Tag Archives: mammoth

Spring Ice, Snowy Mountains

Spring Ice, Snowy Mountains
A partially melted lake and snow-covered mountains near the Sierra Nevada crest.

Spring Ice, Snowy Mountains. © Copyright 2018 G Dan Mitchell – all rights reserved.

A partially melted lake and snow-covered mountains near the Sierra Nevada crest.

For many of us the annual re-opening of Tioga Pass Road through the Yosemite high country marks the beginning of the “summer” season, even though it often takes place in late spring. (And, “the season” typically extends into autumn, too.) Whenever I can, I try to be there on the day the road opens. For those familiar with the route from more typical summer visits, the conditions can be a real surprise, especially in years of heavy snowfall and late melts. In the big years there is water everywhere — waterfalls flowing, creeks and rivers are filled to (and beyond) their banks, meadows are flooded, and sometimes the creeks flow right across the roadway. Conditions beyond the road can be quite difficult, approaching impossible at times. (I recall one very early season hike to Parker Pass, when creek crossings were surprisingly challenging and some high elevation areas that are dry in summer were too wet to walk through.)

I decided not to go on the first open day this year, mostly due to weather issues, instead postponing my visit for a couple of days. I did go, and it turned into one of my epic one-day-up-and-back trips. I was on the road shortly after 4:00 AM, went as far as Panum Crater (which I climbed) near Mono Lake, and didn’t get back home until well after midnight. In some ways, this isn’t the ideal time for photography — that can be more interesting later on when the meadows have turned green. Honestly, it is more about kicking off the new season. Late in the day, I headed back up from Lee Vining to cross Tioga Pass and stopped briefly to photograph this familiar lake just the pass, with its remarkable pattern of melting ice and the distance peaks of Kuna Crest still fully covered in snow.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Mammoth Peak, Kuna Crest

Mammoth Peak, Kuna Crest
Mammoth Peak and Kuna Crest tower above the Dana Fork of the Tuolumne River

Mammoth Peak, Kuna Crest. Yosemite National Park, California. July 14, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Mammoth Peak and Kuna Crest tower above the Dana Fork of the Tuolumne River

I have photographed this mountain a number of times. It is a weakness, but I know that the weakness is shared by quite a few other photographers, too! If you approach Tioga Pass from the east, as you pass Tioga Lake and ascend the last stretch toward the summit of the pass, this beautiful mountain lies directly ahead, straight across the pass.

It is often photographed from the pass or very close to it, and for good reason. There are several lovely tarns at the pass, and it is quite possible to include them and even the reflection of the peak in their waters. However, I wandered off in a different direction, a bit below the pass, spending a couple of hours exploring the upper reaches of Dana Meadows, which line the Dana Fork of the Tuolumne River as it begins its journey to the confluence with the Lyell Fork and points to the west.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Thunderstorm Over Barney Lake

Thunderstorm Over Barney Lake
Thunderstorm Over Barney Lake

Thunderstorm Over Barney Lake. Near Mammoth Lakes, California. August 5, 2005. © Copyright 2005 G Dan Mitchell – all rights reserved.

Rain from an afternoon thunderstorm begins to fall above Barney Lake, in the eastern Sierra Nevada near Mammoth Lakes, California.

This is yet another older photograph that I found again while reviewing nearly a decade of raw files recently. I actually have previously posted another similar photograph of this scene in the past, but I think this one is also effective and is somewhat different.

I came to this lake when I had to leave a group of friends with whom I was about four days into a 14-day backpacking trip in the central Sierra back in 2005. On day four I woke up feeling less that great and thought I might be coming down with some sort of “bug” that I didn’t want to deal with in the back-country, partly because we were about to enter a section of trail with no quick and easy way out, and also because I didn’t want to take a chance on slowing down or halting the rest of my party. So I bailed out on the morning of day five. The rest of the gang went south on the John Muir Trail while I backtracked to the north and exited over Duck Pass.

I recall the day fairly well – perhaps because I travelled the trail twice in two days! It was easy hiking back along the JMT to the turnoff to the pass, where I paused to enjoy the view of Duck Lake. As I began the ascent to the pass above the lake, thunderstorms quickly developed, and I recall being surprised when the rain started much more quickly and much sooner than I had predicted. I believe I had to duck (no pun intended) beneath a nearby tree and quickly take out rain gear and pack cover before moving on in the rain. After I crossed the pass and started the descent towards Mammoth Lakes, the storm moved elsewhere and rays of light broke over Barney Lake below the pass where I paused to make a few photographs of this light against the backdrop of more distant peaks and falling rain.

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Sunset and Moonrise, Kuna Crest

Sunset and Moonrise, Kuna Crest
Sunset and Moonrise, Kuna Crest

Sunset and Moonrise, Kuna Crest. Yosemite National Park, California. August 10, 2010. © Copyright 2011 G Dan Mitchell – all rights reserved.

The nearly- full moon rises above the sunset light on Kuna Crest, Yosemite National Park.

Kuna Crest runs up Lyell Canyon between the Lyell and Dana forks of the Tuolumne River with the Sierra crest at one end and Mammoth Peak at the other. (Mammoth Peak is the large peak straight in front of you as you top Tioga Pass entering Yosemite National Park.) This ridge can catch great sunset light during the summer, and as I came down from the pass, heading back toward my camp at Porcupine Flat, and saw the almost full moon appearing over the shoulder of the ridge I decided to quickly stop and make a few exposures as the last light was about to leave the forest and soon after the peaks.

If you have tried photographing a scene that includes the moon in the early evening you know that the exposure is a tricky thing. The moon is lit by daylight, so it isn’t too surprising that the “correct” exposure for the moon is close to a normal daytime exposure. But that is not the right exposure for the rest of the scene, which turns out to be quite a bit darker than daylight at this time of day. In this scene things were even more complicates as the very saturated red colors on the ridge were quite “hot,” while the foreground meadow and forest was in shade and both darker and cooler in color. Basically, the dynamic range between the moon and the foreground was too large for a single exposure… so I made several.

At the time of exposure I thought that I might need as many as three component images in the final photograph – they would be one exposed for the bright ridge and sky, one exposed for the rather dark and shadowed foreground, and possibly a third that correctly exposed the moon. To be on the safe side I bracketed four exposures. When I began to work on the image I figured out that in this case I could construct a final “believable” image from two exposures if I was careful and could make some additional adjustments during post.

This is an example of a shot in which the use of a graduated neutral density filter could have been problematic, but where exposure blending could work very well. (“Exposure blending” is one term for the process of manually combining two component exposures using masked layers in Photoshop. No, it is not the same thing as HDR photography.) One of the things that would have been quite tricking using graduated neutral density filters is that the division between the brighter upper half and the darker lower half is not linear. Instead, the roughly follows the curved boundary between the lower meadow and dark trees and the still sunlit trees and the peak and sky.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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