Tag Archives: landscape

Blue Stairway

Blue Stairway
A blue stairway in a softly lit alcove

Blue Stairway. © Copyright 2018 G Dan Mitchell – all rights reserved.

A blue stairway in a softly lit alcove

In contrast to much of what I have recently shared, this photograph is not a landscape. Or perhaps it is. OK, it is. I think of photographs like this, at least to some extent, as being “urban landscapes.” In many ways (but not all) I see them in ways that are similar to how I see landscape. I’m looking for form and composition, color, effects of light, some sense of the feeling of the place, and often a quality of stillness. I also think that these photographs, like some of my personal favorite landscape photographs, attempt to look at a familiar place in an unfamiliar way. For example, there is almost nothing in this photograph to tell you that it was made in San Francisco, not far at all from some rather iconic views.

Despite the similarities to my landscape photography, there are also some obvious differences. The distinctly non-natural subject is one obvious clue. Perhaps less obvious is that these photographs are not made in the usual natural landscape manner, relying on tripods, remote releases, and sometimes plenty of time to think and consider. Instead, these are virtually always shot handheld with a small camera. I’m generally on the move when I photograph these subjects, typically pausing only long enough to frame and trip the shutter, and then I continue along. In fact, I barely broke my stride as I passed this scene and made this photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Forest Scene

Forest Scene
The trunks of tall conifers trees in afternoon light

Forest Scene. © Copyright 2018 G Dan Mitchell – all rights reserved.

The trunks of tall conifers trees in afternoon light

I had initially stopped near these trees to photograph an entirely different subject in the opposite direction, behind my position as I made this photograph. I spent a good deal of time on that other subject, but in the end it didn’t (at least not as of this date) end up seeming to “work” quite the way I envisioned. As I finished I saw this row of strong, side-lit tree trunks and thought it might make a photograph. Ironically, I almost didn’t both — at first the light wasn’t remarkable, and I knew that I had photographed similar subjects in the past with success. I wasn’t sure that this version was going to work.

But, this being a cloudy day in the Valley, the variable light began to play on the trees, alternately lighting them and putting them in shade. At the same time, the variability extended to the complex pattern of more distant forest. I’m always intrigued by the challenge of making a workable composition out of very complex and “busy” subjects, and here the momentary light makes all the difference. (And, yes, I do seem to be in a bit of a “black and white mood” with some recent photographs. Maybe this is to balance out some of the other highly colorful images.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Clearing Clouds, Merced River Canyon

Clearing Clouds, Merced River Canyon
The morning sun breaks through clearing clouds above Merced Canyon

Clearing Clouds, Merced River Canyon. © Copyright 2018 G Dan Mitchell – all rights reserved.

The morning sun breaks through clearing clouds above Merced Canyon

If I had to choose my favorite conditions of atmosphere and light, something like this morning would be on my short list. The light was a surprise that emerged after I had almost written off the potential as being bland and gray. Since the clouds were in motion, the light was constantly changing — at moments it actually was not that interesting, but suddenly the clouds would shift and light would emerge, frequently moving across the scene and providing more than one opportunity. There were multiple levels and types of clouds. A thick overcast lay high above, though it was occasionally broken. Other clouds occasionally formed directly on the peaks, and others drifted below me, often low enough to count as fog. This show actually continued for several hours.

The location here is a fairly iconic spot that many who have visited Yosemite will immediately recognize. (However, as I discovered as visitors new to the park stopped and asked questions, to many this is a wholly unfamiliar view, which probably makes in even more spectacular to them.) If you look closely you will likely recognize the famous feature that provides a point of focus. The vantage point gives a view looking up the canyon of the Merced River and into the lower end of Yosemite Valley. This section has more of the v-shape of a river gorge, but the classic glacial u-shape begins under the brightest section of the lower clouds and then tracks to the left. Those light beams are real, and as I photographed they were traversing the scene from right to left.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Morning Light, Haze, El Capitan

Morning Light, Haze, El Capitan
Beams of early morning sunlight pass through haze to illuminate El Capitan

Morning Light, Haze, El Capitan. © Copyright 2018 G Dan Mitchell – all rights reserved.

Beams of early morning sunlight pass through haze to illuminate El Capitan

I’m coming to think of the start of this particular day in lower Yosemite Valley as being “Bierstadt Day.” Albert Bierstadt was a landscape painter who made several notable renderings of Yosemite subjects in the 1800s, paintings that perhaps formed the image for the park for many who saw them. They are not “realistic” in a photographic sense, but tend toward exaggerating features and using dramatic effects of perspective, atmosphere, and light. When I see Bierstadt paintings I often think both of how they evoked the wonder of seeing remarkable places like Yosemite Valley and of how flexibly and subjectively he treated these subjects. I also think about how little they look like the literal place, as least in objective sense.

However, at certain moments, the quality of light and atmosphere came close on this morning. The morning began inauspiciously, and in the pre-dawn light I could tell that it was cloudy and gray. However, as I approached the Valley from Wawona there were breaks in the clouds. Arriving at my first clear viewpoint, the iconic tunnel view (where I usually wouldn’t stop on my way into the Valley), the view included the usual Valley features, layers of drifting clouds and mist, and beams of colorful light playing across this landscape. I put a long lens on my camera and began to follow the changing conditions, picking out small sections of the grand view that seemed most interesting. At the moment of this photograph (and, indeed, the light lasted only a moment) sun beams broke through the clouds and moved in front of the face of El Capitan.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.