Tag Archives: man

Into the Kaweahs

Into the Kaweahs
The High Sierra Trail on the approach to Kaweah Gap, Sequoia National Park.

Into the Kaweahs. © Copyright 2022 G Dan Mitchell.

The High Sierra Trail on the approach to Kaweah Gap, Sequoia National Park.

There are some backcountry adventures in my future this summer. One involves setting up a Sierra backcountry basecamp for some serious wilderness photography. Another is a shorter trip with a group of friends that I’ve joined for backpack trips for decades — since before 1990. One way I get myself in the right frame of mind for these trips is by revisiting earlier adventures. Recently I’ve been looking over a collection of photographs from a major trip that I did with the latter group a decade-and-a-half ago. This photograph comes from that trek.

Back then we managed a few quite long trips — up to a couple of weeks. This trip lasted about a week and a half as we backpacked the High Sierra Trail from west to east, concluding with a Mt. Whitney ascent before exiting at Whitney Portal. There’s some significant up and down on the route — it crosses the rugged Kaweah range, drops deep into Kern Canyon, and then climbs again to cross Whitney Trail Crest. This photograph is from the spectacular climb toward Kaweah Gap from the west. (If you look very closely you may be able to spot one of my fellow hikers.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Man at the Corner

Man at the Corner
A worker leans against a wall on a Le Marais corner.

Man at the Corner. © Copyright 2022 G Dan Mitchell.

A worker leans against a wall on a Le Marais corner.

Sticking with the Paris street photography theme a bit longer (perhaps quite a bit longer?), here is another photograph from Le Marais. Like several of the other recently-shared photographs, I made this one within a few moments of my “Je Suis Bleu” photograph featuring three women and a fascinating poster-covered wall. Initially that photograph was so central in my experience that day that I overlooked others made right before and after it. Writing an article about that photograph lured me back to the other raw files, and I ended up “discovering” several other interesting images.

This fellow figures in several of the exposures I made. There’s another where he is in the middle of a street, part of a larger group of pedestrians that is fronted by an “in your face” image of a walking woman. (You may see that one, too, before long.) Here he appears alone, just around the corner from the location of the “Je Suis Bleu” photograph. Viewers with sharp eyes may recognize the chalk head on the wall at far left.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Je Suis Bleu: Bicycle Man

Je Suis Bleu: Bicycle Man
A man rides past a wall covered with street art, Le Marais.

Je Suis Bleu: Bicycle Man. © Copyright 2022 G Dan Mitchell.

A man rides past a wall covered with street art, Le Marais.

I have been writing a new installment for my “A Photograph Exposed” series, where I write in depth about one of my favorite photographs. The photograph in question, which I regard as one of my best, features a group of three women photographed in front of this street art-covered wall. As part of the writing process, I went back to view other files made at about the same time — for reasons that will make sense when I share the article. In doing so I found other photographs of this scene that I like. In fact, if the “three women” photograph had not turned out, I might well have shared this one years ago!

I am fascinated by the experience of going back to forgotten image files and “discovering” work for the first time. There is a difference in how we see photographs that we have just made (and which we associate with the immediate experience of making them) and how we see the same photographs after time has passed. I think that, in some ways, we see the images more objectively in the latter case — perhaps we can “see” them as what they are more than as what we expected them to be.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Strolling, Le Marais

Strolling, Le Marais
A couple strolls along a narrow Le Marais street, Paris.

Strolling, Le Marais. © Copyright 2022 G Dan Mitchell.

A couple strolls along a narrow Le Marais street, Paris.

This photograph comes from a 2016 visit to Paris… and a few other interesting European places. This narrow street is characteristic of this part of Paris, an area where some of the oldest original buildings and streets are still found.

This is also, in my opinion, one of the more interesting areas to photograph. As is the case with many gentrifying areas in big cities, lots of different populations come together here — tourists, members of more privileged classes, folks who may have lived here before it became trendy, various other folks passing through. The streets and the architecture are also fascinating, from the narrow and car-free lanes to the very old buildings and the interesting examples of street art.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.