Since the question comes up frequently and because it is Small Business Saturday, let me answer the question: “Do you sell prints of your photographs?”
Yes, I do. Virtually every photograph that appears at this web site is available as a print. I’ve been told they make nice gifts! :-) There is more information about print sales (and licensing) at the Sales page on this web site. Please contact me if you have additional questions or would like to order a print for the holidays. Thanks!
Star Trails, The Manifold, Zabriskie Point. Death Valley National Park, California. March 29, 2010. © Copyright G Dan Mitchell – all rights reserved.
Star trails above the Manifold, Zabriskie Point, Death Valley National Park, California.
One of my goals on my late-March trip to Death Valley was to do some night photography, in particular to take advantage of the nearly full moon near the end of my visit. Some of my plans did not quite work out – for example, on the night when I intended to do night photography of the moving rocks at the Racetrack Playa it was cloudy all night! However, on the final night of my visit the weather gods cooperated and I was able to make a few exposures from Zabriskie Point as the moon rose. As if to partially make up for messing up the intended Racetrack shots, the “cloud gods” were kind enough to provide me with a few high thin clouds at Zabriskie. This was one of those wonderful occasions when things actually did go as planned!
Anticipating the full moon at Zabriskie, I made a point of camping in the vicinity of Furnace Creek at the Texas Springs campground. (I expect that my habits mystified a few nearby campers. I drove in at about 2:00 p.m., grabbed a site and “marked” it by leaving a chair and a tarp, and almost immediately left – not returning until nearly 10:00 p.m. Then I was up and gone well before sunrise.) In any case, I headed down to the Badwater area in the late afternoon to photograph sunset light on the salt flats and evening clouds – following an impromptu “dinner” at the back of my car at the Badwater parking lot. It was getting fairly dark by the time I finished up at Badwater, so I headed straight up to Zabriskie. By the time I arrived the moon was just coming up over the mountain range to the east, with its light at times filtering through high clouds. During the hour I was there I made three exposures. With exposure times in the 8 to 12 minute range and followed by “dark frame exposures” of equal length, this was a slow and quiet process.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
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Technical Data:
Canon EOS 5D Mark II
Canon EF 24-105mm f/4 L IS USM
ISO 200, f/8, 787 seconds (not a typo!)
keywords:
From time to time people ask what techniques I use to create the simple frames for versions of my photographs that I post online. A while ago I wrote about this: Creating Frames for Online Photos: My Method. The explanation involves the use of Photoshop CS3, but the technique is essentially the same in the current version of the program.
You can read the details at the link above, but the process is basically fairly straightforward. I use Image –> Canvas size to add a series of borders to the original image: a one-pixel gray border immediately around it, a larger white border beyond that with a bit more width at the bottom, and finally a one-pixel black border at the outer edge. I turn this into an action that I can apply by selecting it and clicking a button to run it.
The approach to creating the text incorporated into the web images is similar, though it requires a bit of tweaking with each photograph. Essentially, I create three text layers: one for the large type at the bottom, one for the small embedded copyright notice, and a slightly larger “watermark” that will go over the image itself. The action I recorded creates the three layers and inserts the boilerplate text, but I always have to do a bit of alignment manually, and I may also have to make some decisions about opacity and so on depending upon the characteristics of the individual image. Still, it takes less than a minute to do the whole thing even in the wost cases.
Why apply a border, “branding” text, and copyright to the photographs?
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.
Some months ago I became aware of the terms of many of the photo contests on the web and in magazines – and since that time I haven’t seen more than a couple that I would even consider entering given their effect on the value of my work. (The Photo Attorney writes about one today and has written about others in the past.)
If you enter a contest it seems reasonable to assume that the company running the contest would acquire some limited licensing rights to use the winning photograph in ways logically connected to the contest and to their company in return for selecting the photograph and providing the winner some valuable prizes and publicity. For example, if a magazine has a photography contest it seems reasonable to expect that they should be able to publish the photograph in the magazine in an article announcing the winners, or perhaps even use it as a cover illustration with full credit to the photographer and with a clear connection to the contest. There should be time limits and the license should not extend much beyond those circumstances, though the terms may well spell out the ways in which the company might negotiate additional uses in the future.
However, that is not how most of these contests work. When you read the contest terms you will almost always discover some very serious issues:
When I’ve contacted entities running contest with such terms I have gotten a variety of responses. The response that I consider to be most disingenuous – and downright dangerous – goes something like this: “Yes, that’s what the legal department made us do, but we would never treat a contest entrant that way. You can trust us.” At this point the red flag should go up and alarm bells should ring. If they really don’t intend to grab these rights, why write contest terms that allow them to do so? Why not write the contest rules in such a way that they reflect their actual intent?
Read the contest terms very carefully before you enter any photography contest. While the lure of a prize and a bit of recognition may entice you, keep in mind that few actually win, that the judging can be quite arbitrary, and whether or not you win you will have given away rights to your work.