Tag Archives: kit

Final Weekend of Canon Fall Promotion on Lenses, Bodies, Speedlites

Canon currently has an “instant savings” promotion on a number of lenses and speedlites through November 23, 2011. Here is a list of most of the qualifying products, with links to site sponsor B&H Photo. In many cases the “instant savings” price is considerably lower than the B&H “import” version of the product. When you purchase from B&H via these links you help support this blog. Thanks!

Lenses

Camera/Lens Kits
Speedlites

When you purchase from B&H via these links you help support this blog. Thanks!

(Double check the links to check for availability and read instant savings promotion details.)

Canon Fall Promotion Ends Soon – Cameras, Lenses, Flash, Kits

11/11/11 – Canon currently has an “instant savings” promotion on a number of lenses and speedlites through November 23, 2011. Here is a list of most of the qualifying products, with links to site sponsor B&H Photo. In many cases the “instant savings” price is considerably lower than the B&H “import” version of the product. When you purchase from B&H via these links you help support this blog. Thanks!

Lenses

Camera/Lens Kits
Speedlites

When you purchase from B&H via these links you help support this blog. Thanks!

(Double check the links to check for availability and read instant savings promotion details.)

Post-Sunset Glow, Amargosa Range

Post-Sunset Glow, Amargosa Range
Post-Sunset Glow, Amargosa Range

Post-Sunset Glow, Amargosa Range. Death Valley National Park, California. March 29, 2011. © Copyright G Dan Mitchell – all rights reserved.

Post-sunset light from bright red clouds casts a reddish glow on the Amargosa Range, Death Valley Buttes, and the Kit Fox Hills.

I think this might be the second in what I could call the “impossible color” series from my late-March trip to Death Valley. (The previous image was a photograph of a wash/alluvial fan at the base of Tucki Mountain, photographed on the same evening.) The lurid and unreal colors are not the result of post-processing gone horribly wrong – the light was actually this color for a short period. The sun had already gone down behind the Cottonwood Mountains to the west of my shooting location in the middle of Death Valley not far from Stovepipe Wells. It had been an interesting sunset with the usual increase in warm colors and some attractive clouds in the sky.

What happened next was something that is probably familiar to those who have done a lot of landscape photography, though they recognize that it is not something that you can quite predict. After the sun had set and dusk was coming on, some final light from far to the west, where the sun had probably already dropped just below the horizon, began to strike high clouds above Death Valley. (I could sort of see this coming, since I had noticed increasing color in the sky further to the east.) As this happened, these clouds began to glow with an intense red color that was mixed with the normal bluish tones of dusk light and surface features took on this purple/red glow for just a brief moment before the light faded.

(Those who look very carefully may notice that the sky above and to the east of the mountains is a lot bluer than the mountains themselves. The color had already left the sky to the east, and at this point was coming from the sky directly overhead and to my west.)

I’m still trying to sort out the complex geology of this area and the ways that features are named. The larger range containing these peaks is called the Amargosa Range, though it encompasses many smaller named sub-ranges – I think these might be part of the Grapevine Mountains, roughly in the neighborhood of Thimble and Corkscrew Peaks. A dark peak in front of the main range at the very far right may be part of Death Valley Buttes, and the banded foreground hills are sometimes called the “Kit Fox Hills.”

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Shopping for your first DSLR? Some Advice

Recently I’ve seen a lot of posts around the web by individuals looking to upgrade from point and shoot cameras to their first DSLR – and in a few cases by folks who intend to bypass the P&S step entirely and just start right out with a DSLR.

Among these folks the questions are usually “which camera should I get?” and “what lens(es) should I get?” These questions are phrased in various ways: “Is camera X a good choice?” “What is the best lens for Camera Y?” “I hear that lens/camera Z is the best – is this right?” “I’m just getting started and I plan to get the very best camera and lens available.” “What lenses do I need to complete my setup?”

While there are exceptions to almost every rule, in the case of new DSLR shooters I have some strong opinions about what the best approach will be in most cases. The good news is that the “right” answer is probably also the least expensive, the most conducive to learning about your relationship to DSLR photography, and the most adaptable to a variety of future directions that you might find your photography taking. Continue reading Shopping for your first DSLR? Some Advice