhaps had some thoughts about shooting along the descent from Torrey, Utah toward the park boundary, but this is tricky late in the day due to the way the terrain slants up to the west, causing the sun to drop below the elevated horizon rather early and stealing the light from the foreground terrain.

When we passed the park boundary we still didn’t have a clear idea of what the evening’s “target” might be, so we drove slowly into the park, looking at many things but not seeing quite the photographic opportunities that might have caused us to stop. We finally decided to investigate a large canyon and drove to its entrance, parked, and walked in a ways. Because of the orientation of this canyon, the light here also left us rather soon. We made some photographs – a few of which might even turn out to be interesting – and then headed back out of the canyon. The way passed along the base of a very tall sandstone cliff formed from one of the thicker layers of sedimentary rock. Typically the rock would appear darker and redder, but the soft post-sunset light changed the tones to an almost pastel effect – and we both quickly decided to stop and do some shooting. This lone juniper trees was growing improbably in the middle of a pile of very large boulders that had fallen from the cliffs, and those cliffs were catching the late and soft light from the west.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Zion High Country, Evening

Zion High Country, Evening - High country of Zion National Park in evening light
High country of Zion National Park in evening light

Zion High Country, Evening. Zion National Park, Utah. October 14, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

High country of Zion National Park in evening light

As an official member of the I Love Backlit Trees club, I’m more or less unable to resist shooting straight toward the sun near the start of end of the day to capture the light illuminating the fringes of trees from behind. Yes, it is a repeating subject of mine… The high country of Zion National Park along the Mount Carmel Highway is a great place to find such light if you are observant and think about where and when to look. Especially late in the day – but not quite all the way to sunset – the light slants across ridges and hills and picks off the trees, which here are separated enough to allow the light to catch whole trees. (This is a bit harder to find among the denser forests of my Sierra Nevada.)

This sort of shooting provides some challenges. One, of course, is the potential for a very wide dynamic range between the brightly lit leaves and needles of the trees and the shaded areas that may be behind and around them. Although the camera’s metering system may not show it, the sunlit portions of the trees are often extremely bright and can easily blow out completely – and the solution is to expose less… which diminishes the light in the shadows. Several solutions are possible. Here I made a single exposure with the brightest areas just at the limit of exposure, and if I had opened up more or lengthened the exposure the fringes of the trees would likely have gone all the way to pure white. (You can allow this to happen with a few specular highlights without much of a problem, but don’t over-do it!) With the single-exposure approach, I find that the shadow fader in ACR is my friend! It does a fine job of bringing back a bit of the detail in the darker areas that might otherwise be lost. Although I didn’t employ them in this photograph, there are some other approaches that can also work. One is to use exposure bracketing – making two or more images at different exposures, usually one for the shadows and one for the highlights, which are then manually combined in post by means of layer masks. This is labor intensive but can produce very wonderful results.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Cedar Breaks, Evening

Cedar Breaks, Evening - Evening light through diffused clouds illuminates the stratified and eroded formations of Cedar Breaks, Utah
Evening light through diffused clouds illuminates the stratified and eroded formations of Cedar Breaks, Utah

Cedar Breaks, Evening. Cedar Breaks National Monument. October 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Evening light through diffused clouds illuminates the stratified and eroded formations of Cedar Breaks, Utah

Since I’ve posted on this scene previously – along with a landscape mode presentation of a similar scene – I’ll keep this one short. This photograph was made in the slightly post-sunset light on an evening when the light was softened by clouds. A smattering of trees grows in the few areas among the cliffs and hoodoos where there is apparently enough of the right kind of soil – most of this terrain is devoid of large plants.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Juniper, Red Rock, La Sal Mountains

Juniper, Red Rock, La Sal Mountains - A Utah juniper growing on red rock with the La Sal Mountains in the distance, Grand View overlook, Canyonlands National Park
A Utah juniper growing on red rock with the La Sal Mountains in the distance, Grand View overlook, Canyonlands National Park

Juniper, Red Rock, La Sal Mountains. Canyonlands National Park, Utah. October 10, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A Utah juniper growing on red rock with the La Sal Mountains in the distance, Grand View overlook, Canyonlands National Park.

We had a great visit to Canyonlands National Park, though the lighting was challenging, to say the least. Our visit took us up to the “island in the sky” highlands and included a stop at the Dead Horse Point State Park. Initially, the light challenges were simply from the midday light and the fact that there was a certain amount of haze in the air. The haze can be a nice effect in some cases, but it can also obscure some of the longer views such as those from this high plateau. As the day wore on, clouds began to collect to the west and, as luck would have it, the thickest portion of the clouds were almost directly west of us. Ultimately, this interfered with my chances for dusk shooting, but sometimes that’s just the way it goes.

Before heading to the golden hour light location that I had selected, we drove down to the “Grand View” overlook – appropriately named, as anyone who has been there can confirm. Here the high plateau ends suddenly with a steep thousand foot drop off to the next lower level of strata and the Green River joins the Colorado in the vast and rugged terrain to the south. I did eventually make some photographs of that subject – it is sort of obligatory! However, as I walked to the overlook I saw to my left this chunk of cliff-edge sandstone with its resident juniper and remembered looking at it the last time I was there. The soft light produced by the overcast was a Good Thing here, as full sun would have produced a very harsh effect on the rocks. Beyond lies the giant valley of the Colorado River and even further out are the high and distant peaks of the La Sal mountains.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.