Tag Archives: man

Black and White Photography

Black and White Photography
A museum employee photographs a family.

Black and White Photography. New York City. December 27, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A Whitney Museum employee photographs a family.

During our December 2015 visit to New York I had my first opportunity to visit the new Whitney Museum in Chelsea, at the south end of the High Line Park. I hadn’t been to the old Whitney, so I was especially interested in the new museum — not only would I see work that I hadn’t looked at before, but I would have a chance to visit a brand new piece of architecture. In fact, I thought the building was fascinating, especially outdoor terraces on each of the floors that I visited. (I started at the top and got through the collections on the 6th, 7th, and 8th floors.) The highest levels thrust out into space, providing dizzying and spectacular New York views, and the visual appearance looking up from the lower terraces is quite something, too.

I like photographing at and around museums. Often the architecture itself is interesting, but even more, the people at museums are fascinating subjects. Perhaps it is just because there are often so many of them packed so tightly together. Maybe it is something about a change in appearance and demeanor among people who are looking at and thinking about art. I spent a lot of time out on those terraces making quick photographs, and when I saw this family lining up against the wall of the museum, asking a museum employee (who was quite cooperative) to take the camera and record their antics, I quickly clicked of a sequence of photographs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Man in White, Mosco Street

Man in White, Mosco Street
A man dressed in white takes a break outside of a Mosco Street kitchen, New York

Man in White, Mosco Street. December 24, 2015. New York, New York. © Copyright 2015 G Dan Mitchell – all rights reserved.

A man dressed in white takes a break outside of a Mosco Street kitchen, New York

Christmas Eve in New York City.Earlier in the day we had wandered around in midtown, making photographs in cloudy and occasionally drizzly conditions. Eventually we made it up to near Central Park to join our younger son and his future wife at a place where he proposed to her earlier this year. Then we wandered down along the park and across to join the mob scene on Fifth Avenue until the crowds become overwhelming.

Time for dinner, so we head to Chinatown, where there is a restaurant at which we’ve eaten with our sons on a few previous Christmas visits. It is supposed to be — and it was — a place that is good but not necessarily widely known. We arrive and find that the wait is “at least an hour and a half.” As someone later said, “The cat is out of the bag.” We quickly figure out that most of the other nearby restaurants are nearly as crowded, so we decide to walk a few blocks to a Vietnamese place. As we walk down Mosco Street a cook takes a break on the sidewalk, lit by the light spilling out of the door to the kitchen.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Man In White Pants

Man In White Pants
A man walks into the sun on a San Francisco sidewalk

Man In White Pants. San Francisco, California. September 5, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A man walks into the sun on a San Francisco sidewalk

After more than a month filled with colorful photographs of autumn foliage in the Eastern Sierra Nevada, I’m going to cleanse my palate a bit… with a black and white street photograph. I know it seems odd and even inexplicable to some that someone who photographs the natural world and likes to spend time there would also be attracted to photographing the constructed world of urban streets — but I do. In some ways I think of this other universe as more of an extension of the same way of seeing that attracts me to natural landscapes. These are simply urban landscapes and they are populated by people rather than animals. The same light falls on the city and on the mountains. In addition, photographing street tunes up my visual sense, forcing me to quickly see and respond to compositions, light, and subjects.

On a couple of occasions this past summer I joined a small group of like-minded photographers to wander around parts of San Francisco making photographs at night. We generally assembled in the late afternoon, photographed first in the daylight late in the day, grabbed a bite to eat, and then headed back out into the evening to photograph street scenes under ambient and artificial light. Here I headed up a street into the late afternoon light, focusing initially on the backlit subjects and the lengthening shadows, and then this fellow walked into the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Passersby

Passersby
A couple passes a man with a dog on a San Francisco sidewalk

Passersby. San Francisco, California. July 25. 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A couple passes a man with a dog on a San Francisco sidewalk

There are stories behind all of my photographs, but the stories of street photographs can be a bit more involved — they often include not only my own story but also the stories of the events and even the people who may appear. There is a bit of both in this photograph of some people along a sidewalk in the Chinatown area of San Francisco, a photograph made in the early evening at the beginning of a night of street photography. I can’t try to describe everything that might be here, but I’ll share a few hints.

The first subject I see in this photograph is the woman, whose gaze is somewhat averted and whose demeanor does not express complete ease. The young man she accompanies is, obviously, facing away from the camera as she clutches his arm. Look to the left and notice the figure near the lamppost — a man clothed in a tie-dye “robe” (for lack of a better description of his improvised attire), carrying a backpack, and walking a very large and hairy dog. That man was the first subject to catch my attention, and when I first saw him he was behind my camera position and walking towards me. Believe me, he was quite a subject himself, but I am not fond of grabbing photographs of people who seem to perhaps be down and out — that sometimes feels like a bit of cliché. So I let him pass without a photograph, but then instinctively turned to see the scene unfold in the wake of his passage.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.