Tag Archives: merced

Wetlands Island, Fog

Wetlands Island, Fog
Thick tule fog obscures the view of a San Joaquin Valley wetlands island

Wetlands Island, Fog. San Joaquin Valley, California. February 15, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Thick tule fog obscures the view of a San Joaquin Valley wetlands island

I can’t think of nicer weather for California’s Great Central Valley! (Well, unless you really need to get somewhere by car, in which case this kind of pea soup fog will slow you down, drive you nuts, and make you worry about those drivers who insist on traveling through it at high speeds.) I had a pretty good idea that it was going to be “this kind of day” as I approached this favorite bird photography location. Most of the drive had been clear, but a few miles away the fog suddenly thickened and soon I was creeping along narrow back roads at low speeds.

Our photography begin in fog so thick that we really could not see any of the birds that we heard, even though they were obviously not that far away. Finally it began to thin enough that we could see a few birds, dimly, though the mist. We photographed them for a while, and then I decided to make another circuit of the spot before the fog dissipated. Partway along the fog became less thick and it began to glow from above. I stopped, switched gears from bird photographer to landscape photographer, and made several photographs of these mostly obscured islands and trees and bushes.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Western Meadowlark

Western Meadowlark
Western Meadowlark perched in San Joaquin Valley branches

Western Meadowlark. San Joaquin Valley, California. February 15, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Western Meadowlark perched in San Joaquin Valley branches

I’m going to indulge my bird photograph collection interest and share what is really just a photograph of another little bird! This beautiful little bird was a side attraction I found during a recent visit to the California Central Valley to mainly photograph geese and cranes, plus the odd heron and egret.

Photographing the larger birds is an experience that often vacillates between moments of wildly photographing as birds fly above, or as huge flocks take to the sky, and then long periods of not doing much at all — waiting for birds, trying to figure out where the birds are, moving to another location to find birds, and so forth. But I’ve found that when I keep my eyes open I find interesting things that aren’t what I was initially looking for. That was the case with this yellow western meadowlark, which was standing in some brush alongside a perimeter road at a wildlife refuge and which I just happened to spot while passing by.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Wetlands Tree, Fog

Wetlands Tree, Fog
A tree and brush reflected in still water of a fog-shrouded wetland pond

Wetlands Tree, Fog. San Joaquin Valley, California. February 15, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A tree and brush reflected in still water of a fog-shrouded wetland pond

These are my favorite days in California’ Great Central Valley, the winter days when the tule fog forms and covers the landscape, making almost everything seem mysterious. On days when most sane people avoid driving in this fog, I head this direction hoping I’ll find it. In certain areas, even when it is clear almost everywhere else, the fog can form above the winter wetlands and quickly drop visibility to near zero. (One of the strangest but characteristic experiences is driving slowly through pre-dawn darkness and fog so thick that you can barely see more than feet in front of you, yet being able to look straight up through the shallow fog layer to see the moon and stars overhead.)

It was tremendously foggy on the February morning. Arriving at this refuge we could hear thousands of geese and cranes off in the invisible distance in almost all directions, but we could not see a single bird. Eventually, on a perimeter road circling the wetlands, I came across this spot were a few trees stand in the shallow, still water. The fog hides distant elements of the landscape or at least mutes them, giving prominence to closer features that might otherwise be lost in background detail. The central tree, visually muted even though it is barely fifty feet from my camera position, curves above the reflecting water and its skeletal form stands out from the nearly invisible background plants and water that are almost invisible in the fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Goose-Filled Sky, Dusk

Goose-Filled Sky, Dusk
Thousands of Ross’s geese fill the dusk sky above California’s San Joaquin Valley

Goose-Filled Sky, Dusk. San Joaquin Valley, California. February 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Thousands of Ross’s geese fill the dusk sky above California’s San Joaquin Valley

The light and the photographic subjects pass through a series of stages at the end of the day in these wetlands areas. The nondescript late afternoon light takes on a warmer tone as the sun drops toward the horizon and shadows lengthen, and often clouds in the distant west may momentarily mute the light. There is still plenty of light for traditional bird photography, as the direct sunlight has not yet disappeared. Before long comes the last bit of direct sun, golden in color on the bodies of white geese, and then it is twilight.

At this transitional moment all sort of light magic can happen. As flocks of birds wheel around in the night sky they take on different colors — the gold of reflected sunset, the blue of the eastern sky that is transitioning towards night, and sometimes they simply are black against the sky. And the sky shifts colors, too. Sometimes the effect is wild and gaudy, but more often it is subtle, with tones of pink and blue and purple and more. By the time I made this photograph the light was becoming quite dim, and it was dark enough that I could no longer maintain a shutter speed that would stop the motion of the birds. So I no longer tried! I use a longer shutter speed and pan, watching for the flocks to compose themselves in interesting ways, always in constant motion, and against the colors of the evening sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.