Tag Archives: layers

Forest and Fog

Forest and Fog
Sunlight begins to thin the morning fog in a Monterey Peninsula forest.

Forest and Fog. © Copyright 2013 G Dan Mitchell – all rights reserved.

Sunlight begins to thin the morning fog in a Monterey Peninsula forest.

Today we visit the California coast below the Monterey Peninsula, at the Point Lobos State Reserve. (That is the actual name, though many of us casually refer to it as a state “park.”) I have gone to this place for decades, since my parents took us there as kids. Back then the big attractions were the tide pools (the number one attraction!), the various sea mammals, and the surf. Those are still on my list when I go there, though now I’m more likely to go with the goal of making photographs. (The place, like so much of the Big Sur coast, has become almost impossibly popular, so I try to visit at odd, off-peak times.)

I had gone down there on this 2013 early spring day to make photographs. My typical routine is to arrive very early, before those crowds show up, and spend a few hours photographing in relative quiet. This time I headed to a location in the more northerly portion of the small preserve, where there are views back across the coastal forests and toward the low hills to the east. Because it was morning, the sun was coming over those hills just as the fog was starting to then, allowing a bit more light into the gaps between the trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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LIne of Weakness

LIne of Weakness
Three plants find sustenance in a narrow crack in Utah sandstone.

LIne of Weakness. © Copyright 2012 G Dan Mitchell – all rights reserved.

Three plants find sustenance in a narrow crack in Utah sandstone.

This small scene was in the bottom of a Southern Utah canyon, where the light was richly saturated as it reflected among red rock walls on its way to the canyon floor. This light virtually glows, and it can be quite soft, filling in shadows and saturating colors. In these places and in this light, even the most mundane subject can begin to be appealing.

I’m always fascinated by plants that manage to establish themselves in unlikely spots with minimal chance for success… and then manage to sustain themselves there for years, decades, or even centuries. I first became attracted to such things in the Sierra Nevada, where full grown trees sometimes seem to grow in nearly solid rock. These plants are smaller, but it is quite amazing that such a small crack creates an environment in which they can thrive.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Disrupted Strata

Disrupted Strata
The fractured and bent layers of a fractured boulder in a Utah slot canyon.

Disrupted Strata. © Copyright 2012 G Dan Mitchell – all rights reserved.

The fractured and bent layers of a fractured boulder in a Utah slot canyon.

This jumble of rocks sits in a Southern Utah canyon, piled on debris and the lower face of a cliff that runs along the banks of a small creek. The bottoms of such canyons are, for obvious reasons, places full of all sorts of debris that either falls from the surrounding cliffs or is washed down the canyon in periodic floods. A good part of the challenge of making progress through such terrain involves contending with this detritus.

As is so often the case in these landscapes, the initial appearance of features may mislead the viewer about their history. Rocks, of course, seem quite solid and immutable. But this little vignette of almost nothing but rock actually shows more about how much it changes than about its stability. This rock was formed in layers laid down by water a long, long time ago. Those layers were compressed, folded, upended and broken over time. Here we see a snapshot of that process. Lying atop a smoother section of the cliff, this deteriorating boulder’s layers are made apparent as they break apart and realign.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Canyon Wall

Canyon Wall
Broken boulders and strata at the base of a slot canyon wall.

Canyon Wall. © Copyright 2012 G Dan Mitchell – all rights reserved.

Broken boulders and strata at the base of a slot canyon wall.

These canyons are simply full of fascinating details. Unlike much of my familiar Sierra Nevada landscape, where vistas can often go on for many miles, here the size of your world is much smaller. It is constricted to the width of the canyon, the distance to the upper rims (plus some sky), and upstream and downstream to only the next bends. So you are almost forced to focus on smaller details, of which there are many.

Here my attention was drawn to the rocks. I’m no geologist, and I only know enough to speculate about these things. But a close look at the rocks in this scene show material that was created in layers. Near the upper right corner, if you look closely, you can spot a place where there is a striking convergence of angles in the strata. And although this material was laid down in horizontal layers, over time it has been pushed and stretched and lifted until the formerly horizontal now angles up distinctly to the left. There is also an interesting almost vertical fracture between the more solid (and darker) rock on the right, and the lighter color of the broken rocks stacked up on the left.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.