Tag Archives: layers

Receding Dunes

Receding Dunes
A subjective interpretation of a scene of receding sand dunes.

Receding Dunes. © Copyright 2019 G Dan Mitchell – all rights reserved.

A subjective interpretation of a scene of receding sand dunes.

Sand dunes are a compelling subject for just about every photographer I know, and almost certainly for every photographer who has visited them. They are a virtual laboratory of forms and textures and the interplay of light and shadow. While their colors can be quite subtle, the daily cycles of light write a continuous cycle of change on them between the morning and evening twilight hours. And they are adaptable to a wide range of interpretations — ostensibly “realistic” views, views that emphasize the naturally occurring (and sometimes not so naturally occurring!) colors, effects of wind, and the freedom of monochromatic interpretations.

One evening we decided to visit the dunes, and we planned to investigate a location I had spotted from a morning shoot — an area where a playa led to the edge of low dunes that built up one after another toward the center of the dunes. By the time we arrived I was becoming concerned that I might not be where I wanted to be during the best evening light, so I high-tailed it across the playa without stopping, heading straight for the area where I made this photograph. What appealed to me about the location was primarily this stair-step arrangement of gradually higher dunes, but also the fact that it was backed by distant back-lit mountains rather than by sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Dune Patterns, Evening

Dune Patterns, Evening
Evening light on layers of Death Valley sand dunes.

Dune Patterns, Evening. © Copyright 2019 G Dan Mitchell – all rights reserved.

Evening light on layers of Death Valley sand dunes.

This photograph provides an opportunity to tell a little story on myself. Sometimes I’m very good at getting going early enough to arrive at a location in plenty of time. But sometimes I’m not. This was almost one of those times. The right way to photograph here would have been to arrive perhaps an hour earlier, at a time when the light would have seen fairly uninteresting to me, and then to set up and wait. That’s not what happened.

I did have a plan to be in this spot, but I may have underestimated the time it would take to get to the exact location. We arrived before the beautiful light arrived… but I had a bit of a hike to get in position. I started walking and quickly realized that I was cutting it close. I put my head down and took off in a beeline for this spot where I knew I would fine sequences of rising dunes, building one upon the other. I did not stop or slow down until I got to “the spot,” at which point I immediately picked a first composition, set things up, and went to work. I was on time, but only barely, and I had perhaps ten minutes of lovely, colorful light before sunset.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Layered Rock Face

Layered Rock Face
Rock layers lie exposed on a cliff in a quiet desert canyon.

Layered Rock Face. © Copyright 2019 G Dan Mitchell – all rights reserved.

Rock layers lie exposed on a cliff in a quiet desert canyon.

On this trip we arrived in Death Valley in the late morning. Midday in the desert is not necessarily a great time to be out in the open, especially on a windy day like this one, so I often head for canyons to find better light and shelter. We took a side road into a quite canyon that doesn’t get a lot of visitors, mainly with the idea of finding a sheltered place to eat lunch and rest a bit after our drive.

We relaxed and finished lunch, and then began to pay more attention to nearby photographic opportunities. Up the canyon was an incredibly barren and rugged landscape, but nearly there were smaller features that seemed quite attractive. We found some canyon plants that were blooming, so we spent some time photographing wildflowers. Across the narrow canyon from our position was this bit of fascinating canyon wall, where old sedimentary layers had been uplifted and then eroded away to created this terraced effect.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Rising Sun, Wildfire Smoke

Rising Sun, Wildfire Smoke
Morning sun rising through a pall of wildfire smoke, east of the Sierra Nevada

Rising Sun, Wildfire Smoke. © Copyright 2016 G Dan Mitchell – all rights reserved.

Morning sun rising through a pall of wildfire smoke, east of the Sierra Nevada,

This was one of the most eerie days I have experienced in the Sierra. While it wasn’t the first of last time I’ve encountered the effects of wildfire there, this was quite different. The previous evening I had seen a bit of smoke far to the south, but didn’t think too much of it, as this was the wildfire season and such things aren’t unusual. I was camped in a deep east side valley that did not afford a distant view, so it wasn’t until I left that valley in the early morning and headed out on the east side fo the range that I saw what was happening.

I arrived at the junction of US 395 and Tioga Pass Road before dawn and found a high spot to photograph Mono Lake. It was immediately clear that a very active wildfire was building to the south and that the smoke was drifting north. It was still mostly clear above the lake, but not for long. Soon the smoke nearly obscured the view, though I continued photographing. I thought that heading north might get me away from the smoke, but now it was spreading fast and I couldn’t escape it. I made a few photographs from a high location that featured the smoke-filled Mono Basin, and then I started toward the southern Sierra. Passing again by Mono Lake I encountered some of the thickest wildfire smoke I have seen. This photograph was made under that pall, which was so dark that it barely seemed like twilight and the light of the sun was almost blocked.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.