Tag Archives: manhattan

The Office, Deconstructed

The Office, Deconstructed
Abandoned and broken chairs abandoned on a Manhattan sidewalk

The Office, Deconstructed. © Copyright 2017 G Dan Mitchell – all rights reserved.

Abandoned and broken chairs abandoned on a Manhattan sidewalk

I’m no longer quite as surprised as I once was to see what finds its way to the sidewalks, curbs, and gutters in New York City. (I recently arrived at an understanding that people in such places focus more on the quality of their home environments and less on the public environment — beautiful, comfortably designed and equipped homes are found inside buildings that, from a certain perspective, look like dumps from the outside.) If you think about how many people live and work there, it boggles the mind to consider how much stuff flows in and out of the place, including an awful lot of stuff that simply needs to be discarded.

When I walked past this spot, located in an area of very narrow and twisting streets (which should narrow it down for New Yorkers), this particular pile caught my attention. Broken office chairs were piled on the sidewalk, completely blocking it. Nearby were a few other things we might associate with work/office: abandoned coffee cups, an empty cigarette carton. Heck, in a way you might even say there is a “corner” window. Of course, I noted other things, too: the angular and geometric forms of roll-up door, tiled wall, and the strange triangle near the top, plus the soft and blue light in this narrow spot where sun rarely shines, especially in the winter.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Red Door

Red Door
Weathered red door and wall, Lower Manhattan

Red Door. G Dan Mitchell – all rights reserved.

Weathered red door and wall, Lower Manhattan

Yes, I’m a sucker for doors, weathered stuff, and bright colors. During the last week of 2017 we were in New York City, staying in Lower Manhattan and traveling all over from there, at times getting to Brooklyn and Queens. While those longer forays involved subway and cars, we also walked… a lot. New York City is, or at least can be, quite a walking city. I recall the first time I visited as an adult, and being surprised to find that people walked much more there than in California where I live. Having said that, walking there in winter can be a bit daunting, though it didn’t stop us. For most of our visit New York was in the grip of a cold spell, with daytime temperatures only making it into the lower 20 degree range, and on some days not “warming” up even that much. We found that we could bundle up, try to avoid windy spots, walk briskly, and when we got too cold… duck into a coffee shop or restaurant to warm back up.

I made this photograph on one of these walks. The specific location seems unimportant, but it wasn’t too far from Wall Street — though this scene hardly looks like it comes from a financial center! We headed north on a meandering path that took us east of Wall Street and away from the main, busy area. I was in street photographer mode, working a small camera with a single small prime lens, so I made the photograph more or less “on the move,” likely pausing only a few seconds to squeeze off a couple of frames before continuing to walk.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Friendly Pizza

Friendly Pizza
A bright red pizza shop on a cold winter day in Manhattan

Friendly Pizza. © Copyright 2017 G Dan Mitchell – all rights reserved.

A bright red pizza shop on a cold winter day in Manhattan

This was one among a string of very cold days in New York City between Christmas and New Years Day. The light was “gray” (though, objectively speaking, “blue” might be a more accurate description) as a result of this weather and of being in the urban canyons of Manhattan. The streets of Manhattan are often very busy and there is a lot to see, but in many areas the actual appearance of the streets is pretty much all business. Aside from those exceptions — some parks and stores, for example — much of the street/sidewalk scene is more about practical than aesthetics. On a cold day this seemed especially true, except that on such a day the contrast with a shop like this one, with its bright red and yellow colors and bright lights, was perhaps stronger than usual.

I sometimes struggle a bit to explain what I “see” when making my street photographs — I know what I’m after but it isn’t easy to put into words. However, I think this photograph does include some of the elements. I see the street as a kind of urban landscape, where the size and color and relatives shapes of things matters. I’m also intrigued by shops, especially when something makes them stand out. (Here it is the color and the corner location.) Perhaps even more important, I’m always on the look out for fleeting human tableaux that form and are gone — here with the fellow striding purposefully toward the shop entrance, the slow-moving man with the wheeled suitcase, and the woman in the winter coat.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

W!

W!
“W!” — Colorful painting and graffiti on metal door, New York City

Continuing my current pattern of wild back-and-forth swings among subjects, today I retreat from the foggy California wetlands and head back to New York City for some wild color. There’s nothing in the photograph to let you know this, but it was a bitterly cold winter day when I made the photograph. Almost nothing stops me from walking with my camera when I visit New York, though the 20 degree (and colder!) temperatures and biting winds did their best on this day. We started walking in Lower Manhattan, near the Staten Island Ferry Terminal (a very windy place!) and headed uptown on a somewhat random path. The route took us through some places you might not bother to visit on a tourist trip to the city, but it did turn up subjects like this intense example of street art painted on the roll-up door of a small business. If memory serves, this was the day that we finally made it to Veselka, the Ukrainian restaurant. As we walked and got colder and colder, the thought of borscht and other goodies became more and more attractive. Veselka did not disappoint.

About this photograph and its dissonance with other work I post, such as wilderness landscapes, seascapes, and migratory birds. I know that some photographers prefer to focus on a particular range of subjects. (There are fine reasons for making that choice, in fact.) But I have at least a couple of reasons for photographing a wider range of subjects. First, I come from a background in music, where the idea of performing only one style of music (say, Baroque trio sonatas) all the time seems incredibly constraining — so seeking out a wider range seems nature to me. Second, I like to think that these different subjects are still united by whatever it is that constitutes my way of seeing… and that there might be a bit of the landscape photographer in the city and a bit of the street photographer in the landscape work.

TWO


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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