Tag Archives: layers

Photographs: New York City, Photographs: People, Photographs: Urban/Street

Layers, Contre-Jour

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Layers, Contre-Jour
People sitting in Metropolitan Museum windows, plus worlds on both sides

Layers, Contre-Jour. © Copyright 2017 G Dan Mitchell – all rights reserved.

People sitting in Metropolitan Museum windows, plus worlds on both sides

This is yet another take on the scene in this room at the New York Metropolitan Museum, on a cold day when hordes of people went to a warm museum instead of wandering outside. The window faces south, into the midday and afternoon sun, and the window sills provided an inviting and warm place for people to sit. I spend a bit of time here and observed as people passed by, came in and sat down, and moved on.

There may be more going on here than is immediately apparent. The first impression is of a half-dozen people sitting in or near the windows, with outdoor backlight providing the illumination. (Hence the “contre-jour” indication in the title of the photograph.) But there are several other layers. In the far distance Manhattan buildings near the south end of Central Park, whose trees are providing silhouetted shapes below the skyline. There are also reflections from the interior of this room in the windows — keep in mind that elements near my camera position were front-lit by the windows. There is actually quite a crowd reflected in the windows, and if you look closely you can even spot the photographer.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Fractured Sandstone Cliff

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Fractured Sandstone Cliff
A fractured sandstone cliff and fallen boulders

Fractured Sandstone Cliff. Capitol Reef National Park, Utah. October 26, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A fractured sandstone cliff and fallen boulders

A few years back a small group of us spent time photographing in southern Utah, from Capitol Reef National Park to the east to Zion National Park to the west and at points in between. The day when I made this photograph began very early in sub-freezing conditions, walking out on a route along a remote ridge. But we ended that day back in a more civilized location, at a canyon with tall sandstone walls, in places forming abrupt cliffs and in other areas being fractured and covered with some amount of vegetation.

We came to this section just after sunset, which comes a bit early in this spot since the terrain to the west of the part tilts gradually upwards. The spot where we photographed is along a gravel road, and on both sides it is lined with monumental sandstone cliffs that are fundamentally smooth and blocky. However, even such cliffs erode, and here the process is laid bare. Huge vertical slabs are separating from the walls and leaning away, and the bases of the cliffs are filled with broken material topped with giant boulders.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Mono Lake Basin, Photographs: Nature

Morning, Wildfire Smoke

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Morning, Wildfire Smoke
Wildfire smoke layer drift, above Mono Lake at sunrise

Morning, Wildfire Smoke. Mono Lake, California. September 18, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Wildfire smoke layer drift, above Mono Lake at sunrise

The subject of this photograph comes about as close to being insubstantial as possible. When I began photographing before dawn on this September morning, Mono Lake was still mostly visible, though a large cloud of wildfire smoke was gathering to the southeast and beginning to drift toward the lake. First, layers of smoke began to stretch individually across the lake as sunrise approached. As more of them arrived they began to completely obscure the more distant landscape and to mute the colors and details of objects that were even closer. If you look at this photograph for a moment you can begin to see what remains — a bit of a peninsula with some tufa formations along the right margin, and in the lower center and stretching toward the left some soft reflections of morning light on the surface of the lake.

For a moment when I first saw the smoke I was disappointed that it might interfere with my photography, but it only took a moment to realize that these were special and beautiful conditions not likely to occur that often. The smoke and the morning backlight rendered details almost invisible, only seen faintly through gaps in the smoke. The smoke itself, dividing into layers and taking on subtle colors from the morning back-light, filled the scene with nearly abstract shapes. But before long smoke filled in even more, and soon it was too opaque to photograph at all.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Mono Lake Basin, Photographs: Nature

Mono Basin, Wildfire Smoke, Dawn

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Mono Basin, Wildfire Smoke, Dawn
Smoke layers from a nearby wildfire drift across Mono Basin at dawn

Mono Basin, Wildfire Smoke, Dawn. Mono Lake, California. September 17, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Smoke layers from a nearby wildfire drift across Mono Basin at dawn

Late summer and early fall are the wildfire season in California and especially in the areas around the Sierra Nevada. (That statement used to be more accurate than it is these days, as drought and anthropic climate change have now extended the fire season in the state.) Like most people who spend time in the outdoors I have complicated responses to wildfire. I hate to see forests and wild lands destroyed, especially by some of the recent super-hot fires that have done more serious damage. At the same time I fully understand that fire is a natural and even necessary component of the natural life in these areas. In recent years I have tried to find beauty alongside the destruction, and it has opened my eyes to seeing fire in different ways.

During my recent mid-September Sierra Nevada photography jaunt, mainly focused on visiting a few high places and scouting early aspen color, a very smoky fire broke out in the Owens River area. I first spotted in while driving down from Yosemite in the evening after a backcountry hike, and the next morning there was a big cloud of smoke over the lands southeast of Lee Vining. Mono Lake was still mostly clear, except at the south end, but beautiful layers of smoke were beginning to drift across the lake before and during sunrise, muting details and rendering more clearly some of the larger elements of the landscape. I moved around the lake and surrounding areas looking for vantage points for several hours, until eventually the smoke-filled Mono Basin so much that I decided to leave.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.